New Reader Q&A with Christine in Guardian UK - post your questions now...
 

Christine will be doing a reader Q&A for the UK's Guardian newspaper. Post your questions now, Ledgies!

https://www.theguardian.com/music/20...hristine-mcvie

Darn it, such a great opportunity, but every comment I start to compose up ends up being snarky.

"How is your waltz form of late?"

"Did you somehow manage the repayments on your new house?"

We would never get the truth about the Lindsey firing. But in a lapse of truth, she let the cat out of the bag that the Mac was over and was forced to back track.

If I could I would love to dive into the Bob Welch era but I know she would never answer questions about Bob's complaints and litigation and about the RRHOF. But maybe a simple question like.......is it true you gave side eye and hated Bob's talking mid songs like in the Bermuda Triangle and why?
Why do you hate your solo career so much?

Exactly. There will be no new info to read. She was scolded for saying they're done. This will just be more crap, that Old I'm Not The Boss allows her to say.

Unless, Christine already knows they’re done, finished.

Then she might let a few bits slip, (prior to her Autobiography)
This is The Guardian, a well respected rag in UK….maybe she’ll tell a few truths..
Hope so.

Omg—I’m laughing. Alternately:

“Any new pacts lately?”

“How’s the freedom in your mouth?”

……….

I honestly have one question (not snarky at all) but I suppose someone else will also ask it: “Will you give us one more studio album of new material?”

:lol::lol::lol:
Well it's a thing that is fleeting.

As Long As You Swallow... The Skies The Limit.

Ouch! That “freedom in my mouth” line resonates in all the wrong ways:laugh:

It's really her worst lyric ever.

hmmm...not sure which is worse, that, or ... "youuuuu made me a woman tonightttttt":eek:

Omg—I love that line and the way she sings it. I mean, I know the sentiment is a cringeworthy cliche but she sells it as genuine, not least of all because of the shape of the notes as she croons them.

That's her second worst lyric.

But thanks for playing...:lol::wavey:

Oh, I thought her second worst lyric was: “Your jam it tastes sweetest to me”

Or: “The touch of your hand / is like blind man who now can see.”

Or: “We should be sister and brother.”

Or: “You won’t see me for dust.”

I mean, there’s a bit of a choice….

I love the way she sings, "The touch of your hand..."
I hate "sister and brother.. uhhhh such a cool riff but.. those lyrics..
I'm indifferent to "you won't see me for dust." (maybe it was a tribute to Danny). :lol:

nah, it's her worst.

But thanks for mansplaining!:laugh::laugh::wavey:

It's tough being a man these days. But somebody has to do it.

Now go make me a sammich! :p

Sometimes you're a strong man
Sometimes, cold and scared
And sometimes you cry
(at least you did when you had your bailing hay accident)


BTW, there is nothing wrong with Chris's lyrics in Warm Ways writing about her unconditional devotional love for her man. Making her feel like a woman and making her a woman definitely can be sexual but it also has more meaning than that. A woman can make a man be a man and that is not considered sexual. Warm Ways is beautiful.

Every boy must learn to be a man, maybe I can help you yes I can.
Now Would you say THAT to Bob Dylan?

The above is some real word salad...

Is that you, Mick? :D

Gentle slobber you can't hide. :laugh::wavey:

I want to play too!!

I’m waiting for the pun to come up....

Your Worn ways.

Well, I guess you won’t peep easy by my side

I'm waiting for your son, to come up. I can't sleep with your dorm gays.

Okay, we have officially entered mad-lib territory—and I’m here for it!

And many of those creams, pass us by.

Two kinds of Nightbirds in this world, winners and Excaliburs.

Q and A
 

Thanks for posting. I enjoyed it very much. I did chuckle out loud. Chris's sense of humor really comes out even in print. I love it when she said cocaine and champagne made her play better but then added "maybe somebody can tell me different."
Classic!
Its just makes me want more. Again, I don't find it a coincidence that no questions about the Bob Welch era. She mentions about her love of coming to the states and play. Hello Chris! It was Bob that made it happen. This is why I did not waste my time with submitting a question. I find the Bob Welch era the most interesting because it was the building blocks for her favorite era (Stevie and Lindsey).

A “Sugar Daddy” question (thanks GeekLove)!

What hits me most when I read this is how her modesty and earthiness are genuine yet also effective defense maneuvers. When she really doesn’t want to dredge up the pains of the past, she redirects by calling attention to her no-nonsense, mild-mannered bearing. She’s still funny as hell and would be a total hoot to share a few drinks with. Love this woman.

I can tell she was really into the 1968/69 question about the small venue. That was cool.

i also think she shined during that era. Her songwriting was fantastic.

