![]() |
Early-Phase Noir & the Legacy of John Alton
I watched "The Street With No Name" yesterday, an early, baroquely shot noir from Fox starring Mark Stevens, Richard Widmark & one of my favorite character actors, Ed Begley.
The photography has all of John Alton's trademark chiaroscuro, long angles, overhead shots, & distorted features, but Alton didn't shoot it! Just goes to show that Alton's seminal work with Anthony Mann on such noirs as "T-Men" & "Raw Deal" had, even by 1948, influenced the rest of the pack. Long live the great legacy of John Alton! |
Well, so far, the only 40s film I've seen is Beauty and the Beast so I cannot contribute directly to your topic, David. I loved BATB though. I do understand why Stevie said in her demo that it sort of falls apart in the last few minutes but it did not spoil it for me. We should do a version of that film with Stevie's music, that would kick!
|
I'll be darned, I think I watched a documentary about him. Or at least part of it was. Anyway, I agree, very innovative, with a lasting legacy.
Also a just a pleasure to watch. Did he always work for Fox? I just looked at his filmography. I was thinking he could've added so much to many of the old Warner Bros. flicks... |
Quote:
|
Quote:
|
Quote:
|
Quote:
|
I apprecaite film noir . I'll have to see if I can catch any of these earlier films .To me film noir usually means a Warner Brothers film most often adapted from a James N Cain novel with the male protagonist and or antagonist and femme fatale slinking or running around on Los Angeles or San Francisco streets on a rainy night.I guess that was just the Hollywood comercial zenith of the genre though.
|
| All times are GMT -5. The time now is 05:46 PM. |
Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2026, vBulletin Solutions Inc.
© 1995-2003 Martin and Lisa Adelson, All Rights Reserved