Quote:
Originally Posted by TrueFaith77
So, oddly, if it were billed as Sad Angel as a single with three b-sides I would probably be raving about it as the release of the year instead of barely listening to it.
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This is very true for me as well. Sad Angel is the clear keystone of this release, it really does
feel like a single release rather than an EP, to me. If it were framed it that way, I might be more okay with my relatively lacklustre response to a lot of the other material.
Quote:
Originally Posted by TrueFaith77
Why would you say: Ooooh, I want this one, but then only want to do backing harmonies? It makes no sense. Plus Sad Angel is the most Fleetwood Mac-y of all the songs per Lindsey.
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Because you realize the song sounds better that way. Stevie and Lindsey harmonize well together, but their harmonies don't always make for the best possible production choice in every line of every song, and you can't always immediately tell where they'll end up fitting well. I'm inclined to think she chose Miss Fantasy too.