| Christopher |
10-24-2010 11:55 AM |
As always, I believe everything works out for a reason in the end. Stevie was having writers block with the verses (and that rarely happens for her esp. during the RAL era - she had plenty to say during this time.) So Iovine and her turn to Petty for help, he finishes and records it...Stevie gets pissed and tells Petty to keep it & that was fine with me.
While "Don't Come Around Here No More" is a ok song, am I the only one that finds it a little droning and somewhat boring? aside from the sitar flourishes and the cello breakdown the song goes nowhere (I think the music video elevated it tremendously back then). Bottom line I was never crazy about this song & more importantly I cannot picture Stevie doing it better justice. I generally am not a huge fan of Stevie covering other writers material, but I much prefer "Talk To Me" over DCAHNM anyday!
For me its much more fascinating that "Don't Come Around Here No More" represents the final straw in Stevie & Iovine's working relationship. The drama that ensued around this song was as Stevie puts it in the above video clip, when she "FIRED" Iovine as producer and thus finished the RAL record with an injection of other producers and writers. Very Interesting indeed.:nod:
During the early sessions of RAL or Mirror Mirror in 84' its common knowledge that Iovine was deliberately looking for the next big hit for Stevie ala SDMHA & Stand Back and didn't think that Stevie had the makings of it left to her own devices. Hence his insistence for her to record Zevon's "Reconsider Me" & the Bruce Springsteen throwaway "Don't Lose Heart" as well as collaborate with Dave Stewart. I find it interesting that even though Stevie may have been disheartened by Iovines lack of confidence in her writing and direction at this point, that after they parted ways Stevie ended up releasing her most co-written record to date in RAL. That was a big deal for Stevie Nicks fans at the time. Only having 3 sole writing credits on RAL freaked out a lot of die hard fans including me. It left us all wondering what happened to the mad prolific songwriter. Obviously this was the beginning of Stevie having tremendous pressure on her to become a hit factory and somewhat lose focus and suffer self doubt.
Fame is a roller coaster and just as corrosive as drug and alcohol abuse & in Stevie's case she was riding all 3 full tilt during this time & her career & voice would never again be the same afterwards. This was a pivotal time in Stevie career, which is why I find it to be the most fascinating era of Stevie Nicks ever.
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