| HejiraNYC |
12-18-2012 03:06 PM |
Quote:
Originally Posted by PolishStevieFan
(Post 1070241)
I've just heard Rickie Lee Jones' new album "The Devil That You Know" and I must say that I am glad that she didn't cover Stevie Nicks. This album is so dull and lifeless, I wonder why such a great artist as Rickie Lee Jones even bothered to go to the studio and record this dreadful album.
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I don't know what happened to Rickie over these past ten years. And one could argue that it has actually been close to 20 years since she put out a really good album ( Traffic from Paradise). Clearly she has demonstrated her amazing songwriting abilities in the past, and I have always admired her creative spirit and her willingness to try new things. But just when you start believing Ricki can do no wrong, she turns around and puts out these awful covers albums: Girl at Her Volcano, Pop Pop, It's Like This, etc. Just awful. Early in her career, back when she fancied herself as some kind of neo- beatnik-jazzy-hippie chick, she would do these heavy-handed covers of jazz standards in this terribly affected Louie Armstrong/Satchmo phrasing. Yuck. Fortunately she grew out of that and eventually peaked in the late 80s/early 90s with Flying Cowboys and then Traffic from Paradise, but it's been all downhill after that. Her 2006 album Sermon on Exposition Street, was totally improvised and it is accordingly totally unlistenable. I didn't bother to even look for her 2009 album Balm in Gilead, and the YouTube videos of her recent performances seem to impart the feelings of apathy from an artist who has lost the narrative of her musical journey and just doesn't care anymore. It's sad.
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