First full length Peacekeeper impression
 

Hi Ledgies, just heard the full version of the single... Well I don`t know about that. I think the chorus sounds really great, even better than before- the duet is fitting. But the song in general seems to be overproduced or however you may call it. The part I liked the best was the "all of our friends are gods etc..." thing with LB singing the higher notes. This has been radical changed, now Stevie doing the higher parts but with a strange sounding voice (perhaps some kind of voice machine as it really sounds different to her other parts and songs). And still too much in the front of the mixing regarding the verses not the chorus.

Also his new sung parts- (break your will) sounds different and in the last seconds the high fading guitar sound gives you the feeling the voice doesn`t stand/hold the tone and breaks away, which is not the case- it`s the guitar. O.K that`s only a detail and doesn`t make the song.

But somebody here mentioned that the verse dueting does not work. I think that`s right for this piece- I agree.

It still is a catchy thing, but in the moment I am not too happy with the changes in this version. Probably a matter of time and getting used to. Probably without having the opportunity of comparing the new single to the ACLU version nobody would say a thing. But then probably it`s really overproduced.
So the question to me is:
"What`s the GOS coming to?" :laugh:

Re: First full length Peacekeeper impression
 

Uh, that would be me. Having listened to the whole song a couple of times, my opinion on that remains unchanged. The verse should have been sung by the male voice with a snarling, menacing tone a la Steve Earle on a lot of his "Jerusalem" record. At best, the harmony should have been sparse, as in "the same" and "fire we've made." This dual-voice arrangement makes the song prettier than it should be, and I don't think the harmony on the verses works at all. Their voices sound way too different, unlike on "I Don't Wanna Know" or "The Chain." Also, when you hear Stevie's voice harmonizing on "Tell Me Lies," it makes sense as it provides a deliciously tense counterpoint to the other voices. Here they are attempting to sing the lines exactly the same way note for note, yet their range and tone is so disparate that rather than creating tension or producing a pretty harmony, it sounds a little like nails on chalkboard. Whatever effect they used to produce those funnel-like nasal tones on Stevie's voice should have been put aside.

But that's the negative stuff. The guitar arrangement sounds great, and I especially like the guitar solo under the chorus toward the end, as well as the very fast picking of the nylon-string guitar at the end. I'm glad they kept the weird high-pitched sound in the chorus too. The harmony on the chorus works. It's hard to tell from this low-fi version, but there are other voices there in the chorus, which I think should have been brought up more. And that would have taken full advantage of the sing-along quality of the chorus rather than just getting more of the same from the verses. Still, in my humble opinion, their harmonizing on the chorus is pretty good as both voices reach for a similar pitch successfully.

I would also agree with Stefan about the overproduction, but I'm not sure that could have been avoided considering all the instrumentation. One way to cut down on that overproduction feel would have been to tone down some of the effects. Then again, that might not have worked. Lastly, I would add that the thing I was most looking forward to on this song was the addition of the Fleetwood Mac backbeat. Unfortunately, I feel Mick's drumming is rather mushy. And that makes the song feel more like swaying when it should be pumping your fist in the air.

Overall, it's still a nice song, and that's the problem with it. It's a little too pretty when it should have been toughened up some. Where's the edge that Lindsey always talks about? There are plenty of other opportunities to get pretty on this record. It shouldn't have been this song. If Lindsey does this to all of the GOS songs in Say You Will, I'm going to be rather disappointed.

Thank you,Carne,for stating that so well...that was my impression.I will admit at first i was thrilled to hear Stevie was on this track..but when you listen to the whole song...it just does not work...I like Linds by himself....

Agreement
 

I wholeheartedly second that emotion. I still like Lindsey's solo version the best. The harmonies work on this in the chorus, but the verses should have been sung by Lindsey himself, just like in the original version. Also it shouldn't have lost that touch of "rawness" that the original had. Anyway, it's still a catchy, good song.


Song of the moment - Dissatisfied

OK, first impression: I agree with Carne and others about Stevie's vocals on the verse. Flat-sounding, almost as if she's out of tune.
However, the ending gave me chills, like a good Fleetwood Mac song should. The multiple layers of vocals, the guitar solo _ they build to a climax that's genuinely thrilling.
And I love the sentiment of this song. Overall, I think it's a great effort _ relevant, catchy and enthusiastically performed.

Also...
 

Was it just me, or was there a lyric change in the song? Or maybe two, even?


Song of the moment - Dissatisfied

Re: Also...
 

Yea, I don't get the change of "Only kill" to "Break their will"...?? I haven't really given it any thought yet either, but unless someone can come up with a very interesting interpretation of this new version....I prefer the original lyrics!

I just heard a 64kbps version (which i assume is the AOL version) and I liked what I heard.

It's a great, great song, so it would take a major effort to make it "not good". Having said that, like so many others, I have my questions about the vocal layering of the song. In addition, it sounds like ALL the vocals in the song (especially Stevie's) have been put through different levels of Lindsey's regularly used voice machine. At certain points in the song it gets so obvious that it sounds almost like the voices are going through a flanger effect. The fact that it's only a 64kbps version eccentuates this.

