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-   -   No Grammy's for "24 Karat Gold" (http://ledge.fleetwoodmac.net/showthread.php?t=54817)

BlueDenimLamp 01-08-2015 01:59 PM

No Grammy's for "24 Karat Gold"
 
The Grammy nominations are out 2015 Grammy's and it looks like "24K" has been completely ignored...If Stevie had properly promoted "24K' it might have been a different story.

WildHearted 01-08-2015 02:14 PM

Quote:

Originally Posted by BlueDenimLamp (Post 1157476)
The Grammy nominations are out 2015 Grammy's and it looks like "24K" has been completely ignored...If Stevie had properly promoted "24K' it might have been a different story.

I love 24KG but I doubt it, really.

Stevie has never been the Grammy's darling - and they merged the category she used to get nominated for (Best Female Rock Vocal) with its male counterpart a few years back, so the competition is stiff.

Fannymac 01-08-2015 03:39 PM

I don't think it was eligible....I think the cut off date was September 30th, so even though the vinyl was out, I think the actual street date was viewed as October 7th.
Maybe next year (but I kind of doubt it.....this seems like more of a "fan" album!)?

Nick 01-08-2015 07:58 PM

24 Karat Gold
 
Quote:

Originally Posted by Fannymac (Post 1157484)
I don't think it was eligible....I think the cut off date was September 30th, so even though the vinyl was out, I think the actual street date was viewed as October 7th.
Maybe next year (but I kind of doubt it.....this seems like more of a "fan" album!)?

Yep. The Grammy cutoff was 9/30, but sometimes labels release the vinyl album prior to the CD/digital release date to be eligible.

Not sure when Stevie's vinyl was released, but I agree with you that this was most likely viewed as a fan album, and not a proper studio album.

Macfanforever 01-08-2015 11:51 PM

Quote:

Originally Posted by Nick (Post 1157491)
Yep. The Grammy cutoff was 9/30, but sometimes labels release the vinyl album prior to the CD/digital release date to be eligible.

Not sure when Stevie's vinyl was released, but I agree with you that this was most likely viewed as a fan album, and not a proper studio album.

Looks like she missed the boat on getting it out on time. What else is new.She is always overlooked with this organization .

I dont know why she waste her time dealing with this organization since they dont give a sheet about her.She and FM are always overlooked.

It will looks like the FM album release will missed the boat for next years Grammy' s.

WildHearted 01-09-2015 02:00 AM

When things miss the eligibility date it doesn't mean they can't be nominated period - it means they can't be nominated for THAT particular year. They just get shifted to the next Grammy's instead.

Jondalar 01-09-2015 04:33 AM

Quote:

Originally Posted by Nick (Post 1157491)
Yep. The Grammy cutoff was 9/30, but sometimes labels release the vinyl album prior to the CD/digital release date to be eligible.

Not sure when Stevie's vinyl was released, but I agree with you that this was most likely viewed as a fan album, and not a proper studio album.

A fan album? Only fans would like TOSOTM or Street Angel or TISL. This album is terrific and for the masses.

KarmaContestant 01-09-2015 12:33 PM

Quote:

Originally Posted by Jondalar (Post 1157531)
A fan album? Only fans would like TOSOTM or Street Angel or TISL. This album is terrific and for the masses.

I agree with you. 24 Karat Gold is not a 'fan album'. It's critically acclaimed in many publications as her best since the 80's. The Grammy's don't care when songs were written. All that matters is that it meets the criteria for the release dates.

With so many in the music industry professing that Stevie is their darling, you'd think she would have some clout for a nomination.

From Wikipedia:

Quote:

Record companies and individuals may submit recordings to be nominated. Nominations are made online and a physical copy of the work is sent to the National Academy of Recording Arts and Sciences. Once a work is entered, reviewing sessions are held, by more than 150 experts from the recording industry, to determine whether the work is eligible and entered in the correct category for official nomination.

