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Joni Mitchell Turns 62 Today!
Happy Birthday to Joni!
An incredible woman, an influential artist in every sense of the word and truly a poet beyond measure. :xoxo: rbs |
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Happy Birthday Joni. I have the deepest respect for her, some of her songs stay with me.
Romy |
A case of you
Just before our love got lost you said I am as constant as a northern star And I said, constant in the darkness Where’s that at? If you want me I’ll be in the bar On the back of a cartoon coaster In the blue tv screen light I drew a map of canada Oh canada And your face sketched on it twice Oh you are in my blood like holy wine Oh and you taste so bitter but you taste so sweet Oh I could drink a case of you I could drink a case of you darling And I would still be on my feet Oh I’d still be on my feet Oh I am a lonely painter I live in a box of paints I’m frightened by the devil And I’m drawn to those ones that ain’t afraid I remember that time that you told me, you said Love is touching souls Surely you touched mine Cause part of you pours out of me In these lines from time to time Oh you are in my blood like holy wine And you taste so bitter but you taste so sweet Oh I could drink a case of you I could drink a case of you darling Still I’d be on my feet And still be on my feet I met a woman She had a mouth like yours She knew your life She knew your devils and your deeds And she said Color go to him, stay with him if you can Oh but be prepared to bleed Oh but you are in my blood you’re my holy wine Oh and you taste so bitter, bitter and so sweet Oh I could drink a case of you darling Still I’d be on my feet I’d still be on my feet |
Happy Birthday, Joni!! :woohoo:
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Happy b-day. I lurves me some Joni. :D
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My all-time favorite, with my favorite line: THE LAST TIME I SAW RICHARD ("Miles of Aisles" live version) The last time I saw Richard was Detroit in '68, And he told me all romantics meet the same fate someday Cynical and drunk and boring someone in some dark cafe "You laugh," he said to me, "You think you're immune, Go look at your eyes, they're full of moon. You like roses and kisses and pretty men to tell you All those pretty lies, pretty lies. When you gonna realise they're only pretty lies? Only pretty lies, they're just pretty lies." He put a quarter in the Wurlitzer, and he pushed Three buttons and the thing began to whirr And a bar maid came by in fishnet stockings and a bow tie And she said, "Drink up now it's gettin' on time to close." "Richard, you haven't really changed," I said It's just that now you're romanticizing some pain that's in your head. You got tombs in your eyes, but the songs You punched are dreaming. Listen, they sing of love so sweet, love so sweet. When you gonna get yourself back on your feet? Oh and love can be so sweet. Don't you know that love can be so sweet?" Richard got married to a figure skater And he bought her a dishwasher and a coffee percolator And he drinks at home now most nights with the TV on And all the house lights left up bright I'm gonna blow this damn candle out I don't want Nobody comin' over to my table I got nothing to talk to anybody about All good dreamers pass this way some day Hidin' behind bottles in dark cafes Dark cafes Only a dark cocoon before I get my gorgeous wings And fly away Only a phase, these dark cafe days |
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I have all the early ones, and the '80s-present ones. I'm missing the '70s transitional ones before Mingus (which I LOVE). Which should I get next: "Hissing of Summer Lawns" or "Don Juan's Restless Daughter"? |
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Do I have Court & Spark? :rolleyes: Are you high? :laugh: ;) *singing loudly, wishing I had an army of saxophonists in my room* He was sittin in the lounge of the Empire Hotel He was drinking for diversion, he was thinking for himself... |
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The only one of her '80s albums I had was Chalk Mark in a Rain Storm, which I didn't care for. I think I sold it at a used CD place. I'm thinking of getting Wild Things Run Fast, though...it sounds good, from what I've heard of it. |
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Here are the GPPH lyrics from jonimitchell.com - a certain naughty bird ate the booklet. GOODBYE PORK PIE HAT words by Joni Mitchell music by Charles Mingus When Charlie speaks of Lester You know someone great has gone The sweetest swinging music man Had a Porkie Pig hat on A bright star In a dark age When the bandstands had a thousand ways Of refusing a black man admission Black musician In those days they put him in an Underdog position Cellars and chittlins' When Lester took him a wife Arm and arm went black and white And some saw red And drove them from their hotel bed Love is never easy It's short of the hope we have for happiness Bright and sweet Love is never easy street! Now we are black and white Embracing out in the lunatic New York night It's very unlikely we'll be driven out of town Or be hung in a tree That's unlikely! Tonight these crowds Are happy and loud Children are up dancing in the streets In the sticky middle of the night Summer serenade Of taxi horns and fun arcades Where right or wrong Under neon Every feeling goes on! For you and me The sidewalk is a history book And a circus Dangerous clowns Balancing dreadful and wonderful perceptions They have been handed Day by day Generations on down We came up from the subway On the music midnight makes To Charlie's bass and Lester's saxophone In taxi horns and brakes Now Charlie's down in Mexico With the healers So the sidewalk leads us with music To two little dancers Dancing outside a black bar There's a sign up on the awning It says "Pork Pie Hat Bar" And there's black babies dancing... Tonight! |
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And I'm sure Hejira is fantabulous, but I just can't right now. Maybe I'll type in the David Sedaris chapter & you'll understand. |
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How does she even sing along to this song? Is it really sped up and rearranged? I love Mingus and I love Joni, but I've been afraid to pick up this album because I think it might - just a little bit - destroy my perceptions of them both. |
HEJIRA literally saved my life. It's a gorgeous album, right on par with TUSK to me. It's that good.
