Portland, Oregon November 22, 2014
 

By Jeff Baker | on November 23, 2014 at 5:00 The Oregonian

http://www.oregonlive.com/music/inde..._mac_play.html

"Sweet wonderful you," Christine McVie sang, all smiles. "You make me happy with the things you do."

That was pretty much the vibe at Fleetwood Mac's concert at the Moda Center on Saturday night; five senior citizens touring again for the first time in 16 years, playing their hits like time stopped and it was 1979 again, with more hugs and without all the cocaine. McVie's decision to return created a pocket of warmth on the left side of the stage and energized her bandmates, who couldn't stop talking about how happy it made them to play with "our beautiful Christine," as Lindsey Buckingham called her. Here's a review in the form of an annotated setlist, 20 songs deep:

"The Chain": Christine comes out and slides behind her keyboards like she's never been away, 71 and looking great. Stevie Nicks is center stage, Buckingham is stage right, Mick Fleetwood atop a huge drum kit, John McVie almost invisible in a cap and red vest. There are two extra musicians behind the McVies and three backup singers, providing a fuller sound that's immediately put to use on the chorus. First impression: Buckingham is really on it, breaking off a clean solo with that amazing fingerpicking technique.

"You Make Loving Fun": Christine's first solo vocal of the evening is strong and clear -- that's what 16 years off will do for your voice. She once wrote a song called "Warm Ways," and warmth is the best word to describe her. She's Christine Perfect from the Lake District of England, and it's lovely to see her back onstage.

"Dreams": Any band is a brand, and a band as big as Fleetwood Mac creates and maintains a brand that stays in people's minds and brings them to a concert where the newest songs were recorded 26 years ago. The brand doesn't change, the songs stay on the radio and sound as fresh as ever, but the players -- the ones that only love you when they're playing -- get older. All the members of Fleetwood Mac are at least 65 and have been performing since they were teenagers. Time waits for no one.

Which is one way of saying that Stevie Nicks' voice, always husky and evocative, sometimes sounds hoarse and flat, like it did on the first verse of "Dreams."

"Second Hand News": Fleetwood, who loves a kick-drum intro, pounded it out and Buckingham took it from there. Short and sweet.

"Rhiannon": Nicks put on her black witch shawl and vamped a little as the rear-screen projection flashed some images that were a combination of "The Lord of the Rings" and "The Song Remains the Same." And speaking of Tolkien, if Fleetwood Mac was "The Lord of the Rings" then Mick would be Gandalf, John McVie would be Samwise Gamgee, Buckingham would be Aragorn, Christine would be Gimli, and Stevie would be Frodo, keeper of the Ring.

"Everywhere": Christine thanked the audience -- warmly, sincerely -- and sang one of her hits.

"I Know I'm Not Wrong": Welcome to the Lindsey Buckingham show. He gave a little rap about how having Christine back "feels very circular," then played the first of two numbers from "Tusk," his masterpiece (but not the band's).

"Tusk": Slow build led by Buckingham, Christine strapped on an accordion (not that you could hear it), and the light show morphed into the famous USC marching band footage. Worked for me.

"Sisters of the Moon": Stevie's found her voice! Maybe the lower register fits the 2014 Stevie. This song is the one Stevie lovers love most.

"Say You Love Me": Christine's songs are all about love, pure and true. The lyrics are direct and sincere and timeless. Is it possible to have a crush on a woman old enough to be your mother?

"Seven Wonders": More grooviness from Her Royal Stevieness, wrapped up with a shout-out to "American Horror Story" for bringing the song back around.

"Big Love": Why did Buckingham never become a solo star the way Nicks did? He has so much talent: great voice, charisma, brilliant, unusual guitar technique, outstanding writer and performer. The biggest reason why Fleetwood Mac was so successful the late 1970s was it had three songwriters -- Buckingham, Nicks, Christine McVie -- coming up with one radio-friendly classic after another. But somebody had to be the boss and bring the sound into a whole live and in the studio, and that person was Buckingham. He was the driving force, the Lennon and the McCartney on "Rumours" and definitely on "Tusk," and it took so much out of him that he quit after "Tango in the Night," the last studio album with this lineup and originally a Buckingham solo album. He's been the backbone of all the tours for the last 25 years and it seems to me forgotten as a live performer by those who see Fleetwood Mac as an oldies band. (Which they are, let's face it.)

"Landslide": Hearing Stevie play this is like hearing Neil Young play "Old Man." They've grown into the song, and it means more now.

"Never Going Back Again": Slow and easy, Buckingham whispered his vocal. He hugged Nicks when it was over.

"Over My Head": "I wrote this one in 1975," Christine said. Fleetwood's out front, playing a smaller kit.

"Gypsy": Long, funny introduction from Stevie about being in a band in San Francisco, going into a hippie clothing store called The Velvet Underground, following your dreams, etc. Best video of the night: rainy San Francisco, kinda noir. Lighting strikes, maybe once, maybe twice. Stevie spins!

