Christine’s $90 million fortune left to…

[aleuzzi]

A slew of new articles have recently surfaced addressing who gets the bulk of Christine’s massive remaining fortune (after taxes). No surprise: her brother and his children and grandchildren…

https://www.forbes.com/sites/hughmcintyre/2023/07/18/what-is-happening-with-christine-mcvies-90-million-fortune/amp/


Articles point out some $ was left to various charities.

[aleuzzi]

Note $90 million US dollars is equivalent to about 70 [million] UK pounds.

[DownOnRodeo]

Note $90 million US dollars is equivalent to about 70 UK pounds.

Poor Christine, all those hits and dying with only a measly 70 UK pounds.:(
No wonder Hollywood is on strike!

Articles point out some $ was left to various charities.

Probably The Mick Fleetwood Foundation.:lol:
"My dear songbird, I have the most brilliant idea to help ensure your legacy... Just sign here."

[aleuzzi]

Poor Christine, all those hits and dying with only a measly 70 UK pounds.:(
No wonder Hollywood is on strike!



Probably The Mick Fleetwood Foundation.:lol:
"My dear songbird, I have the most brilliant idea to help ensure your legacy... Just sign here."

Har har. I’m making the edit right now.

[HomerMcvie]

Even if she left it all to Mick, he could blow through that easily in 5 years.

[Penguin Emeritus]

Does anyone know if this includes the flat she owned in Belgravia?

also was there ever any resolution to the big tax bill the estate owed a few months ago?

--Lis

[SteveMacD]

Probably The Mick Fleetwood Foundation.:lol:

He WAS the guy who had the (completely obvious) idea to ask her to join the band.

Even if she left it all to Mick, he could blow through that easily in 5 years.

I mean, he’s a 76 year old recovering addict. Is that really an issue?

[aleuzzi]

Does anyone know if this includes the flat she owned in Belgravia?

also was there ever any resolution to the big tax bill the estate owed a few months ago?

--Lis

I got the impression this is post tax bill, which would make sense. Before that bill, her net worth was commonly valued at $120,000. [edit: $120 million] don’t think they could report the value of her estate and who receives it until they resolved the tax bill, which previous reports indicated was being handled. But who knows?

[Villavic]

Disappointed with the article by not finding my name among the heirs.

[bombaysaffires]

Does anyone know if this includes the flat she owned in Belgravia?

also was there ever any resolution to the big tax bill the estate owed a few months ago?

--Lis

that was roughly 17 million pounds or some such by itself...

[DownOnRodeo]

Before that bill, her net worth was commonly valued at $120,000.

Are you sure you're not Mick's accountant?:D


Still I'm sure her family would decline all the millions if it meant they could still have their sister/aunt alive with them.

[aleuzzi]

Are you sure you're not Mick's accountant?:D


Still I'm sure her family would decline all the millions if it meant they could still have their sister/aunt alive with them.

I’m not getting your comment. I am simply stating what I read on NetWorth sites. Care to explain why this would make me sound like Mick’s accountant?

[Penguin Emeritus]

I’m not getting your comment. I am simply stating what I read on NetWorth sites. Care to explain why this would make me sound like Mick’s accountant?

I think the person was just having a joke w you because you typed that Chris was worth 120,000 instead of 120 million...(now apparently worth 90 million after the tax thing was settled.) :-)

--Lis

[aleuzzi]

I think the person was just having a joke w you because you typed that Chris was worth 120,000 instead of 120 million...(now apparently worth 90 million after the tax thing was settled.) :-)

--Lis

Ah—thanks for that clarification. A typo. And I teach English!

[DownOnRodeo]

Ah—thanks for that clarification. A typo.

Oops, I called you Chrisa few posts ago--I meant Tony.

ETA: Oops, I accidentally wrote over the top of my post rather than making a new one. Carry on...

[aleuzzi]

Sorry Chris, it was churlish to have another go but I couldn't resist.

90 million dollars... After a certain point it just becomes meaningless (for one person to have so much money), doesn't it. It would be lovely if the family used some of the inheritance to establish some sort of scholarship or prize in Christine's name. How about the Christine McVie Award for women singer-songwriter-instrumentalists?

Her brother seems like a principled but very private person. Not sure if he’ll do what you’re suggesting (which would be great) but I’m thinking he and his son are mindful enough to do something.

[jbrownsjr]

Ah—thanks for that clarification. A typo. And I teach English!

