Quote:
Originally Posted by aleuzzi
I used to think, based on chart performance, that her Tusk songs weren't as strong as the ones from the other four mega-Mac albums. But over the years I have found myself returning very often to her Tusk songs. They have this ethereal quality that is all loveglow or something. Her vocals on the album are outstanding.
I chose her Rumours and Fleetwood Mac (75) songs simply because she was in such great form on those records, but not because I think the other records show a tapering off. If there is any record on which I am disappointed with her overall output it would be Behind the Mask--but there I largely blame the production. The title tune and Save Me would have sounded great in a different context.
Oh, and here's a not-so random shout out for Sugar Daddy.
|
Can you imagine LB on the guitar solo of Save Me... uhhhh
Also agree on the Tusk tunes. What I used to skim over I now love to death. There's just something so real about them.