I like GDW (and ISA) as a closer because it's (somewhat) dissonant. Sometimes an aftertaste is interesting.
"Never Forget Tonight" is really great too, not in the least because its pleasant finality comes after a "night" of some serious unresolved acrimony.
The rest don't do it for me. They're logical choices but as songs a little forgettable. I like the very ending of "Wish You Were Here" though.
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