Honestly, whenever I chat with you or David O, I am so careful with my diction/grammar, etc. :lol:

[Penguin Emeritus]

Her brother seems like a principled but very private person. Not sure if he’ll do what you’re suggesting (which would be great) but I’m thinking he and his son are mindful enough to do something.

I agree w your description of him.

It would be interesting to see what they might do after taking care of family, which I assume will happen...? Maybe she just left it all to her brother, trusting that he'd take care of family... Chris's stepsister is married w 2 daughters, her half brother is married w 2 daughters, and then there's JP and his wife, and his 2 sons and their families. so let's assume all those people get a cut of that 90 million...there'd still be enough left to give a good chunk to charities that were close to her heart.

yeesh, i can't even imagine so much $$...

--Lis

[David]

I would support the Christine McVie Memorial Foundation Endowment for the Curation and Release of Old Fleetwood Mac Concerts.

Ninety million would go far.

[aleuzzi]

I agree w your description of him.

It would be interesting to see what they might do after taking care of family, which I assume will happen...? Maybe she just left it all to her brother, trusting that he'd take care of family... Chris's stepsister is married w 2 daughters, her half brother is married w 2 daughters, and then there's JP and his wife, and his 2 sons and their families. so let's assume all those people get a cut of that 90 million...there'd still be enough left to give a good chunk to charities that were close to her heart.

yeesh, i can't even imagine so much $$...

--Lis


I know, right?

[WatchChain]

Was any inheritance left for John? They seemed to remain cordial friends after the divorce and the passing of time.

On a sidenote, during the 2014 "On with the Show" Tour, I witnessed the most tender moment. I purchased tickets in the low section on the far side of the stage. We were very close with a side view and nothing to the left of us - I could see many technical things going on backstage in the dark.

During "Big Love" and "Landslide" when they weren't needed onstage, Christine and John took a seat on some equipment boxes backstage and just sat closely in the dark and chatted for a while. They laughed and gestured to each other like wonderful old friends. It was a moment of melancholy that was very touching to witness - even more so now that Chris has left us.

I am so grateful that we were blessed with the 2014 Tour.

[SteveMacD]

Was any inheritance left for John?

I doubt it. John’s loaded.

[vivfox]

I would support the Christine McVie Memorial Foundation Endowment for the Curation and Release of Old Fleetwood Mac Concerts.

Me too!!!!

[Penguin Emeritus]

Was any inheritance left for John? They seemed to remain cordial friends after the divorce and the passing of time.

On a sidenote, during the 2014 "On with the Show" Tour, I witnessed the most tender moment. I purchased tickets in the low section on the far side of the stage. We were very close with a side view and nothing to the left of us - I could see many technical things going on backstage in the dark.

During "Big Love" and "Landslide" when they weren't needed onstage, Christine and John took a seat on some equipment boxes backstage and just sat closely in the dark and chatted for a while. They laughed and gestured to each other like wonderful old friends. It was a moment of melancholy that was very touching to witness - even more so now that Chris has left us.

I am so grateful that we were blessed with the 2014 Tour.

I think those two felt they were blessed with it also. They were *extremely* close, and that last decade brought them even closer. He was with her before/when she died, which IMO puts him in a category way beyond cordial friends...

But I doubt she left him any of her fortune...he has always been frugal with a capital F and never lacked for money. As Steve said, he's loaded.

Mick , on the other hand, could probably use some $...:laugh:


--Lis

[HomerMcvie]

I think those two felt they were blessed with it also. They were *extremely* close, and that last decade brought them even closer. He was with her before/when she died, which IMO puts him in a category way beyond cordial friends...

But I doubt she left him any of her fortune...he has always been frugal with a capital F and never lacked for money. As Steve said, he's loaded.

Mick , on the other hand, could probably use some $...:laugh:


--Lis
This. :angel: They were, HANDS DOWN, the coolest members ever. Especially in the golden years. They were what we all should aspire to. Lindsey is almost there. Stevie will never be there. Mick's just too stupid to ever not be broke. Someone should put him out of his misery.

[SteveMacD]

This. :angel: They were, HANDS DOWN, the coolest members ever.

I kind of wish they would have been in a different band after 1980 or started a new one. Something without all the drama.

[UnwindedDreams]

I kind of wish they would have been in a different band after 1980 or started a new one. Something without all the drama.
In 1974, if Stevie was in a duo with another guitarist whose music Mick heard, who would you have like it to be?