"Little Lies": The last top 10 hit for Fleetwood Mac, unless "American Horror Story" uses a deep cut from "Tusk" or something.

"Gold Dust Woman": Stevie shuffled across the stage, and for a minute I wasn't sure she was going to make it back. Cool outro from Ms. Nicks.

"I'm So Afraid": The first of three big fat highlights for me. I love the desperate isolation in the lyric, and then Buckingham shredded a showcase solo. It's one thing to finger-pick an acoustic, but getting that kind of big sound out of an electric without a pick is fascinating to watch.

"Go Your Own Way": Buckingham was out of breath after "I'm So Afraid"; Nicks put on a top hat and waved to the fans. Cell phones light up before the encore. The woman next to me pulled out a lighter and people congratulated her.

"World Turning": The first song of the encore meant a drum solo for Fleetwood.

"Don't Stop": The one song in the Fleetwood Mac catalog that feels overplayed. It's not you, it's me.

"Silver Springs": (Highlight No. 2) How great an album is "Rumours" that this beauty didn't make the cut? The flip side of "Go Your Own Way," maybe Stevie's loveliest lyric. She saved her best performance for last, and thanked the fans for remembering the song. Who can forget?

"Songbird": (Highlight No. 3): Christine at a grand piano, Buckingham at her side, playing another wide-open love song, wedding music for a generation of happy couples, at least on that day. It's all right. I know it's right.

-- Jeff Baker

Hmmm. Lindsey and Stevie don't usually hug after NGBA.

It's true you can't hear Christine's accordion, but there's something sexy about her having it on. I mean, it brings her onto the floor and gets her out from behind the piano. So, that's always welcome. It makes them seem like more of a band and that was especially true when John would join the huddle with Christine and Lindsey, which he doesn't do this time around.

BUT aside from all the practical aspects ... it just looks so darn good when she straps on that accordion.

Michele

I attended this show. Having Christine come out playing the accordion has more of a visual appeal than musical effect. Lindsey gave a little speech before the show. At the end Mick gave a speech and then Stevie gave one. My friend, who was seeing them for the first time, asked me if this is something they always did? I explained that this is a fairly new aspect of their shows that they have adopted in recent years.

I was little disappointed seeing a patch work of empty seats throughout the arena. The seating capacity is a little over 17,000. I estimate it was about 80% filled.

You wouldn't have known that by the traffic en route. Gave it a whirl to head down there and see if tix were available. 3 exits shy and an hour later, still not at venue. Skipped it. =( Sorry to hear crowd was sparse. I figured a sold out event to be sure.

I went to this show. The crowd seemed a bit more subdued than usual, but the band sounded great. For the shippers, Lindsey did kiss the back of Stevie's neck. He got mostly hair.:lol:

My photos: https://plus.google.com/photos/11640...9946353?sort=1

I think my nephew went to this show.I find out if he did attend.

That sounds really intimate. He'll be kissing the inside of her elbow next.

Michele

Payback for this last year, lol.

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Last year during Sara, I was always worried he'd suffocate in her hair, he nuzzled into her neck for so bloody long... And elbows rock.

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Thanks for the pictures! Awesome as always. Quick question (because I have no shame in being one of those 'shippers'), um, when did he kiss the back of her neck? That's a new one this tour, lol. Also, any chance you can confirm or deny a hug after NGBA, as the article Michele posted reports? Cheers! :)

Haha. That's funny.

Nice photos! I'm so glad to see the contest winner shawl still being used during Rhiannon. :thumbsup:

Strange the accordion can not be heard, as it has a mics attached to it. I hear the accordion on Tusk just fine via YouTube videos...but I used to play the accordion so maybe it's easier for me hear it.

Here's a shot Erin took showing the mics...
https://lh5.googleusercontent.com/-C...o/IMG_5290.JPG

your pics are amazing!! thanks for sharing them. I love the super close ups.

He used to bury his face in her hair for Don't Stop. She would arch her back, so that he could at the end of the song.

Michele

One of the two score and ten things I'm bitter about missing out on, for that tour alone. :D

http://41.media.tumblr.com/1ba89edb2...8si8o8_500.jpg

SYW tour had nothing on the BN tour of 2013 featuring FM :lol:

the Tusk dances were always highlights though ... some moreso than others :D

November 23rd, 2014 | by MICHAEL MANNHEIMER Music | Posted In: Concert Review, Willamette Weekly

http://www.wweek.com/portland/blog-3...ter_11_22.html

Live Review: Fleetwood Mac at Moda Center, 11/22

Growing up, I hated Fleetwood Mac. Maybe part of the problem was I usually lumped them in with the Eagles, a band that is truly terrible, or with my general distaste for classic rock dinosaurs, borne from a childhood spent listening to Phil Collins and Sting greatest hit tapes on every single family roadtrip. Nirvana and Pearl Jam and Hole hit right when I got my first Discman, and soon after, my older next-door neighbor was giving me Radiohead and Built to Spill albums. Fleetwood Mac weren’t just uncool: They were the bloated, overwrought excess of everything a young indie-rock fan and Spin subscriber stood against. But then in college, a close friend lent me a copy of Tusk, saying it was their White Album and also the one where the band’s drug use was a little too intense. I grew older, went through a few breakups, and grew to truly love my former enemies.

