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The Story of Silver Springs - The Best Song I've Ever Written
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I think I saw an interview where she said it was just Mick at the parking lot who told her SS was cut from Rumours. Not Mick and Lindsey.
And thought it could help, I don't think that SS exactly kicked The Dance into the universe. It was the reunion itself that did it. |
I have never heard this version. Like Villavic, I thought they were in the studio and made a point of moving out to the parking lot to have the discussion, because they knew it would be bad vibes. Also that it was just Mick. IF Stevie's latest retelling is accurate, though, it's telling that Mick and Lindsey were at the studio while Stevie was rocking up late. Seems unlikely they would know the exact time to be in the parking lot for her arrival, so I doubt this version. The fact Stevie can't even say whether she stayed on or took the day off suggests her testimony is shaky.
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HOWEVER, I really dislike how she stated it in this interview. Another classic bitter Stevie comment where she attempts to take credit for something much larger than herself. |
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If someone dies, it's about her... and how close they were, and how they were incredible, and how she can't get over it. |
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The revision of her relationship with Christine has become beyond tiresome. She is exhausting. |
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Silver Springs and Sweet Girl are my favorite tracks from The Dance. The way she speaks about her role in the album’s success is painful.
And what’s the “strong woman” comment? I thought only in 2018 she became a “strong woman.” Story always changes. |
IDWK was the right song to include on Rumours. It’s up, balances the running order, and provides an opportunity to immortalize the Appalachian folk harmonies LB/SN did so well.
Silver Springs in its original form was underwhelming. Her vocal doesn’t provide the gravitas and dynamics the song deserves. Her voice would grow into the song. I hate that it’s now included in the running order on Rumours rereleases and her fans talk of it as if it were part of the original album. It wasn’t. But it is THE highlight—or one of the main highlights—of The Dance, and her performance reestablished her celebrity in the public eye. She used it to build a whole new empire for herself. And while I hate the emperor she became, she knew enough to seize the moment and not let go. |
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The poor waitress that she was. Living with the mattress on the floor because she was so poor. Except that her Dad was a successful executive and she lived a rather privileged life from day one. But let’s not let facts get in the way of her sob story. |
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1. Edge Of Seventeen 2. Show Them The Way 3. Stand Back (says she stole it from Prince) 4. The Vampire’s Wife which she has not released (New Yorker Interview in 2022) 5. Touched By An Angel 6. Moonlight (A Vampire’s Dream) 7. Dreams (because it was the band’s only Billboard number one) 8. Silver Springs |
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Coming up... she claims Silent Night is the best song she has ever written.
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Add in a decade or two of heavy drug (prescription and otherwise) use and it’s not too surprising she is how she is. |
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Oh 1998…when she felt self conscious talking on the Enchanted tour because she usually doesn’t talk that much….hahahah you just wait 25 years and see what happens!!!!
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I find your statement about older people a bit sweeping…I am a mature person and I think I’ve improved with age like fine wine, mellowed and well rounded. However, what you think of Stevie is pretty much my opinion. A spoilt little girl, who was used to getting her own way. And when she doesn’t she takes her ball and bat home. |
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Regarding Stevie, I’m assuming she grew up with a good deal privilege, though her tireless work ethic, which admittedly persists today as self-promotion and touring, had to have been instilled in her from a very young age. Her parents wouldn’t financially support her when she dropped out of school to pursue music. But she persisted. She could have crumbled but did not. So, while I consider her a spoiled, delusional, and self-centered woman whose lost perspective, there was a set of core values around hard work that she never abandoned. If she wants something, she angles for it—and not always in above-board ways. But she still angles, plays the game, works to stay on top. |
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I was never into Stevie (only went to see her solo in 2001), but I could have seen her fifteen times going to one show per tour in that same timeframe. There were generations really didn’t get the opportunity to know Christine McVie the way they did Stevie because she was retired. Sure, her songs got played on classic rock and lite rock stations. |
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I just wish she had put half that energy into honing her craft: writing better and more varied songs, stretching herself artistically, improving her piano and guitar, incorporating more of a vision into her work besides just the chiffon faerie girl. As an artist, she is a reactionary. I also wish she’d be more honest about her artistry. She doesn’t follow her muse so much as cater to a rather shallow audience. The only other explanation is that her muse just isn’t worth following. |
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Would you imagine Stephanie Nicks with Charles Mingus? :lol: I have a chiffon friend who told me that stevie is 10 times more talented than Joni Michell. Joni had Wayne Shorter Stevie and Kenny G. So there's your spectrum.. |
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But then, I'll go out on a limb here: even at its best, her solo work is a bit generic and comparatively uninteresting to her best Mac work. I was never a huge fan of Bella Donna (though I can see why it is huge) and while I loved The Wild Heart at 13, I no longer am bewitched. It's just a pretty good 80s record with a truly distinctive single: "Stand Back," which is, IMO, more original than anything of her solo work before or since. |
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If I had to sum up Stevie just for myself, I would say she made the smashing best of her skills and sensibilities, and I applaud. She was never a complete piddler or a face in the crowd (the list of piddlers in pop music in my lifetime is hundreds of miles long — people who never gave a damn about anything they were doing). As I noted elsewhere, Stevie is a model of complete self-fulfillment. She was superb at being Stevie, and in fact her more embarrassing moments were when she may have thought she was Joni Mitchell or Don Henley or Bob Dylan. Would I say that to Bob Dylan? |
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Ariana Grande and Ed Sheeran also lurk. Hi, Ariana! :wavey: |
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