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Solecisms in Fleetwood Mac Songs
What are your favorite solecisms (errors in grammar or usage) in Fleetwood Mac songs? Sometimes the colloquialisms "belong" to the song -- rock songs are always loose & they should be loose -- but sometimes the problem just screams: "I'm a problem!"
Sometimes I can't help but feel/That I'm wasting all of my time -- Christine McVie Hoping tomorrow will never come/For you & I -- Christine McVie And the songbirds are singing/Like they know the score -- Christine McVie I cared not for love nor money -- Stevie Nicks I can't define love like it should be -- Stevie Nicks And if I was a child/And the child was enough -- Stevie Nicks Not like we do in L.A. -- Lindsey Buckingham As I lay here in the darkness -- Colin Allen How I wish I was back in Georgia -- Bob Welch She flashed a couple looks my way -- Bob Welch You'll be lovin' like your little mother did ... I won't leave you like my father did -- Danny Kirwan And for just plain weird: I want to be inside your heart/That's the place for me -- Christine McVie Does Christine prefer kicking back in his ventricles or his atria? Preferable for the figuration: "I want to be in your heart" |
Some of those certainly have jumped out a bit at me from time to time, particularly the "You and I" one... although some of those others seem OK to me :o I always wondered why "Skies The Limit" isn't "Sky's The Limit" which is surely what it's supposed to be :confused:
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Chris |
I think You and I is the worst.
Lindsey is always making mistakes like that in interviews! EG "Things left unresolved between she and I". I don't mind though, I can forgive him for it. :xoxo: What's really weird is this: "I need to know, I need to know, and if you say you're going to leave then you'd better say so" ?? |
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Smile at You: I should have turned away and ran - Just as fast as I can
Planets of the Universe: The earth and the sea and the sky is at rest with the ocean *crrrrringe***** |
to deconstruct lyrics this way would be about as silly as analyzing Beatles or Beach Boys songs.
It's all about the music and the melody for me. There are very few FM songs that have impressed me lyrics-wise. Dreams is an exception. I think it's easily one of the best written rock/pop songs. |
Sadly, I don't know all the ins and outs of the English language, but the following has always bothered me. Thing is...I don't even know if it is bad grammar. Could someone who is schooled in perfect grammar tell me if the following is wrong?
Songbird: "but most of all, I wish it from myself." I'm also a bit embarassed because in many of the solecisms David posted, I can't see what's wrong? :confused: yikes. |
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You lay a brick, an egg, etc.
People lie. Here are the tech. definitions: Main Entry: 1lie Pronunciation: 'lI Function: intransitive verb Inflected Form(s): lay /'lA/; lain /'lAn/; ly·ing /'lI-i[ng]/ Etymology: Middle English, from Old English licgan; akin to Old High German ligen to lie, Latin lectus bed, Greek lechos 1 a : to be or to stay at rest in a horizontal position : be prostrate : REST, RECLINE 2 : to be in a helpless or defenseless state 3 of an inanimate thing : to be or remain in a flat or horizontal position upon a broad support 4 : to have direction : EXTEND 5 a : to occupy a certain relative place or position 6 : to remain at anchor or becalmed 7 a : to have place : EXIST 8 : REMAIN; especially : to remain unused, unsought, or uncared for ____________________________________________________________ Main Entry: 1lay Pronunciation: 'lA Function: verb Inflected Form(s): laid /'lAd/; lay·ing Etymology: Middle English leyen, from Old English lecgan; akin to Old English licgan to lie -- more at LIE transitive senses 1 : to beat or strike down with force 2 a : to put or set down b : to place for rest or sleep; especially : BURY 3 : to bring forth and deposit (an egg) 4 : CALM, ALLAY 5 : BET, WAGER 6 : to press down giving a smooth and even surface 7 a : to dispose or spread over or on a surface 8 a : to impose as a duty, burden, or punishment 9 : to place (something immaterial) on something 10 : PREPARE, CONTRIVE 11 a : to bring against or into contact with something : APPLY 12 : to bring to a specified condition 13 a : ASSERT, ALLEGE 14 sometimes vulgar : to copulate with intransitive senses 1 : to produce and deposit eggs 2 nonstandard : 1LIE 3 : WAGER, BET 4 dialect : PLAN, PREPARE 5 a : to apply oneself vigorously - lay on the table 1 : to remove (a parliamentary motion) from consideration indefinitely 2 British : to put (as legislation) on the agenda usage LAY has been used intransitively in the sense of "lie" since the 14th century. The practice was unremarked until around 1770; attempts to correct it have been a fixture of schoolbooks ever since. Generations of teachers and critics have succeeded in taming most literary and learned writing, but intransitive lay persists in familiar speech and is a bit more common in general prose than one might suspect. Much of the problem lies in the confusing similarity of the principal parts of the two words. Another influence may be a folk belief that lie is for people and lay is for things. Some commentators are ready to abandon the distinction, suggesting that lay is on the rise socially. But if it does rise to respectability, it is sure to do so slowly: many people have invested effort in learning to keep lie and lay distinct. Remember that even though many people do use lay for lie, others will judge you unfavorably if you do. www.merriamwebster.com |