:wavey: :wavey: :wavey:

Re: Re: First full length Peacekeeper impression
 

I'm not trying to be rude or cause a Stevie squabble, but do you really think they used an effect on her voice? I just assumed that it was her normal amount of nasality du jour, since her voice seems to acquire more and more of a nasal quality as time goes on. Just look at the difference between The Dance (where she was remarkably clear-sounding) and TISL(less clear and more nasal at times). There will be a marked difference in her tone even between TISL and Say You Will. I started a thread like this months and months ago when I mentioned how odd it is that she sounds very different on every single abum, so it's just something that I've come to expect I guess.

Not bad
 

I'm disappointed, overall. But I do like the way it winds up. Seems to salvage the tepid beginning (compared to Lindsey's solo version). It's like they're trying to be too nice in the first half of the song!

Anyway, my thought on the new lyrics is that "break their will" definitely makes it more appropo to the current situation in Iraq. Also makes it more benign. "Take no prisoners, only kill" is open to some pretty nasty interpretations.

By the way, big thanks to Trin for making the mp3 available.

I do like the song (a good tune is a good tune) but I have to agree that the Lindsey and Stevie vocals can be a bit jarring especially when you're looking for BN2.
Both voices have matured and changed.

I always am a little shocked whenever I listen to new music with Stevie singing...she can sound quite different from album to album. It actually started for me with the Rock A Little album so it always requires a few listens before I start to love the vocal. I also think Stevie is really stretching her vocal range in this one which I think is a good thing...monotonal is not the way to go :)

I still like "only kill" over "break their will" but I guess you have to be pc

Well, I guess I'm the voice of dissension here, as I LOVE this finished version... which is no small feat, since I was already head over heels for Lindsey's solo version.

I totally dig the tone of Stevie's voice here (and yes, even though her vocals were probably filtered, she *can* still hit those notes if she tries), and I think the contrast of their voices on the verses is nothing short of divine.

Though I do agree that the backing vocals on the choruses should have been mixed higher, as to stress the distinction between the chorus and the verse.

There have been many times when Stevie is singing in a much higher range than Lindsey is, lending a harmony that is a bit unexpected and offbeat... "Second Hand News" is a good example of that.
But typically her voice is lower in the mix, so the difference is somewhat less noticeable.

(I'm still wondering if perhaps her vocals are a little more pronounced on the single/radio version, than they will be on the album.)

Either way, I'm very pleased with the track as it stands, and I think the little bit of polishing they've done, has improved upon an already terrific track.

But then, I always do prefer a more polished sound... I'm not a garage band kinda man.



Johnny Stew

Re: Re: Re: First full length Peacekeeper impression
 

Interesting point. I am inclined to believe there's a voice effect because it does seem more metallic than usual. Also, Lindsey is well known to like to use these machines.

I am, and I mean this as no insult to Ms. Nicks, rather shocked that Lindsey put these vocals together the way he did. It just seems so antithetical to his nearly obsessive insistence on having pitch-perfect harmonies. If the verses don't sound great here, I put the blame squarely on Mr. Buckingham's shoulders. I commend Stevie for stretching as much as she could to make it work. It just didn't work.

I seem to remember that even in the original Rhiannon, Stevie's voice was filtered. That is why is sounds so full and smooth and that sounds was very hard to produce on stage at the time. There was an interview that mentioned the Beatles had used the same effect on on of their songs.

Also, I know of no artist in today's market that do not fess up to using a protools type of program (See liner notes for TISL). Remember the guy they had a question and answer for on this site that was like "just sing the note and don't rely on a key or pitch correction device." I have a few friends "in the business" and have in a very simple way recorded me covering songs (YIPES!!!!!). They could almost "falsely produce" a three part straight/unison harmony with just my one vocal. Its amazing, but you can kind of tell if you listen hard, etc. Also, they can digitally edit almost anything, including a vocal, down to like a 32nd note now. I mean I was on like the third row for Madonna's last tour (no slams please ;) ) and although she was not lipsynching, what I heard coming out of her mouth was not what was coming out of the speaker. So, apparently, they can edit/enhance live as well.

So, while I think Stevie and Lindsey have and had good voices with no "help," history shows us that they are not afraid to alter them electronically, albeit perhaps more so Stevie because she has produced more material since the advent of readily available software for digital correction, etc.

I guess I'll be like Johnny Stew and be another "voice of dissension" here, but I absolutely love it! I emailed the link to all of my family and friends late last night. I got a few reply's this morning and they all loved it as well. My former band director, who is a huge FM fan himself, said it sounds like the classic Buckingham Nicks harmonies that he grew to love in the seventies. He heard the ACLU version before and he agrees with me that it sounds better with the higher octave harmony vocal. It adds a certain effect to it. I do agree though that I prefered the lyric "Take no prisoners, only kill" but that's OK. Well, that's just my two cents. Can't wait to hear the whole album.
Brett

I have just heard it (stupid server :mad: ).

It sounds like Stevie is doing two or three vocal parts in the beginning (which is a little strange - but I like it). I must say that although I love the original I love this one as well. I would even say I would trade LB's angst in the original (ouch!!!!!) for the new one. I think it just adds, esp. Stevie in the chorus. Stevie's vocals sear "above" LB almost (and I mean almost) as if we are in 1980. I hope they do it like that on stage. Front row or not, they will have to carry me out!!!!!!!!!!!:wavey: :wavey: