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They actually did....the target was early 2015? someone help me out here with the interview comments from LB and, I think, Mick as well. I think late 2014 was at least hinted at. I know at one point early 2015 was named as the target. Then the target for finishing/releasing got pushed from late 2014 to the following year (2015), and finally to some vague, undefined time in the future. And now it's not really talked about at all. It got pushed further and further out because of Stevie's refusal to commit. And I think after the last guilt-trip done via the media (ref. Mick's interview in, was it Playboy I believe?) she's not going to be influenced by those tactics again. |
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http://tonereport.com/news/new-fleet...coming-in-2015 |
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Of course, they can do one. Since they've made money off of the tour, why they don't pocket it and record an album without Stevie which won't make money but might fulfill them creatively, I will never know. And no it doesn't have to be their swan song. They can record without her now and record with her in 3 years, if she is willing. But the four of them just sit there. Michele |
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it's that simple... |
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I never said Stevie was bigger than the band. In fact, just this week I posted that Stevie alone couldn't outsell FM without her. I think that's true of both tours and albums. FM can be as profitable as Stevie is solo. It just can't be as profitable without her as it can be with her. But even that is only true when it comes to touring. My belief is that albums don't sell any more these days anyway, so there's no reason that FM should think of sales at all when it comes to making this album. I don't think any album they sell will make money, but that's not because Stevie won't be with them. I don't think the album will make money anyway. That's why they should stop holding out for Stevie on the album. They have nothing to lose with her gone. They won't sell more records with her than they will without her. They also won't lose publicity because her opting out of this album will generate publicity of its own kind, really. So, they'll still get as much press as a foursome. And if they feel they don't want to take their last recording bow without Stevie, it doesn't have to be their last bow. They can take their last bow 3 years from now and do an album without her today. Michele |
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As much as I love Stevie, a FM reunion studio album will sell much more than anything she puts out solo. Even the 2003 FM album (SYW) without Christine sold more than her solo albums from 1994 (SA) going forward. With Christine on board this next album could be a monster.
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Any album with Christine is going to be better. She and Lindsey have had amazing chemistry since they've met. I want to hear the growth of what they've talked about in the interviews, last year. I haven't seen Buck that happy about making music with FMac in a long time.
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Michele |
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I don't know what the crowds are sophisticated enough to understand. I spent thousands going to London just to see Christine make a cameo with FM so clearly I think she makes a difference. Did I think casual fans would pay $200 to see FM again in 2014 after they'd just seen them in 2013? No I didn't. That opinion had nothing to do with Christine or Stevie's popularity. The opinion was wrong, but you're suggesting I formed it for reasons that are far removed from what I actually think or feel. Michele Michele |
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Well, in London when she started counting down her own song 1-2-1-2-3-4 that was chilling. Gooseflesh, as she would say. Michele |
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I’d take Lindsey Buckingham in the big machine or the small machine. I think it works either way. Which leaves me to offer this as the last question. So since Fleetwood Mac’s on the big tour now - everybody knows that so get your tickets if you can get in; they’re out there now - Um, what happens after the big tour? You gonna go back to more solo stuff? Uh, eventually. But, you know, one of the really exciting things that happened before we started rehearsing the show with Christine is she came over, because she said ‘Lindsey, I’ve got some rough ideas for new songs’, and we, she came over and we went in the studio - the two of us with John and Mick - and again, you ask ‘Well, is that still going to work?’ and that was my thought. Oh my god, you know, is this, am I still going to be able to do what I used to do for her or is what she’s going to bring me - She gave me a bunch of stuff to take home after we saw her in England when we played there, and I worked on it at home, took lots of liberties, came back, she loved it. We went in the studio for two months and came up with probably the best group of songs which were co-written that I think we’ve done in years, so we are going to continue working on a new album. And, uh, the solo stuff will probably take a backseat for another year or so. You know what, nobody’s complaining about that. No. Least of all me. People would love to hear another Fleetwood Mac album. Oh, I’m telling ya, beautiful way to kind of wrap up this last act, you know. Well, I suspect, uh, when that happens, you and maybe somebody else will come back and see us. I certainly hope so. |
