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Thanks for posting the entire article. Wow. I mean WOW—she is one delusional gal these days. And it’s so clear that her agent/management engineered this “story” to counteract the negative responses she got for her self-serving RBG tribute and to the now widely-acknowledged lies the band were telling the press about Lindsey’s firing.
There are so many WTF moments in this. But rock-n-roll is crammed with narcissists who believe their every thought and revelation is of great importance. Still, the following bit is beyond embarrassing: [“Show Them the Way,” due Oct. 9, was born out of a dream Nicks had in the run-up to the 2008 presidential election. In it, she was invited to perform at a political benefit for icons of history. Martin Luther King Jr. led her by the arm into a ballroom where John F. Kennedy, Bobby Kennedy and John Lewis were seated, awaiting her. The dream was so vivid that the instant she awoke, she wrote it down and within days, put it to music.] Wow. I mean WOW. |
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Ken Caillat wasn't the creator or author of the song. Is he a mind-reader? That perspective flirts like it's not a good song. To me Lindsey's vocals and stylings are great on that track. Just like Stevie's vocals are great on Sisters and Chris' are on Brown Eyes. The whole package of What Makes You Think You're the One isn't everything Stevie. I think it's in vein with the spirit of the album, which is a new plank to walk. And Stevie honors that risk the band took in praising Harry's career choice. |
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Ken was there, not me. However, it makes complete sense. Just listen to “What Makes You Think You’re The One” and follow it with “Edge of Seventeen.” |
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They can't keep track of her lies, and her "WOW don't say that Stevie!!" comments. |
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I think Ken's quote isn't fair to artistry. Artists are free to make sounds and craft their art. When I listen to What Makes you Think you're the One, I don't think it sounds like Stevie playing piano. Most artists want their songs to take on individual experiences for the listeners. Like when I listen to Stand Back, I don't think of Little Red Corvette; it's not necessary to. I don't agree that Lindsey sounds like a goat in the song. I don't think Stevie sounds like a goat either. |
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looks like 2010s were the other way around - Lindsey completely being at peace with FM, Stevie, his solo career, and everyone's place in each others lives, while Stevie was apparently boiling with resentment towards him. weird thing is that they really never saw each other while working on FM tours, except on stage. he avoided any gatherings she'd pull together inviting the band while on the road with FM, and was mostly doing his own thing. that last sentence is also revealing - her characterizing his writing bitter songs about being dumped by her, or that she was still expecting him to do stuff foe her as "his mistreatment of her." Just like now - apparently she expects him to just disregard that she kicked him outta their band, and she doesn't see any need to apologize. |
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And $tevie clearly has no idea what's like to being held hostage. Seriously, the woman is unbelievable. |
“I stayed with him from 1968 until that night."
WTH does this even mean?? They broke up in 1976 (she broke up with him). I know they've had "encounters" over the years but as far as I know the guy has been very happily married with children. As he himself said in an interview he married his soul mate. Maybe she stayed with him in her mind but not in Lindsey's mind; he was too busy with his soul mate. |
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She was famous during Ted Kennedy’s time.
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Her lips are moving. |
I find it even more interesting that the CSN bit conveniently didn't make it into the published interview.
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