I'd say Rick Nielsen or Bruce.

[SteveMacD]

In 1974, if Stevie was in a duo with another guitarist whose music Mick heard, who would you have like it to be?

I'd say Rick Nielsen or Bruce.

What a weird question.

[aleuzzi]

I kind of wish they would have been in a different band after 1980 or started a new one. Something without all the drama.

I agree. A working band that recorded new material every 1-2 years.

[aleuzzi]

In 1974, if Stevie was in a duo with another guitarist whose music Mick heard, who would you have like it to be?

I'd say Rick Nielsen or Bruce.

She could have done well with The Eagles. But, as Rolling Stone noted during The Dance reunion, it was Buckingham’s vision and talent you could pluck out of 70s rock and plunk down anywhere…

In short: she needed him. Her celebrity helped make him more famous, but he was her interpreter, her “musical soulmate”…

[UnwindedDreams]

She could have done well with The Eagles. But, as Rolling Stone noted during The Dance reunion, it was Buckingham’s vision and talent you could pluck out of 70s rock and plunk down anywhere…

In short: she needed him. Her celebrity helped make him more famous, but he was her interpreter, her “musical soulmate”…
Stevie said meeting Lindsey was her destiny. Christine and Mick are both in print saying that Lindsey knew the best what to do with Stevie's songs. But here the sentiment seems to be Lindsey added nothing to Fleetwood Mac that another guitarist couldn't, like Rick Vito could have done everything Lindsey did and better.

[SteveMacD]

Stevie said meeting Lindsey was her destiny. Christine and Mick are both in print saying that Lindsey knew the best what to do with Stevie's songs. But here the sentiment seems to be Lindsey added nothing to Fleetwood Mac that another guitarist couldn't, like Rick Vito could have done everything Lindsey did and better.

I wasn’t really going to dignify that with a response, but since Tony responded…

So, Keith Olsen tells them Mick Fleetwood wants them to join Fleetwood Mac and Lindsey declines. Does anyone believe that Stevie wouldn’t have still elbowed her way into Fleetwood Mac, dragging along Waddy and possibly Warren Zevon?

Better? No. But still compelling.

I love Lindsey, but he gets gets a little too much credit. Keith scouted Fritz when Lindsey played bass and neither Stevie nor Lindsey were singing their own songs. Buckingham Nicks got signed because of their harmonies. Keith told them to ditch their band, start writing their own songs, and move to Los Angeles. Lindsey got mono and learned the crafts of guitar playing and producing, but Stevie honed her craft in songwriting. Who dominated the Coffeehouse Demos?

Stevie was the driving force for them moving to Los Angeles and, later, joining Fleetwood Mac.

For me, it all comes down to “Rhiannon,” because Christine had a solid body of work prior to 1975. It’s easy to hear Lindsey’s contributions to her songs, which were largely cosmetic. But the Buckingham Nicks “Rhiannon” from January, 1975 was comically amateurish compared to the legendary version we know. I could hear any bar band do something akin to the Buckingham Nicks version in any town across the country.

The Fleetwood Mac version several months later, by comparison, had elements that are steeped in the blues and numerous tours with bands like Deep Purple and Rainbow. There’s a dynamic and edge Fleetwood Mac developed with Peter, Danny, and especially Bob that went well beyond Lindsey’s vocabulary prior to 1975. They deserve great credit, too, and I think Lindsey has been all to happy to take the credit without acknowledging he couldn’t have gotten there without his bandmates.

He’s the proverbial was born on third and acts like he got a triple.

[bombaysaffires]

I wasn’t really going to dignify that with a response, but since Tony responded…

So, Keith Olsen tells them Mick Fleetwood wants them to join Fleetwood Mac and Lindsey declines. Does anyone believe that Stevie wouldn’t have still elbowed her way into Fleetwood Mac, dragging along Waddy and possibly Warren Zevon?

Better? No. But still compelling.

I love Lindsey, but he gets gets a little too much credit. Keith scouted Fritz when Lindsey played bass and neither Stevie nor Lindsey were singing their own songs. Buckingham Nicks got signed because of their harmonies. Keith told them to ditch their band, start writing their own songs, and move to Los Angeles. Lindsey got mono and learned the crafts of guitar playing and producing, but Stevie honed her craft in songwriting. Who dominated the Coffeehouse Demos?

