In this Lighting & Sound International article Dave Cobb says,
http://edition.pagesuite-professiona...fa1857&pnum=44
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Analogue live you can tweak in fluidly, rather than thinking 'What screen am I on?' Fleetwood Mac is a classic example where you have to ask, what's the point of having pre-sets when they go off-score so often?
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Does that mean that the group is so spontaneous that it's hard to pre-set the lighting for them? If so, that's a surprise to me.
Stevie is also mentioned on the same page:
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Dave Natale started it off for me, while I was finishing Stevie Nicks.
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