The resulting list is circulated to all NARAS members, each of whom may vote to nominate in the general field (Record of the Year, Album of the Year, Song of the Year, and Best New Artist) and in no more than nine out of 30 other fields on their ballots. The five recordings that earn the most votes in each category become the nominees, while in some categories (craft and specialized categories) there are review committees in place that determine the final 5 nominees.[13] There may be more than five nominees if there is a tie in the nomination process.

Whereas members of the Academy of Motion Picture Arts and Sciences are generally invited to screenings or are sent DVDs of movies nominated for Oscars, NARAS members do not receive nominated recordings.

After nominees have been determined, final voting ballots are sent to Recording Academy members, who may then vote in the general fields and in no more than eight of the 30 fields. NARAS members are encouraged, but not required, to vote only in their fields of expertise. Ballots are tabulated secretly by the major independent accounting firm Deloitte Touche Tohmatsu.[14] Following the tabulation of votes the winners are announced at the Grammy Awards. The recording with the most votes in a category wins and it is possible to have a tie. Winners are presented with the Grammy Award and those who do not win are given a medal for their nomination.

In both voting rounds, Academy members are required to vote based upon quality alone, and not to be influenced by sales, chart performance, personal friendships, regional preferences or company loyalty. The acceptance of gifts is prohibited. Members are urged to vote in a manner that preserves the integrity of the academy.

The eligibility period for the 57th Annual Grammy Awards was October 1, 2013 to September 30, 2014.

twinmatrix 01-09-2015 03:45 PM

Quote:

Originally Posted by Jondalar (Post 1157531)
A fan album? Only fans would like TOSOTM or Street Angel or TISL. This album is terrific and for the masses.

What? TOSOTM was her most popular release in Europe right, and TISL is amazing, full of "hits" like Planets of the Universe. Street Angel isn't a "fan release" either, although I guess only fans would like it.

But I can see 24 Karat Gold as a "fan album", definitely.

Nick 01-10-2015 08:34 PM

Quote:

Originally Posted by Jondalar (Post 1157531)
A fan album? Only fans would like TOSOTM or Street Angel or TISL. This album is terrific and for the masses.

I agree! I just think it didn't get the proper push/promotion as a brand new studio album from a veteran artist. Of course, her concert schedule with FM may have been the reason why.

pryderi 01-10-2015 08:51 PM

I honestly thought it would sell much better after seeing the Lady video hit 500,000 views in no time at all.

Macfanforever 01-10-2015 09:11 PM

[QUOTE=Nick;1157655]I agree! I just think it didn't get the proper push/promotion as a brand new studio album from a veteran artist. Of course, her concert schedule with FM may have been the reason why.[/QUOTE


Bingo .I agree.The timing was or is all screwed up.The same when she toured with Rod Stewart .She could of takin a rain check from that tour.It ruined her IYD release when she got sick.

To bad the artists or bands have to sign those multiple album contracts.

Jondalar 01-11-2015 12:13 AM

Quote:

Originally Posted by twinmatrix (Post 1157577)
What? TOSOTM was her most popular release in Europe right, and TISL is amazing, full of "hits" like Planets of the Universe. Street Angel isn't a "fan release" either, although I guess only fans would like it.

But I can see 24 Karat Gold as a "fan album", definitely.

You're crazy. TOSOM did well in Europe because it came after Tango in the Night which was a huge hit over there. She had a major push from The Dance for TISL that led the album to go gold. But the album didn't live up to the hype and never got good word of mouth and just died. Only Nicks fans would like those albums.

24K has the music to back it up. What has killed it is the lack of promotion and her fans who can't get over the demos or get over the fact that the album has actually done well critically.

twinmatrix 01-11-2015 06:11 AM

Quote:

Originally Posted by Jondalar (Post 1157666)
You're crazy. TOSOM did well in Europe because it came after Tango in the Night which was a huge hit over there. She had a major push from The Dance for TISL that led the album to go gold. But the album didn't live up to the hype and never got good word of mouth and just died. Only Nicks fans would like those albums.

24K has the music to back it up. What has killed it is the lack of promotion and her fans who can't get over the demos or get over the fact that the album has actually done well critically.