Stevie was the driving force for them moving to Los Angeles and, later, joining Fleetwood Mac.

For me, it all comes down to “Rhiannon,” because Christine had a solid body of work prior to 1975. It’s easy to hear Lindsey’s contributions to her songs, which were largely cosmetic. But the Buckingham Nicks “Rhiannon” from January, 1975 was comically amateurish compared to the legendary version we know. I could hear any bar band do something akin to the Buckingham Nicks version in any town across the country.

The Fleetwood Mac version several months later, by comparison, had elements that are steeped in the blues and numerous tours with bands like Deep Purple and Rainbow. There’s a dynamic and edge Fleetwood Mac developed with Peter, Danny, and especially Bob that went well beyond Lindsey’s vocabulary prior to 1975. They deserve great credit, too, and I think Lindsey has been all to happy to take the credit without acknowledging he couldn’t have gotten there without his bandmates.

He’s the proverbial was born on third and acts like he got a triple.

Mick, John (who has improved soooo many of Stevie's songs) and Christine made Rhiannon into something it would never, ever have been as just BN.

[HomerMcvie]

Mick, John (who has improved soooo many of Stevie's songs) and Christine made Rhiannon into something it would never, ever have been as just BN.

Well, apparently you're not the authority, here. YOU NEED TO BACK TF DOWN.

[SteveMacD]

Mick, John (who has improved soooo many of Stevie's songs) and Christine made Rhiannon into something it would never, ever have been as just BN.

Well, apparently you're not the authority, here. YOU NEED TO BACK TF DOWN.

Did John not? I think John’s contributions, especially on Rhiannon, Dreams, Gold Dust Woman, Sara, Angel, Sisters of the Moon, and Smile At You, were especially critical to the songs.

[aleuzzi]

Stevie said meeting Lindsey was her destiny. Christine and Mick are both in print saying that Lindsey knew the best what to do with Stevie's songs. But here the sentiment seems to be Lindsey added nothing to Fleetwood Mac that another guitarist couldn't, like Rick Vito could have done everything Lindsey did and better.

Yeah, I don’t buy that argument. Lindsey isn’t the most technically fluid guitarist the band had, nor is he a session musician who can execute other peoples’ idioms. But that’s the point. What he knew and knows made his attack on Chris and Stevie’s songs so special. Energy, too. He possesses a musical personality and has a unique charisma. All of this he brought to the band and to Stevie’s songs.

Naturally, the core trio of Fleetwood-McVie-McVie also made a mark.

[UnwindedDreams]

Yeah, I don’t buy that argument. Lindsey isn’t the most technically fluid guitarist the band had, nor is he a session musician who can execute other peoples’ idioms. But that’s the point. What he knew and knows made his attack on Chris and Stevie’s songs so special. Energy, too. He possesses a musical personality and has a unique charisma. All of this he brought to the band and to Stevie’s songs.

Naturally, the core trio of Fleetwood-McVie-McVie also made a mark.
Thank you very much for your respectful and civil response that was not supercilious. God love you!

[jbrownsjr]

I wasn’t really going to dignify that with a response, but since Tony responded…

So, Keith Olsen tells them Mick Fleetwood wants them to join Fleetwood Mac and Lindsey declines. Does anyone believe that Stevie wouldn’t have still elbowed her way into Fleetwood Mac, dragging along Waddy and possibly Warren Zevon?

Better? No. But still compelling.

I love Lindsey, but he gets gets a little too much credit. Keith scouted Fritz when Lindsey played bass and neither Stevie nor Lindsey were singing their own songs. Buckingham Nicks got signed because of their harmonies. Keith told them to ditch their band, start writing their own songs, and move to Los Angeles. Lindsey got mono and learned the crafts of guitar playing and producing, but Stevie honed her craft in songwriting. Who dominated the Coffeehouse Demos?

Stevie was the driving force for them moving to Los Angeles and, later, joining Fleetwood Mac.

For me, it all comes down to “Rhiannon,” because Christine had a solid body of work prior to 1975. It’s easy to hear Lindsey’s contributions to her songs, which were largely cosmetic. But the Buckingham Nicks “Rhiannon” from January, 1975 was comically amateurish compared to the legendary version we know. I could hear any bar band do something akin to the Buckingham Nicks version in any town across the country.

