Vinyl Release of Rumours From WB
 

Press Release
http://www.marketwire.com/press-rele...re-1402798.htm

Warner Bros. Records and Affiliated Labels Announce Exclusive Vinyl Releases for Record Store Day on Saturday, April 16th, 2011
Vinyl Packages Will Be Available From My Chemical Romance, R.E.M., The Flaming Lips, Mastodon, Eric Clapton, Fleetwood Mac, Tom Petty and the Heartbreakers, Regina Spektor and More

BURBANK, CA--(Marketwire - February 28, 2011) - Warner Bros. Records has announced that it will make a series of vinyl albums and singles available on April 16th exclusively in honor of Record Store Day -- a celebration of the unique culture surrounding over 700 independently owned record stores in the USA, and hundreds of similar stores internationally. Warner Bros. Records is not only a partner in Record Store Day, but readies more vinyl for release than any other label. This year, we are outdoing ourselves with even more special releases to meet the demands of vinyl enthusiasts nationally and internationally as well. All items are available in very limited quantities and are sure to sell out fast, so don't delay!

These very special exclusive releases (in alphabetical order) are as follows:

Fleetwood Mac: Rumours - Standard and Deluxe Editions (Bernie Grundman Mastering)

The Diamond Award Winning, Grammy "Album Of The Year" masterpiece from Fleetwood Mac is available as an Audiophile Deluxe Version pressed on 2-Disc 45 RPM, 180 gram vinyl (pressed At Pallas), as well as a standard 33 1/3 single disc.

That would be nice to get...if I didn't already take my dad's original vinyl copy from him :lol:

Rumours Vinyl Rerelease
 

So I don't know if this has been posted, but apparently for Record Store Day, Rumours is going to be rereleased on vinyl. The original album will have an initial pressing of 3000 units, but it will remain in print! Then there will be a deluxe double vinyl released also, but only a TOTAL of 4000 copies will be pressed. Both can be preordered on Amazon.

http://nickslive.blogspot.com/2011/0...umours-by.html

Any thoughts on this? I always go into stores that don't carry a large selection of vinyls, but have a section of new ones, such as Hastings or Best Buy, and I always see new copies of older albums (such as Dark Side of the Moon), but of course there is never any Fleetwood Mac! So I'm def. excited that a vinyl of Rumours will remain in print and on some shelves :blob2: What I want to know is what is on this "Deluxe" edition. Perhaps it will be the same as the deluxe CD released in 2004?

ya know, I might actually buy this! I don't own any vinyl albums (except for Stevie's Wild Heart that my mom gave me). To have Rumours on vinyl, though not an "original" would be very cool! :cool:

I too would assume that the double vinyl issue is probably the same as the 2 disk CD reissue.

I wonder about "Silver Springs." Would they be able to fit it on the vinyl reissue? Would they won't to? :shrug:

Silver Springs don't belong there. And I got the 180 vinyl version of it on Crystal Visions--and it is BEEEEAAAAUUUUTIFUL

absolutely true..

:shocked:
I'm not paying $34.99 for a double LP when I have no idea what's on it... especially when I can get any copy of Rumours on eBay for five bucks.

Here's the Amazon links for the standard release and the deluxe release.

Standard
http://www.amazon.com/Rumours-Fleetw...ref=pd_sim_m_1

Deluxe
http://www.amazon.com/Rumours-Fleetw...0737188&sr=1-1

Basically $20 for the standard and $35 for the deluxe. Not alot of info otherwise through Amazon.

exactly...! Wtf is on it? And so close to the release date with no info? fail.

I wish they would release an album they haven't released on vinyl yet and that would be The Dance. I've been waiting patiently for a long time, but I don't think it's gonna happen :( It would be soooo amazing to have!

Hear hear! Although I already have Rumours on vinyl I might have thought about picking this up if I had a clue what was on it. If I did get it it wouldn't be until it's released anyway so I at least know. No pre-order from me! This sucks that there is so little info.