Thu 9 Jun 2022 09.30 EDT
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The UK blues and rock scene of the late 1960s was a very male-focused, testosterone-heavy environment. Did you ever consider yourself a groundbreaker for moving into that world? GeoffWhit

In those days, there were very few women, especially playing the blues, but I never felt singled out. It just all came very naturally to me when I was with Chicken Shack and things started happening for them. Shortly after that I met Fleetwood Mac. It just all fell into place and was really fantastic. Not too many women have said, “Thanks for groundbreaking”, to be honest. I’m sure I was appreciated, but it wasn’t hero worship or anything like that. Can you tell them to start [laughs]?

I first saw you with Chicken Shack at the Toby Jug at Tolworth in ’68/’69. Some astonishingly big names from rock and blues [among them Led Zeppelin, and David Bowie launching the Ziggy Stardust tour] appeared in the pub. Do you have any special memories from that small circuit? IDNumNoLongerWorks

I remember that place! We played there a few times and it was a pretty great gig. The atmosphere was phenomenal. In a small club, the sweat is palpable. It was such a great, friendly vibe and we thoroughly enjoyed playing in them. I wonder if we enjoyed it slightly less playing in much bigger places. Playing to thousands of people is more daunting, but you get used to it in the end. After the first 20 rows they all disappear anyway.


Your Wikipedia entry says you and John [McVie, Fleetwood Mac bassist] honeymooned in Birmingham. Really? Ray_Hatton


It wasn’t really a honeymoon. We just got married locally because my mother was sick. Oddly enough, there was that famously husky-voiced singer … Joe Cocker! He was staying at the same hotel and he got plastered with us, on our wedding night! Until we kicked him out [laughs].

What are your memories about joining Fleetwood Mac, after the departure of Peter Green? Skysaxon

Chicken Shack used to open for them. I got to know John, fell in love with him and it was just sensational and exciting. Fleetwood Mac were fantastic and really funny. The biggest joker was probably Peter Green, but they all had a very copacetic sense of humour with each other. It was heartbreaking for them when Peter left. They were rehearsing at Kiln House [Hampshire], and I was down there with all the wives. They came out of the rehearsal room and said: “Hey Chris, do you want to join?” I couldn’t believe my luck. I said: “Are you serious?! I’m just a girl who plays piano.” The style had to change because I was a keyboard player, and it developed a more commercial bent. It was thrilling, and I have to say to this day it still kind of is, knowing that I did that. Then it just got better.


What is your favourite period in Fleetwood Mac’s history and why? JohnB11

I would be silly not to say the Stevie [Nicks] and Lindsey [Buckingham] era, because that was pretty sensational. We had our fights here and there, but there was nothing like the music or the intensity onstage. We weren’t doing anything in Britain, so just decamped to America and fell into this huge musical odyssey. Stevie and Lindsey had been playing as a duo, made a great record [Buckingham Nicks], which to this day I really love, but hadn’t got very far. I think it was Mick [Fleetwood] who invited them to meet us. We all met in this Mexican restaurant, drank a few margaritas and decided to give it a go. We all got into this little rehearsal room and it just shot off like firecrackers.

What was it like being at the centre of the Rumours hurricane, with all the drug and relationship issues and stunning creativity? jimd

It’s hard to say because we were looking at it from the inside, but we were having a blast and it felt incredible to us that we were writing those songs. That’s all I can say about it, really.

Fleetwood Mac had a legendary alcohol and drug intake. In Keith Richards’ autobiography, he acknowledges some “blanks” in his memory. Is this the same for you? Mattyjj


No. I have to say I’m not guilt-free in that department but Stevie and I were very careful. The boys used to get provided with cocaine in Heineken bottle tops onstage, but Stevie and I only did the tiny little spoons. I suppose sometimes we got a bit out-there, but we were quite restrained, really. I always took fairly good care of myself. My drug of choice was cocaine and champagne. I didn’t use any other drugs at all. It’s easy for me to say, but I think it made me perform better. Maybe somebody could tell me different [laughs].

Which of the band’s glorious rock-star excesses (grand pianos in hotel suites, demands that hotel rooms be repainted) makes you smile or cringe the most? Mattyjj

I don’t think I ever had a piano in my room. Stevie always did, but she couldn’t play it [laughs]. So she’d have me come down and play. Nothing made me cringe. We all had definite images in the band. Stevie was the Welsh witch. I was mother nature. Mick was the raving lunatic. Everyone was very different, but we all got on, for the most part. In those days it was just all good clean fun. Well, fairly clean fun!

What are your memories of [late Fleetwood Mac guitarist] Danny Kirwan, and did you stay in touch with him over his many lost years? cymbula

No, not really. Danny and I didn’t really gel that well. Without wishing to offend anybody, we just didn’t click, but he was a knockout guitar player and he wrote some fantastic songs. So I do have a lot of respect for him.