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but i also think they are considering other options if she doesn't, since they are not getting any younger, can't wait forever, and want to put out all that new music they produced in 2014. |
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Stevie Nicks gets Fleetwood Mac album off the ground: Rolling Stone 3/15/2016 I sat Christine, Lindsey, and Mick down (well because John walks away when I speak) and I explained to them in detail what I wanted to give to them. Because they are in my band and they are my first priority. Being in Fleetwood Mac is like being in the army. Well, if the army had private jets and private hotels with grand pianos and a trail of assistants following you around, and if there wasn't any bombs or guns or killing. Yes, just like the army. And I told them they are my first love and I told them how they are my first love cuz you know they already know that. And I told Lindsey I joined this band and we dated for ya know like 5% of the time that we've known each other, so we have to get along. And we need to do this, because Lindsey and I are so special. This may be our final project in Fleetwood Mac so it has to be good. I told all of them that. When I looked up, for some reason Christine was hanging by a rope from the ceiling, Lindsey had jammed two sharp objects into his ears, and Mick was laying on the floor next to an empty bottle of pills. So I grabbed my little assistants and we pranced into my army like hotel and I played Rhiannon again. Because you know, it's the only song I really know how to play.. hahahahahah... |
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But in Pittsburgh, during the first few bars of The Chain, I already sensed a difference, a crackle. They were sparking off each other. The moment all three of the singers leaned into their mics, I got the old chills back. Christine's contributions are sooooooo important, but because she is subtle and restrained, most casual observers don't see them. Her higher harmonies on the song have always spoke of anguish. That anguish is an essential ingredient to the mix. Then, when the band tore into You Make Loving Fun, I was floored... Several months later, in Buffalo, they played the same set, though this time, the magic was even stronger, more palpable. They were easy with one another and I sensed all of that old chemistry unearthed. Christine brought it back. In truth, they all possess an ingredient of it. When one is absent, the result pales. |
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they're never going to come to a mutual understanding-- i.e., Stevie thinks she gave up solo opportunities over the years for the band; Lindsey surely has to feel he gave up solo possibilities for the band…. you get older you start to think about missed opportunities and dwindling time… Except Lindsey seems to have reconciled himself to the band trumping solo work and Stevie hasn't. I really think that whole thing of Lindsey saying "don't bother me for a couple of years" (or was it 3? maybe that's where Stevie got fixated on 3 years) while I do solo work has stuck in her head. It always seemed to me over the years that on various solo projects she had to cut them short to make some arbitrary timeline of the band's … for example, not being able to do a full tour for Bella Donna to get to the studio to work on Mirage, etc. While of course the band always felt like they were stuck waiting for her. There's never going to be any real meeting of the minds on this. Everything that's going on now is just a continuation of this same drama. Except Stevie is more willing in her later years to put her foot down and hold out for her solo time. In many ways it seems to me like she wants to tie up loose (solo) ends and get out stuff she should have gotten out years ago more than doing new solo music but who knows. She really is better known from being in the band and I would love to see her just wrap up the band with this last album and then be free to spend the rest of her days doing only her own stuff. Does she not want to let go of the band and is dragging things out?? :laugh: |
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Michele |
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And this album does not have to be the last album if all 5 of them are not poised to participate in it. It can just be an ALBUM. They can gear up for the "last" album later, when the pieces, all the pieces, are in place. Making this the last album with laurels on it is to also create a planning inertia where nothing gets done, because you're trying to make what does get done so momentous. Better to strip expectations away and just get an album out now and then build to the "last" album over the next 3 years. Michele |
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Michele |
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It took us 10 years to realize we were correct about Buck being mad that Christine left. As it came full circle, we now understood his frustration. I never would have guessed that he and Stevie would not have more of a collaboration in Christine's absence. That one threw me. |
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