I've been a huge fan of Joni's since I was about 13 (I just turned 41), so she has always been a constant source of light for me...especially in the darkest of times...her lyrics, her wit, her music...have become a part of the soundtrack to my life. I just adore the woman!! :nod: rbs |
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http://www.amazon.com/exec/obidos/tg...music&n=507846 Definitely rearranged - much slower & smokier. I always liked Joni's addition, but have only heard the whole original a few times. But it's just the main theme/chords without the brass horn parts (if that makes any sense - not sure how to describe the elements). |
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I'm confused now: This is the Pork Pie Hat I'm familiar with: http://www.amazon.com/exec/obidos/tg...glance&s=music So, I'm guessing it's not the original. Joni's version sounds almost exactly like the one on this CD: http://www.amazon.com/exec/obidos/tg...glance&s=music (Obviouly not up on my Mingus...) |
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This is the Pork Pie Hat I'm familiar with: http://www.amazon.com/exec/obidos/tg...glance&s=music So, I'm guessing it's not the original. Joni's version sounds almost exactly like the one on this CD: http://www.amazon.com/exec/obidos/tg...glance&s=music (Obviouly not up on my Mingus...)[/QUOTE] Mingus Ah Um (the second link) is the original appearance of "Goodbye Pork Pie Hat." I just can't imagine Joni singing over that. Could one of you throw up an mp3 on YouSendIt or something? Suddenly I really want to hear this now. |
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Practical Magic is my drunk movie! I always seem to watch when I'm wasted! |
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Sound file: Sweet Bird
I wore out each of her records one by one. I don't think I could even begin to count all of the ways she has inspired me, saved me, and sustained me. I stood next to her once, backstage and couldn't say a thing, just watched her with my peripheral vision.
Here is "Sweet Bird" from the Hissing of Summer Lawns Acoustic Demos collection. It is an aiff file (which should play in Quicktime, or Windows Media Player, Itunes, etc. I didn't encode it to MP3, because I think there was some agreement in the original download of the the Torrent. It is about 50 megs, but beautiful, and worth it. http://s23.yousendit.com/d.aspx?id=2...209FBBA5J2AVK0 |
Nothing compares to Joni at the height of her powers - and you can pull something off any record from any era that is the pinnacle. She has always aimed for perfection. Nothing and no one comes close.
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She's my deepest respect, so Congratulations to Joni!
And when you're all quoting songlyrics, here's one of my favorites (from Miles of Aisles (live) and Court & Spark) :o People's Parties All the people at this party They’ve got a lot of style They’ve got stamps of many countries They’ve got passport smiles Some are friendly Some are cutting Some are watching it from the wings Some are standing in the centre Giving to get something Photo beauty gets attention Then her eye paint’s running down She’s got a rose in her teeth And a iampshade crown One minute she’s so happy Then she’s crying on someone’s knee Saying laughing and crying You know it’s the same release I told you when I met you I was crazy Cry for us all beauty Cry for eddie in the corner Thinking he’s nobody And jack behind his joker And stone-cold grace behind her fan And me in my frightened silence Thinking I don’t understand I feel like I’m sleeping Can you wake me You seem to have a broader sensibility I’m just living on nerves and feelings With a weak and a lazy mind And coming to peoples parties Fumbling deaf dumb and blind I wish I had more sense ot humor Keeping the sadness at bay Throwing the lightness on these things Laughing it all away Laughing it all away Laughing it all away |
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On edit - this song could be an hour and not be long enough. |
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she is sooooooo awesome, happy birthday joni!!!~ "big yelloe taxi" has always been 1 of my FAVS!!!~
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Ah, Joni......