I have to disagree, I don't think 24 Karat Gold actually has any hits. It's an awesome album but it's basically a collection of demos and throw-away songs that were re-recorded. It's literally the closest thing you can get to a "fan album" per definition -- a collection of songs that only fans ever knew or cared about. Plus, to quote Stevie, she was trying to "make a good album, not a hit record" (paraphrasing). On the other hand, Rooms on Fire, Two Kinds of Love, Whole Lotta Trouble, Planets in the Universe and Sorcerer are quite well-known. At least here.

Sad TISL didn't get good word of mouth. That album is flawless. :eek: I don't know why you call me crazy though, haha. Don't take my opinion of the album as a personal attack? :P

Jondalar 01-11-2015 06:52 AM

Quote:

Originally Posted by twinmatrix (Post 1157673)
I have to disagree, I don't think 24 Karat Gold actually has any hits. It's an awesome album but it's basically a collection of demos and throw-away songs that were re-recorded. It's literally the closest thing you can get to a "fan album" per definition -- a collection of songs that only fans ever knew or cared about. Plus, to quote Stevie, she was trying to "make a good album, not a hit record" (paraphrasing). On the other hand, Rooms on Fire, Two Kinds of Love, Whole Lotta Trouble, Planets in the Universe and Sorcerer are quite well-known. At least here.

Sad TISL didn't get good word of mouth. That album is flawless. :eek: I don't know why you call me crazy though, haha. Don't take my opinion of the album as a personal attack? :P

If she were in her heyday, plenty of songs would of charted in the top 40 from 24k. Radio won't play her now. She is old, she is a woman and she is rock. Country radio is too backward to play music from a so called witch. 24k is a great album. The songs from TOSOTM and TISL mostly sound like demos.

twinmatrix 01-11-2015 07:09 AM

Quote:

Originally Posted by Jondalar (Post 1157679)
If she were in her heyday, plenty of songs would of charted in the top 40 from 24k. Radio won't play her now. She is old, she is a woman and she is rock. Country radio is too backward to play music from a so called witch. 24k is a great album. The songs from TOSOTM and TISL mostly sound like demos.

How on earth does TISL mostly sound like demos? Have you listened to the rich production and melodic structures of that album? :shrug: 24 Karat Gold is literally an album composed of re-recorded demos over the course of a few weeks.

The only songs I see as could having charted are The Dealer and Starshine and those are so-so to me compared to Rooms On Fire, Long Way To Go, etc.

But yes the music industry is unfortunately ageist... And I'm mostly fan of older female singers so I'm used to seeing next to zero charting lol.

Jondalar 01-11-2015 07:37 AM

Quote:

Originally Posted by twinmatrix (Post 1157680)
How on earth does TISL mostly sound like demos? Have you listened to the rich production and melodic structures of that album? :shrug: 24 Karat Gold is literally an album composed of re-recorded demos over the course of a few weeks.

The only songs I see as could having charted are The Dealer and Starshine and those are so-so to me compared to Rooms On Fire, Long Way To Go, etc.

But yes the music industry is unfortunately ageist... And I'm mostly fan of older female singers so I'm used to seeing next to zero charting lol.

Not all songs on TISL sound like demos. The title track is great. The material is nowhere near as strong as 24k. There are no strong radio singles on the album. Rooms on Fire is a good, original single. Most of the songs from TOSOTM sound like ideas, not songs. That is an awful album. That and Street Angel just about killed her career. Thank god for The Dance.

The Dealer, Hard Advice, Blue Water, Starshine, 24k, She Still Loves Him... All could of been hits. Even Bella Fleur and I Don't Care would of gotten play.

twinmatrix 01-11-2015 07:46 AM

Quote:

Originally Posted by Jondalar (Post 1157681)
Not all songs on TISL sound like demos. The title track is great. The material is nowhere near as strong as 24k. There are no strong radio singles on the album. Rooms on Fire is a good, original single. Most of the songs from TOSOTM sound like ideas, not songs. That is an awful album. That and Street Angel just about killed her career. Thank god for The Dance.