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Once again she steals away
Then she reaches out to kiss me And how she takes my breath away Pretending that she don’t miss me should be Pretending that she doesn't miss me also, the use of "that" is superfluous, to wit: Pretending she doesn't miss me ___________________________________________ The word "that" is the most overused word in the English language - though LB's use here is not incorrect. |
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The overuse of "that" has always bothered me. But I don't pay much attention to solecisms in songs. Although I love grammar, I think music was written this way on purpose and shouldn't be scrutinized. But it's still fun to point out the little errors. :) |
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Apart from that, it's important to remember that lyric writers use a big dollop of poetic licence in their work. Grammar gets twisted and warped for the purposes of rhyme and effect, the same as it does in poetry. If you pulled apart Keats or Wordsworth, you'd find similar things. Also, particularly with ostensibly mystical writers like Stevie Nicks, lyrics are written much as someone would speak, especially if that speech were emotional or passionate. The result is the same in lyrics or speech - shady grammar. There's nothing really wrong with it, but some are worse than others. |
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"As I lay here in the darkness, I can't find no peace inside" There are two grammar errors there, but in the context of a song I'm not sure they matter too much. It should be 'lie' in this case, and probably 'any' instead of 'no', but I like it as it is :p |
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I agree with the posts above which say somehow twisted grammar errors are easier on the ears when sung (for the most part - there are exceptions!). Poetic license and all that stuff. |
It ain't easy
Love ain't easy when it's wrong Love ain't easy when it's strong I believe I believe my time ain't long I believe I believe my time ain't long I ain't gonna leave my baby My little demon, comin'on down. My little demon's turnin' me around. all of my friends keep on tellin'me that I just ain't the man I used to be. I really don't like it...ain't nothing I can do. Give me back my freedom let me see the daylight make them stop the bleeding can't you see it ain't right We go over and over We ain't about to leave Until it's over Getting ready to go long about two Almost time to say good-bye Now wait a minute here now we ain't through The winds of change Gonna blow it all away Ain't it strange I ain't never missed a woman Anytime or anyhow I ain't never missed a woman Anytime or anyhow I ain't never missed a woman Oh, just like the way I miss my baby now I never realized how many times the MAc had "ain't" in their lyrics until this thread. :eek: There is every more than the ones that I posted. |
On Rhiannon LIB
this has always bothered me, but the "would you stay if she promised to you heaven? would you even try? would you even try? weeeeeeeeeeeeeellllllllllllllllllllllllllllll..I don't think you do" am I the only one here?? suprisingly...(well..not really, since it's most people's LOL) it's my favorite part of that version. oh well :) |
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YES!!! It's why I just can't get into that line. I know it's a lot of people's fave, but it just hurts my ears. :sorry: |
Okay, how much would the Stone's Satisfaction have SUCKED if Mick had sung "I can't get any satisfaction".
And you guys should never ever listen to a Coctau Twins song. They make it a point to conceal the lyrics in tons of overdubs, echo and broken syllables. LOL! |
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:D |
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Hmmmm...in most cases you HAVE to lie to get laid. :D |
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Did anybody ever mention "Smile At You" in this thread? This might be the most egregious example of all:
"I should have turned away and ran / As fast as I can." It's not as though she just committed one grammatical error for the sake of rhyme. Both rhyming words are incorrect, making the whole couplet sound as though it were sung by a four year old playing tag. |
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I think it was mentioned before. That one always annoyed me. |
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(Syd) |
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Also speaking of Rhiannon...how about, "would you stay if she promised TO you heaven?" I know I've heard that on a live recording, (was it The Dance?) I don't think it's on the studio version. That has always made me cringe! |
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How about when LB sings "finely found me" in Crystal instead of "Finally found me" :cool:
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I KNOW! She did say "would" at the AHI Benefit (2000?) but lately it's been "do." So annoying. |
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thankyouthankyouthankyouthankyouthankyouthankyouthankyou!!!! I refuse to even sing it this way....and after watching the Lindsay show (Destiny Rules), and he busted Stevie on the tense shift in Thrown Down, how did this make it past him???:lol: |
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unless you're really bendy |
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