I just checked Amazon again today. Still no new/more information. The price for the deluxe edition did drop a dollar or two. :shrug:

Here's a comment from somebody on the nickslive website...

I done bought "Rumours" on vinyl in 1977.
On 8 track in 1979 because my car had one.
On cassette in 1980 because my new car had on.
On High frequency vinyl in 1983.
On CD in 1986.
On VHS the making of "Rumours" in 1998.
On DVD the making of in 2000.
On CD when they remastered it in 2003.

I am done buying the same music, over and over again. No matter now good it is, they have gotten enough of my money ! ! !

uh-oh... they forgot to purchase the DVD-A version... tsk tsk

I've got it!
If mammary serves, I think I had 3-4 8-tracks of it....2 cassettes, 2 LPs, 1 CD, the remastered CD, the DVD-A....
So I did DL a couple of albums, without paying for them, on Limewire(Future Games, and Bare Trees). But I feel no guilt, because I've paid the royalties for Tumours, ELEVEN times! How many lines of blow did I buy for the band?:lol:

Still no new info on Amazon. The double version has gone up to $40. :(

Rumour Copies
 

I have in LP format:
USA Release w/ Gemco sticker and rare sticker stating National Academy of Recording Arts. Oh, and it's sealed.
USA copy (Columbia House Edition) signed by Mick.
SuperDiscs by Nautilus remaster.
Canada
Germany
England
Netherlands White Vinyl w/ sticker on cover stating colored vinyl
Netherlands White Vinyl, no sticker and diff cat #
Japan

Tape:
USA
Mexico
Saudi Arabia
Rumours + FM/FM

CD:
USA
UK
Remaster
DVD-audio

1 8 track

and you know my tard ass can NOT WAIT for the re-release though it ticks me off like crazy to keep buying the same material. I LOVE records!!! OMG, someone please get me a help phone #.

Tone Audio, April 13, 2011, Jeff Dorgay
http://www.tonepublications.com/music/rumours/

Rumours
RumoursWB 2 - 45rpm LP's

After years of delay, Fleetwood Mac’s 1977 blockbuster Rumours finally made its way to the pressing plant—the Pallas plant in Germany, to be exact. True to its past performances, Pallas has done an exquisite job on these four vinyl surfaces. Though the cover printing has picked up a bit of contrast from the original, it’s printed on heavy stock, and there’s evidence of spot varnish having been applied. Very nice touch. Steve Hoffman and Kevin Gray are rumored (pun intended) to have performed the remastering duties, yet there are no mastering credits on the jacket and the copyright date is listed as 2009. Fittingly, then, the record retains some of its original relationship-related controversy.

Those who have been waiting for this reissue since 2006, the year a few test pressings slipped onto the market, will be rewarded the second they drop the tonearm on the opening track. It sounds scrumptious. Thanks to the almost CD-quiet backgrounds, you hear much more of Mick Fleetwood’s percussion. On “Dreams,” Lindsey Buckingham’s backing vocals have considerably more space than they do on early pressings. A smidge of tape hiss creeps into “Songbird” at the end of the second side, but that’s not a bad thing. It actually reinforces the material’s analog greatness. Moreover, Christine McVie’s voice never sounded better and, thanks to the extra grooves made possible by the 45RPM extension, possesses more delicacy than the original pressings. “Songbird” is the best example of low-level detail; the following track, and beginning of the third side, “The Chain,” offers up the best example of dynamic punch. “I Don’t Want To Know” comes a close second.

The best news? Warner Bros.’ pressing is flawless from beginning to end. This is definitely the super-sized version of Rumours: It goes beyond big sound. You can just feel this record breathe, in and out, while listening to tracks that you thought you knew like the back of your hand. Wait until you experience the new information that’s available. And the soundstage is massive. If the music doesn’t float well past your speakers’ boundaries, it’s time to go shopping for a new stereo.

So, take a trip back to 1977 when Stevie Nicks had small breasts and Buckingham sported big hair. If you’ve got a rare, early first-stamper pressing, you may not need to add this one to your collection unless you are really obsessive compulsive. But if you love Rumours (and almost everyone does) and you don’t have a flawless copy, this edition is worth every penny. A 180g 33-1/3RPM version is also available for around $25. But fairly priced at $45 for four sides, the deluxe audiophile edition is the way to go.