The Dealer, Hard Advice, Blue Water, Starshine, 24k, She Still Loves Him... All could of been hits. Even Bella Fleur and I Don't Care would of gotten play.

I'm just sitting here with an expression like

ಠ_ಠ

I can't stand I Don't Care but the other songs you mention are great, of course. I'm surprised you left out Mabel Normand and Lady, those two are really powerful. Although the former probably doesn't have commercial appeal. But neither does Blue Water.

What songs don't you like from TOSOTM? (Or should I ask which ones DO you like, haha.)

Jondalar 01-11-2015 08:07 AM

Quote:

Originally Posted by twinmatrix (Post 1157682)
I'm just sitting here with an expression like

ಠ_ಠ

I can't stand I Don't Care but the other songs you mention are great, of course. I'm surprised you left out Mabel Normand and Lady, those two are really powerful. Although the former probably doesn't have commercial appeal. But neither does Blue Water.

What songs don't you like from TOSOTM? (Or should I ask which ones DO you like, haha.)

I like Rooms on Fire, Juliet and ooh My Love.

Jondalar 01-11-2015 08:10 AM

Quote:

Originally Posted by twinmatrix (Post 1157682)
I'm just sitting here with an expression like

ಠ_ಠ

I can't stand I Don't Care but the other songs you mention are great, of course. I'm surprised you left out Mabel Normand and Lady, those two are really powerful. Although the former probably doesn't have commercial appeal. But neither does Blue Water.

What songs don't you like from TOSOTM? (Or should I ask which ones DO you like, haha.)

Questions:

When did you become a fan of Stevie's and how old are you?

twinmatrix 01-11-2015 08:33 AM

Became a fan about 2 years ago and I'm mid-twenties. So no, I wasn't around for the releases of these albums and am basing my opinion purely on taste and what I've read. I'm a pretty new fan.

Questions:

How old are you and when did you become a fan? \(゚ー゚\)

Although I have to say, aside from Stevie I haven't become a fan of any new singer in 5 years or so. I'm really picky when it comes to liking an artist, so discovering her was fantastic. Her background story, personality, ambiguous lyrics, rich production and unique voice really resonate with me. Out of all the artists I listen to, her, Dido and Avril Lavigne are probably the people I could get along with the most.

Jondalar 01-11-2015 10:00 AM

Quote:

Originally Posted by twinmatrix (Post 1157685)
Became a fan about 2 years ago and I'm mid-twenties. So no, I wasn't around for the releases of these albums and am basing my opinion purely on taste and what I've read. I'm a pretty new fan.

Questions:

How old are you and when did you become a fan? \(゚ー゚\)

Although I have to say, aside from Stevie I haven't become a fan of any new singer in 5 years or so. I'm really picky when it comes to liking an artist, so discovering her was fantastic. Her background story, personality, ambiguous lyrics, rich production and unique voice really resonate with me. Out of all the artists I listen to, her, Dido and Avril Lavigne are probably the people I could get along with the most.

We are coming from different perspectives. I grew up on Rumours and Bella Donna, so that was the sound and production that made me a fan. If you became a fan because of TISL or TOSOTM no wonder you don't like 24K Gold. In my arrogance, I have forgotten that those albums actually did create some fans besides losing fans. So sorry for that.

To me, 24k Gold is the kind of album that made Stevie famous. But not to everyone...

twinmatrix 01-11-2015 10:22 AM

Quote:

Originally Posted by Jondalar (Post 1157686)
We are coming from different perspectives. I grew up on Rumours and Bella Donna, so that was the sound and production that made me a fan. If you became a fan because of TISL or TOSOTM no wonder you don't like 24K Gold. In my arrogance, I have forgotten that those albums actually did create some fans besides losing fans. So sorry for that.

To me, 24k Gold is the kind of album that made Stevie famous. But not to everyone...

Ah, that's a good point. I can see the similarities between her first work and 24K Gold; of course those songs were written mostly around the era you became a fan.

I became a fan because of her other side of the catalogue (pun intended), so yeah we have a different perspective. Although I do love 24K, my taste is more TISL-style.

