Originally Posted by Villavic
(Post 1266187)
Seems to be right. According to Mick's first book:
Back at home, we took two weeks off before going back to the studio for three weeks to record, overdub, and remix tracks for a live album. It was controversial within the band, this record, because I was the only one who wanted to do it. It was not a popular decision. Both John McVie and Lindsey Buckingham thought it was a negative move, but I always bought Greatest Hits albums myself, and I strongly felt there had to be a live document of the band at this point. Besides, we had great material to work with, recorded all over the world: "Monday Morning" from Tokyo, "Say You Love Me" from Wichita, ''Dreams" from the Paris sound check, a psychedelic "Oh Well" from St. Louis, "Rhiannon" from London, and so on. We also set up our gear and played three new songs "live" for an audience of crew and friends at the Santa Monica Civic Center Stevie's "Fireflies," Chris's "One More Night," and a Fleetwood Mac harmony orgy in homage to Brian Wilson's "The Farmer's Daughter."
Later in the year, we released Fleetwood Mac Live as a double album, and it wasn't a big success. There were many accusations of "We told you so," but I have no regrets.
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