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The Works magazine interview with Christine
Here's that interview with Christine we've been waiting for:
http://basca.org.uk/members-area/the-works-39/ |
ahhhhhhhhhhhhhhhhhhhhhhhhh!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
thank you! |
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Great interview! Lots of information about the new album. And, she thanked her therapist in her acceptance speech.:) |
Wow, I'd also never heard her Ivor Novello acceptance speech.
She was given a really nice build up/introduction and it was good to hear Sir Tim Rice's recollections of buying I'd Rather Go Blind. Its high praise to be handed the award by him. |
Could someone please post the article? I am having trouble seeing it. Would love confirmation that Fleetwood Mac are coming to London, before I start selling all my worldly goods to get the tickets. Thanks. xx
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'...I think we're doing four nights at The O2 around Spring time next year, you know, around April that kind of date. If I'm wrong on that then I'm gonna get hung drawn and quartered'
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Really great interview! Thanks for sharing it, MacFan.
Christine's excitement is infectious. This is definitely a great time to be a Mac fan! ;) |
ONLY 5 million? HAHAHA
she's hilarious |
I have nothing to add except to say this makes me happy!!!
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I would love a co-write between Christine & Stevie. I do believe this is the first time either of them has ever mentioned having tried. What may need to happen, is for one of them to start a song and then have the other help them complete it. Co-writing completely from the ground up, might be a little too tricky because of their different approaches. |
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Chris says things like "keep it going til the B-flat" (Oh Daddy on the Rumours 35oth… oops I mean 35th edition) So I think that Stevie just can't articulate what she wants in a song and it falls to her collaborators to interpret her somewhat vague comments, and Christine being a trained musician probably struggles to work with that. |
They've had plenty of opportunities to collaborate (I'm thinking especially during the Behind the Mask era) but I'm assuming it's because their approach to music is so different. Stevie has a truly individual approach to music and needs someone who can help her clarify what she's looking for. As Bombay offered, Christine's musical vocabulary might be too technical. But I also get the sense that Christine in her collaborations is eager to stretch out, be sparked musically from a "build the song up" perspective, which Stevie, despite her lack of musical vocabulary, is not very interested in doing: she seems to have clear, predetermined ideas of where she wants her songs to go, even in their most rudimentary stages.
In short, Christine wants a collaborator to DISCOVER more musical opportunities; Stevie wants an interpreter to realize her vision. |
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A Woman is the Blues- with Stan Webb Close To Me- with Richard Hayward Did You Ever Love Me- with Bob Welch Love in Store- with Jim Recor Hold Me- with Robbie Patton Wish You Were Here- with Colin Allen Ask Anybody- with Steve Winwood with Eddy Quintela- multiple with Lindsey Buckingham- multiple with Todd Sharp- multiple with George Hawkins- multiple with Billy Burnette- multiple with Dan Perfect- multiple ...bit of a pattern here. perhaps Christine can't write with women! (have I missed anyone?) |
Let the record speak for itself! lol
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Michele |
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