It's all good. :) I love an artist who has different music styles. Gives the fans something to discuss.

Dex 01-11-2015 11:08 AM

I love it when fans get into heated discussions on here about which Stevie albums have mass appeal and which don't.

I mean, we are the last people who anyone should be asking about that. You guys know that, right?

I love 24kg but it is definitely an album of non-hooky deep cuts that were released because fans kept clamouring on about how much they loved the old demos. It is completely reasonable to call it a "fan" album. Whatever you might think of the quality of TOSTOM, it was conceived as an album of glossy pop songs by a commercially hot producer. Totally different mentality behind it. But I don't really see why the comparison even came up.

Stevie's never received much attention from the Grammy's, but that's fine with me. Any artist who puts "Grammy Award Winning" before their name is usually a guaranteed bore. I'm good!

twinmatrix 01-11-2015 11:23 AM

Quote:

Originally Posted by Dex (Post 1157690)
I love it when fans get into heated discussions on here about which Stevie albums have mass appeal and which don't.

I mean, we are the last people who anyone should be asking about that. You guys know that, right?

I love 24kg but it is definitely an album of non-hooky deep cuts that were released because fans kept clamouring on about how much they loved the old demos. It is completely reasonable to call it a "fan" album. Whatever you might think of the quality of TOSTOM, it was conceived as an album of glossy pop songs by a commercially hot producer. Totally different mentality behind it. But I don't really see why the comparison even came up.

Stevie's never received much attention from the Grammy's, but that's fine with me. Any artist who puts "Grammy Award Winning" before their name is usually a guaranteed bore. I'm good!

I lost track of the discussion somewhere in the middle as well, haha.

KarmaContestant 01-12-2015 12:16 PM

Quote:

Originally Posted by Jondalar (Post 1157666)
She had a major push from The Dance for TISL that led the album to go gold. But the album didn't live up to the hype and never got good word of mouth and just died.

Key here being that she *had* a major push from The Dance, and then waited 4 years to capitalize on it and release an album.

*insert sad, despondent tuba sounds here*

Also, Planets hit number one on the Billboard Dance charts. 1. I'd say that goes beyond something only fans would like.

twinmatrix 01-12-2015 12:50 PM

Quote:

Originally Posted by KarmaContestant (Post 1157813)
Key here being that she *had* a major push from The Dance, and then waited 4 years to capitalize on it and release an album.

*insert sad, despondent tuba sounds here*

Also, Planets hit number one on the Billboard Dance charts. 1. I'd say that goes beyond something only fans would like.

That remix is atrocious, though. I have no idea how that ever happened.

tabruns 01-12-2015 01:02 PM

Jondalar and twinmatrix:

I have to disagree with you both. 24KG is a great album, IMO, its probably the closest she's come to an album with the sound and quality level of Bella Donna. I agree with Jondalar that many of the songs would have been hits in Nicks' heyday: the title track, "Starshine," "Blue Water," possibly "Lady".

On the other hand, OSOTM and TISL are much better albums than Jondalar gives them credit for. OSOTM is probably Nicks' most underrated album, IMO. The writing is solid, "Rooms On Fire" and "Whole Lotta Trouble" are great tracks. TISL in particular is a very strong album, a solid comeback, and had great success: Top 5, nearly 700,000 in sales in the US, two Top 20 AC hits ("Every Day" and "Sorcerer"), and a number 1 dance hit "Planets of the Universe".

KarmaContestant 01-12-2015 01:45 PM

Quote:

Originally Posted by twinmatrix (Post 1157817)
That remix is atrocious, though. I have no idea how that ever happened.

:laugh: Right?! When I put Stevie on shuffle on my phone, any time one of those Planets remixes come up I skip them because they sound so dated.

twinmatrix 01-12-2015 01:59 PM

Quote:

Originally Posted by tabruns (Post 1157820)
Jondalar and twinmatrix:

I have to disagree with you both. 24KG is a great album, IMO, its probably the closest she's come to an album with the sound and quality level of Bella Donna. I agree with Jondalar that many of the songs would have been hits in Nicks' heyday: the title track, "Starshine," "Blue Water," possibly "Lady".