–Jeff Dorgay

I am considering picking this up at my local record store, if they have it Saturday.

At some point, I should probably get a turntable to play my records on. :laugh:

I wish Bella Donna had been given this same treatment.

Now I'm eager to find the release info for the CD remaster and the CD/DVD version to read how "amazing this listen is" lol I think there is something to be said about how it's treated for a vinyl re-release but still it's funny. Each review trumps it as being "the best listen, you'll hear things you never did before" etc. Still, damnit, I'm a gonna buy it!!!

I'm confused
 

So is this Rumours made into a double album? What point does that serve?? :confused:

I like to see all the latest FM/Stevie Nicks albums go to vinyl copies.The Rumour Lp.I probably have enough to wall paper a room.

It should mean a drastic increase in sound quality since the tracks are spread over twice as many grooves on the records. And it's remastered!

I don't think I'm too interested in the deluxe edition. Perhaps I'll get the standard edition so that I can say I have the "Rumours" LP.

first..
 

Happy Record Store Day. http://www.recordstoreday.com/Home

as a lover of vinyl, I have a stellar copy of Rumours with insert and all.. but I still will pick this new version up. I wish they would give "Fleetwood Mac" - my favorite Mac album - the vinyl treatment.

time to shower.. and venture out to the 4 "record stores" in my area of the city who are participating in "Record Day." still looking for a nice clean copy of the Stone's "Beggar's Banquet" ...my missing vinyl Stones link.. wish me luck!

good day, all! "In Your Dreams" is right around the corner.. :-)

Amazon is now showing these for a 5/24/2011 release. SHOCKING. I was unable to get out for record store day today, but there is a record convention tomorrow. Had really hoped to see this somewhere. Guess we wait now til May. Anyone acquire one? Is this an Amazon boo-boo, or the usual push back date going on???? :mad:

Yeah that's strange. :confused:The standard edition came out yesterday, but I suppose the deluxe has been delayed. :shrug:

The deluxe is the 45 rpm, 2 disc version right?

I got that at record store day yesterday.

Its a 45 rpm? :confused: I thought it was essentially the Rumours album spread out onto 2 33 1/3 records a la Tusk?

Perhaps Amazon had a glitch or delay in recieving the deluxe editions? :shrug:

Anybody in NYC have a kickbutt vinyl turntable?

As expected, the 2-LP version of Rumours (limited to 4000 copies worldwide)has already hit eBay at an outrageous markup. $150-250 bucks. Insane!

No mention of FM or Rumours, but here's an interesting blog entry from my local record store about Record Store Day.

http://twistedspork.blogspot.com/

Monday, April 18, 2011Record Store Day 2011

When I got there at 8:30 a.m. there were about 120 people in line. The first guy had apparently gotten there at 3:00 a.m. By the time we opened there was north of 250 people waiting to get in. I’ve been in retail for nearly 30 years and I have never experienced what followed. For the first two hours of Record Store Day I can only describe it as a sales nuclear reaction. It was astounding! It dwarfed the excitement and volume of last year, or any Christmas, or any instore performance I’ve ever seen. People were just insane to get their hands on this stuff. The hottest items for us- The White Stripes, Phish, Panda Bear, Foo Fighters, Pink Floyd, Mastodon/ZZ Top split, Deftones and Ryan Adams among others blew out of there in minutes. Many items that we didn’t get what we ordered like The Fleet Foxes, or Phish or Grinderman we could have sold out of in minutes rather than seconds had we gotten what we ordered. What kind of numbers am I talking about? Well on many of the bigger items we brought in 75, 60, 45, 30 or 15. In total we are probably talking about 3,000 pieces of vinyl in addition to CDs, shirts, puzzles, comic books, plastic toys and all other official RSD schwag. We had over 1,100 transactions that day with almost 300 of them coming in the first two hours. The average sale was 61 dollars. The average customer purchased 5 items although many people bought huge amounts. We attempted to source every single Record Store Day release, including (pretty unsuccessfully) getting Record Store Day UK releases. It seems like if I could have gotten them we could have sold potentially hundreds of copies of many releases. Some things underperformed for us as well; Ray Lamontagne, Mastodon Live at The Aragon,Tom Petty Reissues and most surprisingly Sonic Youth, Dylan and Springsteen all did less than I expected.


