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I've not heard an Over and Over that I didn't love.
It's just a true beautiful work horse. If that makes sense. :wavey: |
I have always said that Gypsy was what started my Fleetwood Mac fandom. But the Live album was the catalyst.
It was the first Fleetwood Mac album I ever bought (Mirage was taped from a friend's album). So I loved the Live album and it made me wonder how the studio versions would sound; of course not the popular songs but there are several songs I hadn't heard before. So after Live, I started to buy all the studio albums (Rumours lineup). The rest is history. By the way, do you mean these? Quote:
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The cases on mine were black, though. |
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While a different sort of jam at the end, it almost reminds me of the jam at the end of Only Over You. Its so good you don't want it to stop. The Sara is perfection on the Live album. I was so disappointed to find out it was touched. Thats why I never bought the story from Stevie that Sara never tuned out good live on stage. Its beautiful and even Chris said Sara was one of her favorite songs to play live. Chris on the upright piano on the Tusk tour playing Sara is outrageously good. |
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I've played Sara on piano at home my whole life, and it's no more difficult than any other songs. |
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I would suggest playing it at home and playing it in an arena night after night are perhaps different things. jbrownsjr might be right, it might have been What Makes You Think You're the One. The visual of her standing and playing the upright on that tour looks much the same for both of those songs. Sue me. |
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I played keyboards in a band for 37 years(not joking). I sincerely doubt Christine was hitting them harder than I was, just because there were 20k people there. I've broken the "weights" in weighted keyboards, SO YOUR ARGUMENT IS NULL AND VOID. :] And jbrowns is always right. Unless of course, he's disagreeing with me. |
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After she hit 60, I'm pretty sure I could have taken her out. :lol: |
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