On the other hand, OSOTM and TISL are much better albums than Jondalar gives them credit for. OSOTM is probably Nicks' most underrated album, IMO. The writing is solid, "Rooms On Fire" and "Whole Lotta Trouble" are great tracks. TISL in particular is a very strong album, a solid comeback, and had great success: Top 5, nearly 700,000 in sales in the US, two Top 20 AC hits ("Every Day" and "Sorcerer"), and a number 1 dance hit "Planets of the Universe".

Hey, I'm not disagreeing with you. I never questioned the album's quality. I merely stated it was a "fan album", because it's comprised of old demos that were re-recorded at the persistent request of fans. :nod:

Quote:

Originally Posted by KarmaContestant (Post 1157825)
:laugh: Right?! When I put Stevie on shuffle on my phone, any time one of those Planets remixes come up I skip them because they sound so dated.

Yeah, I kinda like dance music, but that Illicit Mix... :D

tabruns 01-12-2015 03:32 PM

Quote:

Originally Posted by twinmatrix (Post 1157831)
Hey, I'm not disagreeing with you. I never questioned the album's quality. I merely stated it was a "fan album", because it's comprised of old demos that were re-recorded at the persistent request of fans. :nod:

But, this is true on every Nicks album since the mid-80s, right (and arguably before that, if you count songs that were demo'd for Mac but ended up on Bella Donna or The Wild Heart)?

IYD: "Secret Love" and "Moonlight"
TISL: "Candlebright," "Sorcerer," and "Planets of the Universe"
SA: Nearly all of it, I believe, with the exceptions of "Blue Denim," and the outside songwriter songs

So the thing about 24KG that's different is that there aren't newly written songs added into the mix. I understand your point of view about this, but I think the quality of the songwriting from that phase of Nicks' life makes this a very high quality album of songs rather than a collection of "cast offs".

twinmatrix 01-12-2015 03:59 PM

Quote:

Originally Posted by tabruns (Post 1157843)
But, this is true on every Nicks album since the mid-80s, right (and arguably before that, if you count songs that were demo'd for Mac but ended up on Bella Donna or The Wild Heart)?

IYD: "Secret Love" and "Moonlight"
TISL: "Candlebright," "Sorcerer," and "Planets of the Universe"
SA: Nearly all of it, I believe, with the exceptions of "Blue Denim," and the outside songwriter songs

So the thing about 24KG that's different is that there aren't newly written songs added into the mix. I understand your point of view about this, but I think the quality of the songwriting from that phase of Nicks' life makes this a very high quality album of songs rather than a collection of "cast offs".

Of course a song being a demo or cast off doesn't mean much per se. Planets of the Universe is amazing and was a demo for so long because she never got it to sound the way she wanted it to (or so I read). Moonlight is one of my favorite songs; I didn't even know that was "old". :D (Are you sure about that, btw? Considering it was written with Twilight as inspiration and the first novel came out in 2005...) Technically every song is once a demo, hehe. I understand that a "fan track" or "demo" can sound negative, though.

But didn't Stevie say she released 24 Karat Gold because she was informed of her fans loving the unreleased songs on Youtube?

KarmaContestant 01-13-2015 02:27 PM

Quote:

Originally Posted by twinmatrix (Post 1157847)
Moonlight is one of my favorite songs; I didn't even know that was "old". :D (Are you sure about that, btw? Considering it was written with Twilight as inspiration and the first novel came out in 2005...)

Moonlight = Lady From The Mountain. Recorded for Tusk, Bella Donna, Rock A Little and finally released on In Your Dreams after Twilight inspired some additional lyrics.


Fannymac 01-16-2015 07:53 PM

Quote:

Originally Posted by twinmatrix (Post 1157673)
I have to disagree, I don't think 24 Karat Gold actually has any hits. It's an awesome album but it's basically a collection of demos and throw-away songs that were re-recorded. It's literally the closest thing you can get to a "fan album" per definition -- a collection of songs that only fans ever knew or cared about. Plus, to quote Stevie, she was trying to "make a good album, not a hit record" (paraphrasing). On the other hand, Rooms on Fire, Two Kinds of Love, Whole Lotta Trouble, Planets in the Universe and Sorcerer are quite well-known. At least here.