From the budgeting point of view this brings up the obvious conundrum for independent stores of; how do you afford to buy all this stuff, even though you sell through much of it, there are all the ongoing costs of doing business and quite a bit of additional staffing expense for the day and I don’t want to even think about the potential for theft on a day like this. We also will be left with about twenty percent of the stuff unsold. That stock has to be paid for as well and none of it can be returned. There were hours where we-the staff-could not get near the product. Many people stood in line for well over an hour, even though we had five registers going the whole time. The day did not slow down at all until late afternoon, at which point it felt like a typical Christmas Eve. It stayed that way until about 9:00 p.m. when it finally slowed down. As we have in the previous 3 years we had an all day program of DJ’s (Arturo Gomez, Brett Ericson (DJ Segue), Professor Mikey, DJ Sam, DJ PETER BLACK and SOLE & the Skyrider Band) who all did a fabulous job. With the crowds the way they were it seems unlikely we could have managed an instore on this day. Throughout the day I estimate about 2-3 thousand people came to the store. All told it was the biggest day in the history of the store by a long shot and about 30% bigger than last year’s RSD.


The crowd was overall very nice and cooperative. There were the usual complainers, and prima donnas who just can’t believe it’s not all about them. There are also those who scam to get multiple copies to undoubtedly resell. Overall though I feel very proud to have gotten so many copies of so many different releases into so many different hands, and we were all impressed with the sweetness and good cheer of our clientele.


The biggest things to ponder for me are as follows;
-I understand that the labels are trying to preserve the special nature of this event by making the items very limited. In a sense they are absolutely correct that this is the surest way to stoke demand. On the other hand, there were plenty of items limited to 1,000 or less and when one considers how many stores are participating in this event, and coordinate that with the number of people I described it seems like not enough are being made. I don’t know how it was for everybody else, but we could have sold much more of nearly everything to different folks. This is a difficult one to figure. I think building to order needs to be combined with some kind of cap on any given store so no one can hoard, thus getting the numbers a little closer to the demand. If many of these items end up being sold on the internet by the customers who get them from the stores then so be it-that’s the way of the world these days, but I have to believe that the majority of this stuff is going home to be cherished. I know I spent a good couple of hours listening to my acquisitions last night. There are so many great pieces this year, but I am going to give my top prize to Ryan Adams. His double, gatefold, heavy vinyl, multi-colored, 7” defines collectible to me. Four great unheard songs, a beautiful package, a lyric sheet and a sticker-damn, this guy does it right! The Dylan at Brandeis LP is really special-a magical point in his career. The Phish Soundchecks 7” is really a special release-very different musically, and something their obsessive fans will really enjoy. I am relishing the Vanguard Lost Psychedelic compilation, Built To Spill covering the Dead-very fun. The Decembrist live at Bull Moose CD is also a fun and loose show. And Rome, the supergroup featuring Dangermouse, Jack White and Norah Jones makes me excited to hear the whole album. It goes on and on.
-How will we pay for all this. In the future we will continue to try and hone our buying to be more precise, but I fear it is impossible at some level.
-How can we make the experience better for the customer next year? Shorter, faster lines? Physically controlling the hottest items to keep unscrupulous collectors from hoarding? Food? Drink?

The bottom line is we are all drained and exhilarated by this tremendous event, which flies in the face of the prevailing wind that the record store is dead. That was an extremely animated corpse on Saturday.