She is the most lyrically expressive songwriter ever. No one will ever be able to match her. There are so many different examples of her expansive imagery. She really brings you into her space- her world. Here's an example of her raw, heart-breaking honesty ("Little Green"). "Born with the moon in Cancer Choose her a name she will answer to Call her green and the winters cannot fade her Call her green for the children who've made her Little green, be a gypsy dancer... He went to California Hearing that everything's warmer there So you write him a letter and say, 'Her eyes are blue.' He sends you a poem and she's lost to you Little green, he's a non-conformer Just a little green Like the color when the spring is born There'll be crocuses to bring to school tomorrow Just a little green Like the nights when the Northern lights perform There'll be icicles and birthday clothes And sometimes there'll be sorrow... Child with a child pretending Weary of lies you are sending home So you sign all the papers in the family name You're sad and you're sorry, but you're not ashamed Little green, have a happy ending Just a little green Like the color when the spring is born There'll be crocuses to bring to school tomorrow Just a little green Like the nights when the Northern lights perform There'll be icicles and birthday clothes And sometimes there'll be sorrow..." And then my favorite, most biting bitterness- "For The Roses". James Taylor dumps her, so she leaves town and lives in a cabin in remote British Columbia with no electricity for a year and writes the ultimate kiss-off song (the entire song is a complete masterpiece, but I've highlighted my favorite "knife sticklers" in bold). "I heard it in the wind last night It sounded like applause Did you get a round resounding for you Way up here It seems like many dim years ago Since I heard that face to face Or seen you face to face Though tonight I can feel you here I get these notes On butterflies and lilac sprays From girls who just have to tell me They saw you somewhere In some office sits a poet And he trembles as he sings And he asks some guy To circulate his soul around On your mark red ribbon runner The caressing rev of motors Finely tuned like fancy women In thirties evening gowns Up the charts Off to the airport- Your name's in the news Everything's first class- The lights go down- And it's just you up there Getting them to feel like that... Remember the days when you used to sit And make up your tunes for love And pour your simple sorrow To the soundhole and your knee And now you're seen On giant screens And at parties for the press And for people who have slices of you From the company They toss around your latest golden egg Speculation-well, who's to know If the next one in the nest Will glitter for them so I guess I seem ungrateful With my teeth sunk in the hand That brings me things I really can't give up just yet Now I sit up here The critic! And they introduce some band But they seem so much confetti Looking at them on my TV set Oh the power and the glory Just when you're getting a taste for worship They start bringing out the hammers And the boards And the nails I heard it in the wind last night It sounded like applause Chilly now- End of summer No more shiny hot nights It was just the arbutus rustling And the bumping of the logs And the moon swept down black water Like an empty spotlight..." Marky already mentioned it, but "Refuge of the Roads" is just sublime. The entire album Hejira is jam-packed with imagery and mood. Here's my favorite snippet from this song. "I met a friend of spirit He drank and womanized And I sat before his sanity I was holding back from crying... He saw my complications And he mirrored me back simplified And we laughed how our perfection Would always be denied 'Heart and humor and humility' He said, 'Will lighten up your heavy load' I left him for the refuge of the roads..." |
Happy Belated Birthday, Joni! I'm proud to share my birthday with you. :woohoo: My favorite Joni album is Blue, not a bad song on it.
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http://rapidshare.de/files/7364182/J...ieHat.mp3.html I hope it works OK - I've never RapidShare(d) before... And, one last thing: http://users4.ev1.net/~iansnana/starrynightbanner.jpg |
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But oh my. I mean, I guess it's not absolutely terrible. But I just keep asking myself, why? Why the uninspired, flat singing? Why the obvious, belabored race relations lyrics? Why that awful synth bass line on a cover of a Mingus song? What's the point of this cover? The original is just heartbreakingly beautiful, and this version not only doesn't add anything to it, it seems to take away from the force of the song. It's all right, Joni. I'll forgive you this one. And Charlie? Well, you weren't really in your right mind at the time anyway; it's not your fault. |
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