Sad TISL didn't get good word of mouth. That album is flawless. :eek: I don't know why you call me crazy though, haha. Don't take my opinion of the album as a personal attack? :P

Quote:

Originally Posted by Jondalar (Post 1157679)
If she were in her heyday, plenty of songs would of charted in the top 40 from 24k. Radio won't play her now. She is old, she is a woman and she is rock. Country radio is too backward to play music from a so called witch. 24k is a great album. The songs from TOSOTM and TISL mostly sound like demos.

I have to agree with Twin....the first time I heard the album, I was VERY disappointed. It has since grown on me, but I still feel there are very few "classic" songs on the disc.....there's a reason why most of them were passed over for previous solo efforts or FM albums......they're just not that great.

Jondalar 01-16-2015 07:58 PM

Quote:

Originally Posted by Fannymac (Post 1158336)
I have to agree with Twin....the first time I heard the album, I was VERY disappointed. It has since grown on me, but I still feel there are very few "classic" songs on the disc.....there's a reason why most of them were passed over for previous solo efforts or FM albums......they're just not that great.

What albums do you like? What were you expecting?

Macfanforever 01-16-2015 08:42 PM

If FM gets their rear in gear with their album and get it released before the deadline.They might get into the grammy noms on time,

On the otherhand .They probably will get ignored again as always.

Their pears rather vote for crap and unknowns.

PenguinHead 01-17-2015 04:50 AM

Quote:

Originally Posted by Macfanforever (Post 1158339)
If FM gets their rear in gear with their album and get it released before the deadline.They might get into the grammy noms on time,

On the otherhand .They probably will get ignored again as always.

Their pears rather vote for crap and unknowns.

It's suspect to theorize that Fleetwood Mac's motivation in making an album concerns winning awards. Their likely intention is to just make an album they can be proud of, regardless of their peers and commercial potential. There are so many artists who have won Grammy awards yet had short-lived careers or have fallen off the radar of public consciousness. Fleetwood Mac is a historic, legendary band, with enduring world-wide recognition. They are far beyond yearning for an award to prove themselves. However, it would be very sweet if they turn out an album of such high caliber that it garners that level of appreciation.

SpyNote 01-17-2015 10:00 PM

Quote:

Originally Posted by Jondalar (Post 1157679)
The songs from TOSOTM and TISL mostly sound like demos.

Those dreadful drum machines! It's like throwing brown paint on a Rhiannon painting! :mad: The one song that needs to be remixed today with a proper drum arrangement is "Nightbird."

Macfanforever 01-17-2015 11:46 PM

Quote:

Originally Posted by PenguinHead (Post 1158368)
It's suspect to theorize that Fleetwood Mac's motivation in making an album concerns winning awards. Their likely intention is to just make an album they can be proud of, regardless of their peers and commercial potential. There are so many artists who have won Grammy awards yet had short-lived careers or have fallen off the radar of public consciousness. Fleetwood Mac is a historic, legendary band, with enduring world-wide recognition. They are far beyond yearning for an award to prove themselves. However, it would be very sweet if they turn out an album of such high caliber that it garners that level of appreciation.

Bingo .I agree.Many have dropped off the radar .FM would be fine and live forever.

FM is like Ford,Chevy or Dodge or even Hoover vacuums .It went through changes of life and still moving on.

Radio Shack.Thats a whole other topic.

Macfanforever 01-17-2015 11:49 PM

Quote:

Originally Posted by SpyNote (Post 1158431)
Those dreadful drum machines! It's like throwing brown paint on a Rhiannon painting! :mad: The one song that needs to be remixed today with a proper drum arrangement is "Nightbird."

Those drum machines remind me of the little Casio keyboard I got for $40 bucks at Crazy Eddie years ago.I still suck playing it today.


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