Paul Epstein
Owner-Twist and Shout

And....their top selling items for the day:
http://3.bp.blogspot.com/-zX5WSAPSz5...s1600/poop.jpg

TG Daily, April 30, 2011

http://www.tgdaily.com/games-and-ent...-fleetwood-mac

A look back at Rumours by Fleetwood MacPosted on Apr 30th 2011 by Zachary Wolk, MXDWN

Fleetwood Mac have remained one of music’s most fascinating groups for decades.

The personalities of the various members, the behind the scenes dramas and love stories and the incredible music the band consistently produced have never ceased to captivate audiences. However, it is the band’s 1977 release, Rumours, that is mainly responsible for Fleetwood Mac becoming something of a mystical pop culture name.

The band’s previous album, their second self-titled effort, featured new members Stevie Nicks and Lindsey Buckingham. Released in 1975, Fleetwood Mac brought the band the most success any of its members had enjoyed thus far. For Mick Fleetwood, John and Christine McVie and Buckingham and Nicks, the pressure was on to deliver a worthy follow up. Tensions between Buckingham and Nicks, the McVies and Fleetwood and his wife, however, put into question the band’s ability, or willingness, to deliver.

As the band set out to record Rumours, originally to be titled Yesterday’s Dreams, the McVies divorced after eight years of marriage, and Buckingham and Nicks continued to battle. The recording sessions were marred by excess at its most excessive, with the members abusing drugs and spending countless unproductive hours in the studio. However, the members practiced an arduous and forced civility, and the turmoil encouraged Fleetwood Mac’s greatest album into creation.

Before and during the creation of Rumours, Fleetwood Mac came to be referred to as “rock’s greatest soap opera,” and Rumours became the soundtrack to the drama. With most members contributing music and lyrics, the songs took on the form of an inner dialogue that was fascinating to watch unfold. Buckingham’s piece “Go Your Own Way” stands out most and has become an anthem for bitter ex-lovers. The more tender “Never Going Back Again,” “Dreams” and “The Chain” (although all still somewhat bitter) provide contrast. Christine McVie’s “You Make Loving Fun,” a song about finding a new lover, fills out an album that explores the wide range of emotions of overwrought lovers.

What unifies the album is the band’s signature instrumentation and vocal harmonies that have become the band’s stamp on rock. On Rumours, Fleetwood Mac fully developed a light, almost floating, yet driven sound. The harmonies create a surrounding effect that envelops the listener, most especially in “The Chain.” The dialogue of the lyrics comes alive in the harmonies in dramatic fashion.

Simply finishing an album for a band experiencing such inner feuding would have been quite a feat. Rumours, however, is evidence of a band that took their craft and vision seriously enough to not give up on it. The album likely would have sold well simply for the drama behind it. It’s impeccable production and intimate sounds and lyrics, however, have made it more than a great commercial album, and it has become a classic album saturated with love and love-lost songs in their purest form.

Excerpt from an article titled "When Musicians Talk Back to Critics"]

May 4, 2011, stuff.co.nz
http://www.stuff.co.nz/entertainment...to-the-critics


I was given a very nice gift yesterday - the May issue of Creem magazine. From 1977. I've only started flicking through it but there's an almost unintelligible review of Leon Redbone by R. Meltzer. And there's a review of Fleetwood Mac's Rumours that singles out Dreams as the only decent song, suggests that Christine McVie has really let her writing fall away and pines for the band to return to its blues/R'n'B roots.

Funny.

As a fan of Fleetwood Mac I was in no way incensed by this review. I thought it was a laugh - and most likely it was right on the money. At that time. Arriving after the eponymous album (the first to feature Buckingham & Nicks) it probably did just sound like more of the same; like McVie had been reduced to a George Harrison role in the songwriting stakes. Heading down toward Ringo territory. The writer of the review, Stephen Demorest, definitely had an opinion about the album. That's the important thing. And I could see a lot of what he was saying, even though I didn't agree. But of course I heard Rumours as a nine-year-old, already used to the Tusk album and songs like Gypsy. I heard them before I ever knew who Peter Green was. So to me it made sense instantly. I also heard the album knowing it was one of the biggest-selling records of all time. It's not like that informed my listening. But then again, that's exactly what it did. Let's not kid about.

i know your hoping to find...
 

