Why (Live Chicago 1974, Oct)
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This would be the Heroes tour?
Timestamp: 2 months before the famous studio live concert? and just a little longer before the famous Texas Taco margarita night ;) |
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The live music from the Welch Mc Vie era that has surfaced including the remastered CD with the box set, is a testament to how great these two were together. the music and performances are simply outstanding. It is at least on par with Mc Vie's collaborations with Lindsey.
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I love this era, album wise and live. Too bad they cut Christine's solo from the Bermuda Triangle live re-master. I have the bootleg and will never listen to that cut ever again. What an insult. |
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It’s so effing ludicrous. |
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As with "Spare Me A Little," I thought the BN version got a little...Melrose Place? If that makes sense. Like, too safe, bordering on bland, but not altogether bad. The BN version of "Believe Me" was horrible. It just plodded along, making me wish it was over. The best was the Record Plant version, which blows away every other version, followed by the Midnight Special version. The Record Plant version is a power pop classic, or at least should have been. I always put it on my power pop comps and people are blown away when they find out who it was. |
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I believe you on the high harmony because I felt it didn't sound like Welch. |
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Martin Birch is the same producer that made “Smoke On The Water” and “Highway Star” around the same time, and Zep IV (Rock & Roll, Stairway To Heaven) was recorded on the Rolling Stone Mobile Unit. |
Mystery to Me is in great company! A dream come true would be a documentary on the making of these early 70's albums. There is a short Kiln House doc out there but seeing the making of Bare Trees and Mystery to Me would be a gem to watch.
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Homer- so true, and it drives me absolutely bonkers. At least for the past two years only the early 70's masterpiece remasters, the live remaster and Lindsey's great new album have been on my play list with one or two occasional Rumours spins.
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Mick Fleetwood is an idiot. That is all. |
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