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Wild Heart - Dressing Room Demo/Outtake
Does anyone have this amazing version in higher quality than youtube video? Did she ever record it this way as a proper demo or outtake? I'd love to have a better copy.
This is the performance I'm talking about: http://www.youtube.com/watch?v=7ZbjlKIXY8k |
Thought I'd seen most of the youtube clips but somehow had missed this one til now:
http://www.youtube.com/watch?v=zPv2nnj3UQI&NR=1 |
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Can i axe jist one question? Is Stevie Nicks Bootylicious? I don't think she was ever known for her butt... |
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What sucks is that she's in the actual music video for a split second. Blink and you miss her. Both the director and DC say they're huge Stevie fans and WANTED her in the video...yet they give her 2 seconds, if that.
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This has always been my favorite video, since like... EVER!
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Back to the original topic of this thread (NO IDEA how the Bootylicious thing appeared in here, though I welcome it!), I can't help. I'm sure we would have heard a better quality version of the wild heart dressing room demo if it did exist. |
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but that is def. the video i made from a vhs tape that i filmed with my ipod, thats why the quality is so crappy. :nod: |
sorry if i came across the wrong way...but when i first uploaded my Secret Love video
that i worked so hard on making...within the first week it was posted, it showed up on 3 other pages. not as a link or a favorite, but posted as the users own video. i had to ask them to please remove my video. so now maybe you can understand where im coming from? |
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Anyway, rant over! :) Yeah, it looks like someone is ripping people off on iOffer... although being in the UK, we don't get that much promo stuff, so it was worth the cost to me. :) Great video btw! :) |
Here are slightly higher quality versions of the Wild Heart Dressing Room Demo.
The "full" version begins with Stevie singing a line from "Love In Store" and then going into "Wild Heart" and there is a bit of talking at the end. The "edit" version begins and ends with the music of just the "Wild Heart" portion. Both are presented here in lossless WAV file format and 320kb mp3 format. Enjoy! Wild Heart Dressing Room Demo [Full Version] Lossless WAV format: http://www.mediafire.com/download.php?zwc04ebb47q2vyz Wild Heart Dressing Room Demo [Full Version] 320kb mp3 format: http://www.mediafire.com/download.php?077wte0mc07zvve Wild Heart Dressing Room Demo [Edit Version] Lossless WAV format: http://www.mediafire.com/download.php?ryf6s7oi6n2n03n Wild Heart Dressing Room Demo [Edit Version] 320kb mp3 format: http://www.mediafire.com/download.php?n46rwghrtg6d4s8 |
Thank you ^^^ for the great WAV files. SO unbelievably happy she spoke about this on GDNY..don't think she has ever done so publicly. It's a clip that deserves the attention.
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[Author Lindsay Hunter offers a music playlist for her short story collection]
http://www.largeheartedboy.com/blog/...es_lind_2.html "Wild Heart," Stevie Nicks (this version) "Don't blame me / blame it on my wild heart" is just the kind of thing any of the characters in this collection could holler out the window of a speeding car. Where do these impulses come from? they might wonder. From me, or are they part of my DNA, are they the motor that keeps me alive? I specified this version as opposed to the album version of the song because it is raw and unpolished, and it's clear Stevie has forgotten the lyrics in one part, and all of this means it's imperfect and totally unique, a moment in time that can never be repeated. Which is how I like to approach storytelling. Get the story out and let it be done. |
Arkansas Times, August 26, 2014 by David Ramsey
http://www.arktimes.com/RockCandy/ar...-fleetwood-mac I'm going to piggyback off of Benji's pick [which was Tusk] and highlight the best thing the Internet ever found, the five-minute grainy footage of Stevie Nicks getting makeup for a Rolling Stone photoshoot and working out how "Wild Heart" will go (see below). People, I have goose bumps on my goose bumps. I am alive, awash, rocked, renewed. Only 866,000 have viewed this on YouTube! That means literally billions of humans walking the earth have not seen this. Music is the stuff of angels and aliens. What I'm trying to say is that when Stevie sings, it is from another place. Like received wisdom. A reminder that physics is an insufficient explanation for our universe. Here in this universe there are them that are suckers for Stevie Nicks and them that ain’t. Pity the latter. — David Ramsey |
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It appears to me that she is singing to an early-stage track of the song, still in production. It's not so earth-shattering to me; it would be if she actually performed it on her Wild Heart tour. |
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I like this >>>
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I have a question about this video. It was filmed about sept 81. Stevie claims the Belladonna tour ended (and that she was in tears during the last song) because she had to join FM in france to start recording Mirage. But the sessions in France were done months prior to that. Plus she had the unfinished Can't Go back track to sing along to, and also was singing Love in Store. So I am assuming the Bella Donna tour was so short because she had to go back to doing overdubs? Her sense of history sure is off.
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I love the dressing room version better with Lindsey's Can't Go Back backing then the studio cut .Even with the smoke alarm chirp and the telephone ring in it.LOL.............
