I imagine she and Mick having some time together, going through ALL the albums, spending the day together. And I could see them saying, "Oh wow, that's really apropos to what we are about to do." (All Over Again)
I honestly feel like she and Mick talked in Italy about the forthcoming axe. How could they not? They both really had grown so tired of Lindsey. Christine wasn't there for 15 years. She and Lindsey were in reunion mode. They aren't going to include her on that information. Especially, while she's touring with Lindsey. |
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While I have zero doubt that Lindsey was firmly on their sh*tlist, Tom Petty was still alive and the tense November tour negotiations hadn’t yet happened. I don’t know if they had planned on firing him them, per se, but I imagine they were planning on reining in Lindsey’s role as musical director and asserting themselves in terms of setlists. Neil Finn was already on Mick’s radar by then, so maybe. It’s ironic that they connected sometime around the last OWTS shows. |
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But, in a way I think this was the birth of... "wouldn't it be great if we could have some freedom from LB running the band. Listen to all of these great songs we could be playing... What if, Mick? What if?? " In my head, something like that happens. |
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Lots of supposition! I think “All Over Again” was Christine’s own offering for the tour. I bet she relistened to Time around that point as she was reconnecting with her own musical legacy. I bet it was her idea, too, to perform “Get Like You Used to Be” in Hawaii before she rejoined. The music bug bit her again and she sifted through all her old material. Musically speaking, she’s been in a great mental space because she enjoyed writing new stuff for Fleetwood Mac or Buckingham McVie and pulling stuff out of mothballs for performance (like “Wish You Were Here”).
If Christine goes back on the road with Fleetwood or Lindsey, I bet we could hear “Sooner or Later” or “Prove Your Love” or whatever. Despite her deterioration or whatever you’d call it, she is afire again with music! |
It’s not surprising to me that they would do this song. They did DLMDA after Lindsey left in 1987. There’s a point to it and I think that it is a song Stevie would choose. To tell you the truth, Christine doesn’t seem that interested in certain songs she’s written, no matter how good they are. She promotes this song when it first comes out and then she seemingly forgets about it.
Believe me, if I went up to Stevie and Christine snd said “Hollywood some other kind of town,” I would get the same blank stares from both of them. Equally blank. I don’t think Christine has amnesia. I think she remembers this song if she wants to. She’s just not that interested. |
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You could walk up to Stevie and say “I don’t want to know” and she’d try to look like she really didn’t know. But she does.
Lindsey was going through this thing where he was trying to do a rare Tusk song for each tour. So, he went through Storms and Beautiful Child. If they’d stayed together he would have gotten Chris to do her mothballed stuff. My choice would be Honey Hi, with Mick coming down to the floor with them for drums. |
I’m convinced performing “All Over Again” was Stevie’s idea. As loopy and narcissistic as she is, choosing this tune from an album without Lindsey’s participation was a very calculated move. And it paid off. From what I saw on YouTube clips (I refused to see this incarnation live in person) the song was a wise choice. They both sounded good and it was an ideal “first” for them: a Christine and Stevie duet. That novelty was highlighted as a way of telling the world they didn’t need Lindsey to do exciting things on stage. I believe they were largely wrong in that assumption, but AOA really did work.
And no: I don’t think Chris really thought about the song after she’d recorded its. |
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