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06-03-2004 11:03 AM |
Quote:
Originally Posted by mylittledemon
I don't think the Murrow solo from the album is anything like the I'm So Afraid solo live. The Murrow solo has the same dark vibe to it, but I don't think I've ever heard a guitar solo sound quite like that. I think it's two solos layered on top of one another or something.
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Here's what LB said on "Murrow" in the April 2003 Guitar Player article:
Quote:
Murrow Turning Over In His Grave-"The very strange-sounding distortion part is based around a cluster of atonal vocals. You get five, six, or seven different tones together that are out of tune with each other, and it just becomes this arrgh kind of sound. I think there might be some slide in there, too.
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For me the "I'm So Afraid" solo has always been a very powerful way of expressing depression, or even a will to die. It's the one where his limited but obsessive soloing first made it's true debut.
"Murrow" may be played on the top of a similar chord structure but it gives me images of violence and extreme destruction. There's no way he would have made it sound like that in the '70s or '80s.
Quote:
Originally Posted by shackin'up
I love his live-solo's, he's just not very inventive and spontane with them. Stupid, cause he's perfectly able to do so. (like on the chicago-1980 ISA, and the comesolo this tour differs quite often, although not in a very obvious way.)
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Please give me some of that substance that will make me hear the differences in the "Come" solos of this tour. ;)
And I daresay that he was inventive in his solos pretty much every night up to 1980 and even in 1982 to some extent. But when there's no one in the band to truly kick his butt because the backing players are preventing that from happening then it's no surprise that he plays the way he does these days.
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