I'm still waiting patiently for my local record store to give me a call saying my ordered copy of the 45 rpm vinyl "Rumours" has finally come in - but I'm starting to give up hope, especially after this revival of "Rumours". Then again, maybe this nice little resdiscovering of "Rumours" might result in another vinyl pressing..

I got up, made the coffee, and decided to take a break from "In Your Dream." Just finished listening to "Rumours" the dvd audio version, from front to back and it truly is a masterpiece.. I hadn't listened to it in a while, was waiting for my vinyl.. but the dvd audio.. hell., the record in whatever format.. is really a triumph of rock and roll. and it sounds so good coming through my "beats" headphones... can't wake up the neighbors..

The Guardian UK, September 30, 2011

http://www.guardian.co.uk/music/musi...?newsfeed=true

My favourite album: Rumours by Fleetwood MacOur writers are picking their favourite albums. Here, Nosheen Iqbal recalls the joy and the pain of hearing Rumours

Everyone knows your favourite albums are usually those you heard in your teens (Up to Our Hips), soundtracking first love, independence and heavy-duty revision (Stories from the City, Stories from the Sea). They're not supposed to be records you discovered two years ago by a band you'd always filed away in the "Stuff Old White People Like" box in your brain. But so it goes with Fleetwood Mac's Rumours.

In November 2009, I spent four weeks criss-crossing the States only to fall madly in love with Los Angeles. Finally home on a cold Friday night to Hackney and my husband, I came across a battered copy of Rumours I'd picked up from a rental car on the way. We put it on, expecting nothing more than softly rocking California cheese. We were stunned. Lying on the sofa, expectations confounded, we waited for a rubbish number to kick in. Songbird, a gooey if touching ballad, was as bad as it got. Forty minutes later, all I could say was: "Dude! Who knew?"


The rest of that weekend, and many more after, was spent with Rumours playing in the background. The revelations were numerous: no, that wasn't an abominable Corrs cover, Dreams was beautiful dream pop! Yes, The Chain was used as the Formula One theme tune but it's also One Of The Greatest Songs Ever Written!

But it was never just about the music. It's also the drama attached to the album's creation. Drink, drugs and divorce weren't new to rock'n'roll but Fleetwood Mac took them to cartoonish near-parody that I, coming from a fairly histrionic family prone to high drama, could relate to. Why have one couple in the band splitting up when you can have two? Why spend six weeks in the studio when you can spend six months? And why not hoover up so much cocaine you feel compelled to give your dealer a credit in the sleeve notes? (To the label's relief, they didn't in the end; said dealer died before the album's release.)


For the next eight months, my husband and I danced around the living room, took long drives and did the laundry to the sound of the Mac. I forced the singles into party playlists, threw a strop in a club because I just wanted to go home and listen to Gold Dust Woman, and once spent 10 hours in a parked car with two friends during Latitude festival, just so we could listen to Rumours on repeat.


Having loved and lived the album to an extensive degree, at some point last summer my relationship began to unravel. We were almost seven years into our marriage and something began to itch. Lovesick, angry and bitter, I began to find Rumours painful to listen to (although I did nothing but). For three months, I mooched around zombie-like. Suddenly, Stevie Nicks didn't sound so sexily anguished; she sounded broken. Lindsey Buckingham's carefully crafted arrangements weren't just poetic, they were incitement to an emotional meltdown.


It's faintly ridiculous to feel sentimental about an album you've known so briefly. But, as my husband and I got our collective **** together, I became pretty certain this was, however gratingly cliched, Our Album. I married him partly because we had similar musical tastes – synth-pop, shoegaze and obscure disco – but I couldn't think of anything we'd discovered together so epic, glorious, volatile and crazy. In short, a bit like us.

MUSIC INDUSTRY STRUGGLING TO KEEP UP WITH DEMAND FOR VINYL, HARVEY GOLDSMITH SAYS .

http://www.telegraph.co.uk/culture/h...mith-says.html


Hannah Furness 5/31/2015 Telegraph Co. UK

May 31 (Telegraph) -- The biggest problem facing the music industry is finding enough craftsmen to make vinyl, the music promoter says

When considering the most pressing problem facing the music industry today, one might consider the rise and rise of music streaming, the sexualisation of singers or the exorbitant price of concert tickets.

In fact, the biggest issue has rather a retro feel: the inability to produce enough vinyl.

Harvey Goldsmith, the music promoter who has worked with everyone from Led Zeppelin and Van Morrison to Madonna and Elton John, said music makers were desperately seeking craftsmen who know how to make vinyl to keep up with demand.

Speaking at Hay Festival, he said factories were springing up at a rate of knots to meet a new-found revival of the genre, with bands desperate to bring out their albums to meet trends.

"Sales of vinyl have gone up 100-fold in the last two years," he said. "And in fact, the biggest problem we've got now is that we can't find the factories.

"They're opening them up as fast as they can, but they've got to find the craftsmen who know how to make a vinyl record.

"If you want to produce a vinyl version of whatever you're bringing out today, you're literally in a queue for four to six months before you can get into a factory to get them made.

"Which is nuts."

In 2014, sales of vinyl albums soared past the million mark for the first time in 18 years, with releases from Pink Floyd, Arctic Monkeys, Jack White and Royal Blood fuelling the demand.

This year, the Official Charts Company has launched a separate chart for vinyl, with a 70 per cent rise in records bought already.

"So that's changing," said Goldsmith. "It goes round in a circle. All the kids I know want to know about Jimmy Hendrix, the want to know about The Doors, learn about their heritage."

Despite the return of albums on vinyl, he said, the British music industry was facing an issue in rock, with no up-and-coming new artists ready to carry on the legacy laid out by the likes of The Rolling Stones, Pink Floyd and The Who.

Instead of plying their trade in pubs and dingy clubs, building up a body of work and army of fans, musicians are now thrust into the limelight quickly to have their music streamed, he said.

"The difficulty is creating the next generation of artists is going to take a period of time," said Goldsmith, who helped create Band Aid. "We're not at that period of time.

"Pop music is what people want today and that'll keep going until somebody brings out some great music."

His advice to save live music, he said, was to ensure that "every night was a first night", in order to give fans value for money.

Saying he was asked to give advice to the classical music industry around decade ago, "when it was really in the doldrums", he said: "I gave this talk to the heads of orchestras and said what you've got to understand is that every night should be a first night.

"Orchestras were working to union rules. I've actually seen concerts where the third violinist, because they've overrun by ten minutes, gets up and leaves before the end.

"You see them half way through at rehearsals, if they go one minute over time, get up and walk out. I said you can't do that.

"Every night has to be a first night. People have bought a ticket, paid their money and come to see you. They've come to see their heroes, you've got to give it to them."

The Official Top 40 biggest vinyl albums of the decade so far:

[I can't copy the table, but Rumours was #30]

Yakima Herald By Pat Muir 11/30/2015

http://www.yakimaherald.com/news/loc...cd74e6122.html

“There were many, many years — probably a couple of decades — in which you couldn’t give away Fleetwood Mac’s ‘Rumours,’” Pickerel said. “It was in bargain bins by the dozens for $1. Now a younger generation has been turned on to classic rock, and there aren’t enough copies left.”

Maybe I should start selling my multiple copies of Rumours .I must have about 6 dozen copies of it around here somewhere. I have to look for my shrink wrap machine and start shrink wrapping them. LOL Only kidding.

I'm thinking of the sound quality between the current release and the 1970's original release.

Whats next.Cassettes and 8 tracks and VHS and Betamax.Screw digital.LOL..
Atlease a virus wont destroy them or go corrupt for no reason.

I stopped at FYE at the mall tonight with limited time to look good .They have the green 1988 FM greatest hits on vinyl there.I did not see any other SN/FM vinyl there.

They do have a nice collection there.They have alot of the current artists in vinyl like One direction and Adele's latest release.