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By Michael Andor Brodeur Boston Globe Correspondent January 27, 2015
http://www.bostonglobe.com/arts/musi...OSL/story.html Stevie Nicks, wild at heart Rare is the casual Fleetwood Mac fan. It’s not unusual for devotees of the seminal rock band — responsible for such hits as “Landslide,” “Gold Dust Woman,” “Don’t Stop,” and “Gypsy” — to tend toward completism, gobbling up everything from Lindsey and Stevie’s 1973 pre-Mac “Buckingham Nicks” album to the members’ various solo albums and the promising 2013 comeback EP “Extended Play.” So for those already twirling in anticipation for the band’s Wednesday night appearance at the Dunkin’ Donuts Center in Providence, this candid five-minute clip of raw Stevie power will be of special interest. Shot backstage in 1981 at a photo shoot for Rolling Stone, it captures a young Stevie Nicks unable to sit still while getting her makeup done, and lapsing instead into a rapturous take of “Wild Heart” — a song that would find its way onto her second solo album, “The Wild Heart.” But attentive ears will hear a discrepancy: The music she’s singing over is actually a demo of a song that would become “Can’t Go Back” on Fleetwood Mac’s 1982 album, “Mirage.” Are you dorking out yet? Because we are fully dorking out. Oddly (and predictably), this impromptu mashup is pretty much perfect, a fleeting Fleetwood moment caught by kismet for the ages (and arguably better than either of the tracks she fused to conjure it). The clip provides a gripping glimpse of a legendary talent at full force, and proof that Nicks can summon the sublime from the ether of her everyday. There’s magic all around her, if I do say so myself. |
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Fleetwood Mac was in the early stages of recording Mirage, while Stevie was developing material for her second album. It appears that she used Lindsey's early instrumental track as a guideline for the gestation of Wild Heart. They released the album, and embarked a short tour. Then Stevie went to work on her second solo album. The song evolved into an epic saga with very little relation to the song that became Can't Go Back. The clip is interesting from a historical standpoint. It' shows the song in primitive form, lacking the arrangement (and probably the lyrics that became the end result. It's insightful for several reasons. It reveals one of the techniques Stevie uses to develop her songs. It's also the precursor of Sharon's and Laurie's assimilation into the Fleetwood Mac camp, after as Stevie formed life-long, sisters of the moon bonds with them in her Bella Donna phase. |
[Mark Duplass finds the video a surefire pick me up] 2/25/2015
http://tmagazine.blogs.nytimes.com/2...ie-nicks/?_r=0 Stevie Nicks, backstage on an early ’80s Rolling Stone shoot, singing “Wild Heart” on a bad VHS recording “When I’m feeling a little depressed, a little anxious, a little depleted, I lean on that clip. And it works about 100 percent of the time! It’s about the magic of a weird little moment that you can’t plan. I’ve built my whole creative process around that. You can feel lightning in the video — she’s making up harmonies as she goes, on a warbled VHS that should put her out of tune but somehow doesn’t. The recording of ‘Wild Heart’ that she professionally made and meticulously crafted six months later, it pales in comparison to that moment.” Ebet Roberts/The New York Times |
Stereo Gum, 9/5/2016
http://www.stereogum.com/1897218/jus...r-single/news/ Justin Vernon Explains Uncredited Sample Of Viral Stevie Nicks Video On New Bon Iver Single by Peter Helman Bon Iver performed their upcoming album 22, A Million in its entirety at Justin Vernon’s Eaux Claires Festival last month. Last night, Vernon held a press conference to debut the official studio version of the LP, inviting journalists to Eau Claire, Wisconsin’s unopened Oxbow Hotel to hear it and participate in a 90-minute Q&A session. When Bon Iver’s new single “10 d E A T h b R E a s T ⊠ ⊠” arrived a few weeks ago, many recognized a sample from a popular YouTube video of Stevie Nicks singing “Wild Heart” backstage. And at the press conference last night, as Pitchfork reports, Vernon explained why he used it and why it’s not officially credited: She requested that we not talk about it in the liner notes. I respected her wishes. Mostly didn’t want to get asked about working together when we didn’t work together. And I totally get that. It’s from my favorite YouTube video of all time. It’s just her warming up in 1981 getting her hair did and singing her song “Wild Heart,” which in my opinion was never properly recorded. There’s this beautiful YouTube of her singing and someone offstage singing harmony. It’s just the best piece of music. That little bit “wild wild wild heart,” that’s that sample. In addition, Vernon discussed the album’s departure in sound: I think it’s that thing of wanting to bash things apart a little bit and break through some stuff. And I needed it to sound a little radical to feel good about putting something out in the world. For me, it’s not embarrassing, but the old records are of this kind of sad nature — I was healing myself through that stuff. Being sad about something is okay. And then wallowing in it, circling though the same cycles emotionally just feels boring. For this one, there’s still some dark stuff and whatever, but I think cracking things, making things that are bombastic and exciting and also new, and mashing things together, and explosiveness and shouting more, I think that was the zone. I think shouting. Whispering was maybe the thing before. But this time –[hits his keyboard and makes a loud robot sound] According to Vernon, the album is dedicated to singer/songwriter Richard Buckner and Bernice Johnson Reagon, who founded the a cappella group Sweet Honey In The Rock. |
It's odd that she specifically asked not to be credited.
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