Who or what was Sugar Daddy about? GeekLove

I don’t recall it being about anybody. I just dreamed it up. Most of my songs are based on truth, and real people, but a lot of them are just fantasies, really.

Do you regret your [16-year] hiatus [from Fleetwood Mac]? Or was it necessary for your mind and body? Did you think you would come back? Malaprop

I just wanted to embrace being in the English countryside and not have to troop around on the road. I moved to Kent, and I loved being able to walk around the streets, nobody knowing who I was. Then of course I started to miss it. I called Mick and asked: “How would you feel about me coming back to the band?” He got in touch with everybody and we had a band meeting over the phone and they all went: “Come baaaack!!” I felt regenerated and I felt like writing again.

How did you get over your fear of flying? Kmpmilano


One day I just decided not to be afraid of it any more, and that was it! I felt liberated. Then I thought: “I’m actually enjoying this.” Life’s too short to be afraid of things like flying. You’d never go anywhere. I love flying now.

It wasn’t until my 30s that I knew you grew up in the same village as me. Do you still consider yourself Cumbrian or is that a distant memory? GreenNick79

I was born in Greenodd and we lived there for three or four years before moving to Birmingham, where my father was a music teacher. Cumbria is a beautiful part of the world and we had a good time, but my distinct memory is of nearly drowning. I slipped in the mud and fell in the river, and they had to get me out using a fishing net.

Which of the songs that you have written are you most proud of? georgialh


I’ve got to say Songbird. I couldn’t sleep, started to get a song rolling around in my head and I wrote it in half an hour. “For you there’d be no more crying …” It’s sort of like a little prayer for everybody. We went into Zellerbach Hall studios [In Berkeley, California], they got me a bunch of red roses and I sang it alone on the stage.

What interests do you have outside music? appfree

Sailing. I have friends who have a yacht in Portofino, Italy, so sometimes go over there. I’m also a telly freak and like these long sagas. Narcos on Netflix is brilliant. It’s about Pablo Escobar and has a great plot.

Any thoughts on the Mac following in Abba’s footsteps and staging a virtual concert with your own avatars? Gauchiomurphio

I don’t think we’re doing it. It’s a novelty. People would rather see the real people, I’m sure.

Christine McVie’s Songbird (A Solo Collection), featuring two previously unreleased recordings, is released on 24 June and can be preordered now.

Great interview. I felt like I was sitting across the table from a genuine woman who was sharing her life experiences with me in a most positive way.

She sure did but she spoke as if she came to the States and instantly worked with Stevie and Lindsey

"We weren’t doing anything in Britain, so just decamped to America and fell into this huge musical odyssey. Stevie and Lindsey had been playing as a duo, made a great record [Buckingham Nicks], which to this day I really love, but hadn’t got very far. I think it was Mick [Fleetwood] who invited them to meet us. We all met in this Mexican restaurant, drank a few margaritas and decided to give it a go. We all got into this little rehearsal room and it just shot off like firecrackers."

That musical odyssey included Bob for many years for incredible music. I hate it when the era gets ignored like on Behind The Music and we go from England to Buckingham/Nicks.

She came here and fell into a river. And then they got her out with a fishnet... :xoxo::laugh:

She hitchhiked across the pond searching for something in an Orange Grove before she fell into a river in the new world. As much as she avoids talking about it, legend has it was in the Bermuda Triangle. At least that is what Stevie said. Meanwhile Stevie was making hamburger helper in an electric skillet and learning all the Fleetwood Mac records back to front from 1967-1970 when the band made albums.

Two kinds of creams, one for the way you walk, one for the way you love me.

We get it, you've got freedom in your mouth...

So Christine’s comments about cocaine and champagne are making headlines. However, on rereading the interview, there’s a chance she may be getting misquoted. Here’s what she said:

“I always took fairly good care of myself. My drug of choice was cocaine and champagne. I didn’t use any other drugs at all. It’s easy for me to say, but I think it made me perform better.”

She might be saying because she didn’t use any other drugs, she played better. Or, who knows, maybe the old gal can give two f…s and decided to go against trend and celebrate her moderate cocaine and champagne use…

Thoughts?

I agree with her. It's been a couple decades since I've PLAYED while doing coke(I still play, but no longer with the coke guy!), but I always thought it made me better. Especially when you're doing it with a band mate(and in our case, keeping it from the other two band mates - giving each other that knowing wink during a song). god I miss those days! ;)

AND....I definitely play better with a couple stiff drinks inside me. I used to play with a non drinking drummer, and he'd always say, "Man, I gotta tell you, most people only THINK they play better with a few drinks, but you really do play better!"

Don't judge......:woohoo::woohoo::woohoo: