![]() |
Green Likes Orange
This is from an article about Clifford Cooper of Orange in the UK from Musical Instrument Professional:
http://www.mi-pro.co.uk/features/45/Life-begins Placing his first orders with Matamp towards the end of 1968, the first 100-Watt, valve-driven Orange amps began to arrive back in London just in time for a couple of strokes of luck for the fledgling company. “The long and the short of it was that we had the amps built, and they started selling really well,” continues Cooper. “One of my favourite players was Peter Green with Fleetwood Mac – I used to go and see them whenever I could, I was a big fan – he came in the shop one day, and I managed to ask him if he wanted to use our gear. Fleetwood Mac bought a complete set of equipment, and the first record they made with it was Albatross, which went straight to number one. We took out a full-page advert in Melody Maker, showing that Orange amps had gone to number one, and that was it. |
FM didn't use Orange for long...
Less than a year later, most of FM (except McVie) stopped using Orange amps, and went to Fender's. The complaint was that they sounded too much like Marshalls. Jeremy Spencer had discussed this on an older thread. In fact he's gone back to Orange, using an AD-15.
I always wondered why they never tried Hiwatt amps. That's clean power. |
Quote:
During the "Future Games"/"Bare Trees" era. There are pictures of him playing through Hiwatt amps. |
Dragonfly
Quote:
|
Even Lindsey used HiWatts a lot on stage between 1975 - 1978.
|
Quote:
|
Quote:
I have to say PG's tone for "I've Got a Good Mind to Give Up Living (All Over Again)" 1/30/70 in New Orleans is one of the best tones I've ever heard in my life. If that's just a Dual Showman alone, and not other pedals and effects, I'm sold. Can it really produce THAT much reverb? Maybe it was the best amp for his style. |
Quote:
Hmm, If I'm right they didn't use "pedals" that much. However, I've heard separate Fender (Orange?) reverb tanks/units were used. BTW Matamp GT-120 is another nice amp. Though, I rarely play mine these days. It needs "some" vol. to break up, and the guys in the band couldn't stand that..... :-) |
All Over Again
Quote:
vinnie c |
Quote:
Of course 1/30/70 is the night the Grateful Dead were busted in New Orleans. Dennis McNally makes a point in his book "What a Long Strange Trip", that one observer said that FM outplayed the Dead. Oh, I'd say so! McNally also mentions that on 2/1/70, members of FM joined the Dead on stage for "Turn On Your Lovelight" after injesting "electric cakes" and beers. Mick Fleetwood is dancing on stage with a sign wrapped around his neck saying "Out of Order". McNally also points out that FM is a relatively "young" band compared to the Dead. Maybe in the states that seemed to be the case, but we know the story. |
The best f_-king music in the world
Quote:
I believe , as it is covered in our archives that that show is available free at www.archive.org doodyhead |
Quote:
/z |
Let's get back to the tubes...
I'm a drummer who loves guitar porn. I love talking about old discontinued gear that's hard to find. It's more interesting than drums, unless you have a 1961 yellowjacket Slingerland available. :rolleyes:
Back "in the day" you had the Fender Showman (later the Dual Showman), the Bassman, the Bandmaster, and the Tremolux. Apparently, the Showman was a live set up only. It was an 85 W tube amp which would make your ears bleed in a closed space. You had to crank the volume (or gain) to 7 to make it sing. I've read that Green used the Tremolux in smaller venues??? This now goes to a question about guitarist Jesse Ed Davis. Jesse Ed Davis played with Taj Mahal for the Rolling Stones RnR Circus. If you've seen the concert, it looks like he has a Fender twin reverb combo amp as a pre-amp connected to his Fender Showman amp head. The reason this is important is that he gets a bottom out of a stock Fender Telecaster that's incredible. As we all know a stock Tele is supposed to have a thin sound that's suited for country guitarists. Of course Clapton's rosewood Tele with the Strat headstock with Blind Faith was another creature with his Plexi Marshalls. If the Fender amp can produce that warmth with a stock Tele, then it's game over. Is the Bandmaster or Tremolux good enough for a smaller space (say a house, or a neighborhood), or do you need to get a Bassman, or (Dual) Showman to unleash that great tone? |
Quote:
Well, in my opinion a Bandmaster, Tremolux or Pro Reverb is good enough for quite big spaces. I seldom crank my Bandmaster fully (the boys are tolerant, but not that tolerant) but when I do it unleash a great tone, however, as mentioned a good Showman/Dual Showman delivers killer tone...... /z |
FM/PG Tribute
Quote:
Where are you doing a Tribure show? sincerely, bluesman from Pine bush New York |
Quote:
BTW, did you ever get the stuff from DIME, or are you still stuck Best regards /Michel |
Quote:
Any chance of seeing or hearing your band by means of internet? And will you do Holland? Good luck :thumbsup: on your PG tour. |
two birds with one stone
I join Wouter in wishing you "Good Luck Michel",
I would love to hear your music if available somehow on the internet or otherwise. As for dimeadozen, I can only say that I would like to thank all my ledge compadres for sharing of their good fortune and bounty over these years. Without you I would still be cursing that site's unavailability to me. vinnie c |
Quote:
Well, I live on the east coast of the U.S., twenty mins. from Philadelphia. Since you're in Europe "getting over there" isn't that easy. If you were inviting me to play in your PG FM tribute I would've loved the opportunity. |
Thanks Vinnie and Wouter, and I would love to visit Holland!
The only thing I have on internet is a pickup mod soundclip at YouTube... :-( (the fact that people still listen to it have made me deside to put up something else, but I can't say when) Slipkid, we'll have to work on that :-) |
Quote:
Ms Moose |
Quote:
/z |
Nice to hear some amp geek talk! :D
Judging by live pictures it seems like Peter, Danny and Jeremy used a bunch of different Fender amps over the years. Early pictures shows Peter with a Vox amp, probably an AC50 or the bass version called Foundation Bass. Then , according to Jeremy, Peter got a Fender Bassman amp and cabinet. I've seen pictures of Danny playing through a blonde Fender head, probably a Bandmaster, but there's also a picture of him in the Blue Horizon Box, playing through a blackface Super Reverb. Then of course they had the ORANGE Matamp period. Late '68 to about mid '69. Shrine ´69 is probably the best recorded example of the Orange amp sound, at it's best! In late '69, early '70 Peter and Danny got Dual Showmans with separate speaker cabinets. Somebody told me that Peter used 12" speakers while Danny used 15" speakers. Jeremy used Twin Reverbs, also with extension cabs. When Peter quit, it seems like Danny and Jeremy kept on using the Fender amps. At least it sounds like that on the "Madison Blues" live box. When Bob Welch joined Danny moved to Hiwatt (and Orange) amps, according to Bob himself. Bob played through Fenders. I guess they didn't want too similar tones. A Strat for Bob, and a Les Paul Black Beauty for Danny. Those were the days!! :) |
amen
Times were a lot simpler then
but it was way crazy enough for them and me doodyhead remembers Quote:
|
Quote:
BTW, I've been watching the clips from France 1968 over and over again, blond amps, but I still can't tell if they're Bandmaster, Showmans, etc. I always thought P G used 15" speakers, perhaps it's time for me to stop looking for a "stinkin' heavy" 2 x 15 cabinet.... :laugh: There's really something special with the guitar sound at Shrine, I get the feeling tone controls are set to zero e.g. on Rollin' Man /z |
1 Attachment(s)
Quote:
|
Quote:
The picture is really cool, who is the photographer, you???? Why not me, where were Iiii ......! |
Quote:
|
Quote:
That must've been from their show at Konserthuset. I'm living in Stockholm by the way.. ;) |
1 Attachment(s)
Yes, I took the picture myself, with the camera in one hand, the microphone in the other and overwhelmed myself in the middle. :)
The location was Konserthuset in Stockholm, April 1, 1970. Glad you liked the pic, here's another one, beware of the poor quality: |
1 Attachment(s)
Quote:
Do you have any more pictures, I sure like the two you've already shown us. As for the quality, poor is better than none. |
Quote:
/z |
Quote:
I know I took some more picture's, will se if I can find them. However, the picture on your attachement is not from the Stockholm April 1, -70 consert. Think it's London June -70 when PG arranged that multi guitarist gig at one of the clubs there. Didn't Celmin mention that occasion in the biography? |
Quote:
BTW I have what I promised you a long time ago ready, as soon as I reach home again. |
Quote:
|
Seeing and hearing....
Quote:
http://www.youtube.com/watch?v=trl3ixKP-qM |
thanks zoork
nice sweet playing, beautiful instrument
u da man doodyhead |
Quote:
really fine playing :) I'd like to let you know that our friend doodyhead is also a great player. You can listen to his playing at: http://cdbaby.com/cd/melvinnie Cheers Krzysztof |
Quote:
Did you rewire your Les Paul? And what amp did you use here? Cheers:wavey: |
Quote:
Best regards to all of you (and Merry Christmas in advance) /z |
| All times are GMT -5. The time now is 01:53 PM. |
Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2026, vBulletin Solutions Inc.
© 1995-2003 Martin and Lisa Adelson, All Rights Reserved