Fleetwood Mac have been touring a lot the past few years (including an appearance at the Moda Center just last year), but the big news here is the return of Christine McVie after a 16-year absence. Though billed as the “On with the Show” tour, there was nothing resigned about the performance Saturday night, except the few moments when the New Age-y visuals recalled a Cialis commercial. Snark aside, this really was a wonderful show. The whole band seemed genuinely stoked to have McVie back in the fold, as most of the pre-song banter featured Stevie Nicks and Lindsey Buckingham or even Mick Fleetwood gushing about being able to play with her again. Fleetwood Mac has played most of these songs hundreds of times but they were still loose and nimble onstage, occasionally stretching out a song but never indulging in that classic rock trope of just jamming forever, man.

The hits from Rumours—”Dreams,” “Go Your Own Way,” “Gold Dust Woman”—naturally got the biggest responses, and the band smiled its way through through every moment. They were augmented by three backup singers and two sidemen on guitar and keyboards, but the mix was always light, centering on Nicks’ husky voice, Buckingham’s exciting guitar playing and the subtle backbone of the rhythm section, which just kept on beating amidst a sea of 20,000 people singing along to every single word.

But for me, the real pleasure was when the band dived deeper into their back catalogue, dusting off gems like “Tusk” and Tango in the Night’s “Little Lies” and “Big Love,” which Buckingham performed solo while showing off his incredible fingerpicked guitar playing. I nearly died when he played “I Know I’m Not Wrong,” my favorite song off Tusk and easily the most amusing song of the night visually, with his dismembered floating head projected on the screen behind the band mouthing the words through a sea of colorful clouds. Buckingham really is an amazing performer—at 65 years old, rocking skinny jeans and a tight black v-neck, he seems much younger than most of his contemporaries. Though not usually recognized as a guitar hero, his solos were revelatory, never overshadowing the song but pushing each hit to new heights.

During the encore, I realized this might be the first show I’ve ever seen without an opening band. I mean, who could realistically open for Fleetwood Mac? When Mick launched into a call-and-response drum solo during “World Turning,” I initially wanted to hate on the showmanship, but I actually found it rather endearing, just like when he came out front to play a smaller kit during a nice late set stretch of songs that included “Over My Head.” Sure, it was a little cheesy. But sometimes, we have to know when we are wrong, and just embrace the kitsch.

Landslide was cute, and the 'claws' have retracted. :D

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I had a very annoying and distracting experience at this show that spoiled most of my enjoyment of the show. There was this young couple sitting right behind me. I became aware of them soon after the band stepped on stage. During the speaking introduction, they began talking with each other, completely ignoring the band. And then they continued to keep rudely and obtrusively chatting through the entire show. At a certain point, I turned around and told them I wanted to hear the band, not them. My blood pressure was boiling at this point, I was so upset.

What was even worse, was the girl would just randomly blurt out inappropriate-timed loud screams and woos about five times through each song in between all the the chattering. When Landslide was being performed, the crowd was intensely and respectively quiet, deeply taking in the emotion of the song. I hoped the obnoxious yelps would at least cease for the time being. But no, she had shatter the silence and the mood.

Her behavior ruined most of the show for me.They did leave three songs before the end of the show, and it was heaven for me to at least hear a few songs without her poisonous vocal assault. I question why they were even there? They were so inattentive. Whenever Stevie or Lindsey were addressing the audience, chatting about this or that, I had a hard time hearing them, because the most annoying couple in the world was sitting right behind me, having their own conversation!

I didn't see that as cheesy at all. It was a nice, more intimate configuration. I don't think Fleetwood Mac has had an opening act in a while. That format doesn't seem to be so requisite anymore. They didn't have an opening act on their last tour, and I was happy about that. Their shows now extend a little over two hours.

So. NGBA hug did happen. This is the only (and thus, best) footage of it thus far. I hold out hope for better, lol.

https://38.media.tumblr.com/429ec434...8si8o1_500.gif

I really, really hope we have better footage!
Thank you for all the amazing gifs.

I agree. Not at all cheesy.

Michele

was the hug at the end of the song or during? I don't remember Stevie standing there when the song ends, she was at her mic but I guess she just walked over there when it was done?

It's kind of stalkery. Don't look behind you!

Michele

After the song had ended. She went and stood facing the drum kit, then Lindsey walked over to her.

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