The Fleetwood Mac version several months later, by comparison, had elements that are steeped in the blues and numerous tours with bands like Deep Purple and Rainbow. There’s a dynamic and edge Fleetwood Mac developed with Peter, Danny, and especially Bob that went well beyond Lindsey’s vocabulary prior to 1975. They deserve great credit, too, and I think Lindsey has been all to happy to take the credit without acknowledging he couldn’t have gotten there without his bandmates.

He’s the proverbial was born on third and acts like he got a triple.

A bit of a pivot of topic, but Look what the brits do with Crystal. It goes from a good song at best to sonically and warmly incredible.

[jbrownsjr]

The Fleetwood Mac version several months later, by comparison, had elements that are steeped in the blues and numerous tours with bands like Deep Purple and Rainbow. There’s a dynamic and edge Fleetwood Mac developed with Peter, Danny, and especially Bob that went well beyond Lindsey’s vocabulary prior to 1975. They deserve great credit, too, and I think Lindsey has been all to happy to take the credit without acknowledging he couldn’t have gotten there without his bandmates.


Whilst also insulting the versions and personnel, prior and after him.

[jbrownsjr]

Yeah, I don’t buy that argument. Lindsey isn’t the most technically fluid guitarist the band had, nor is he a session musician who can execute other peoples’ idioms. But that’s the point. What he knew and knows made his attack on Chris and Stevie’s songs so special. Energy, too. He possesses a musical personality and has a unique charisma. All of this he brought to the band and to Stevie’s songs.

Naturally, the core trio of Fleetwood-McVie-McVie also made a mark.

And just listen to her some of her solo demos. Some of them are so boring.

[aleuzzi]

A bit of a pivot of topic, but Look what the brits do with Crystal. It goes from a good song at best to sonically and warmly incredible.

Perfect example. As mentioned earlier, Rhiannon is another song where the core trio provided the right setting.

GYOW, Dreams, and Sara are as good as they are because of Fleetwood and the McVies.

[michelej1]

And just listen to her some of her solo demos. Some of them are so boring.

As Christine herself pointed out about Dreams. She is the one who described how Lindsey transformed it. He gave the band something to work with that they might not have discovered in her songs without his involvement. In that respect I would call him a translator. I don’t discount everyone else’s involvement, but I don’t think that they would deny that the structure he created gave them something to sink f their teeth in on SN songs.

[DownOnRodeo]

Whilst also insulting the versions and personnel, prior and after him.

I would put that in the context of his competitve relationship with Stevie and how Stevie was getting all the attention since joining Fleetwood Mac.
It's not like he's a Brit like John and Christine who doesn't need to talk himself up; he's cut from the same self-promoting cultural cloth as Stevie and, holy Rhiannon, can you imagine how suffocated your ego would feel when Stevie Nicks is sucking up all the air around you. By doing some self-promotion about his contribution to arrangement and production, or making some jabs at his replacements, I picture him merely clinging to a lifebuoy while the shimmering SS Stevie ploughs past through the waters of public opinion and recognition.

Regarding his predecessors, I don't feel like he ever went around 'dissing' them per se, as he light-heartedly did with his replacements, but rather, in the context of his having agreed to join FM not as a beholden jukebox player but as a new and independent creative force in the band, and having secured immense success with and for that band, he was simply pointing out the inarguable facts regarding the success of the band under its respective iterations and his own personal tastes for the musical direction he envisioned for the band.

[aleuzzi]

I would put that in the context of his competitve relationship with Stevie and how Stevie was getting all the attention since joining Fleetwood Mac.
It's not like he's a Brit like John and Christine who doesn't need to talk himself up; he's cut from the same self-promoting cultural cloth as Stevie and, holy Rhiannon, can you imagine how suffocated your ego would feel when Stevie Nicks is sucking up all the air around you. By doing some self-promotion about his contribution to arrangement and production, or making some jabs at his replacements, I picture him merely clinging to a lifebuoy while the shimmering SS Stevie ploughs past through the waters of public opinion and recognition.

Regarding his predecessors, I don't feel like he ever went around 'dissing' them per se, as he light-heartedly did with his replacements, but rather, in the context of his having agreed to join FM not as a beholden jukebox player but as a new and independent creative force in the band, and having secured immense success with and for that band, he was simply pointing out the inarguable facts regarding the success of the band under its respective iterations and his own personal tastes for the musical direction he envisioned for the band.

Said very well. The first part is spot on. As is the second, except I would say LB occasionally dismissed Bob Welch’s work with the band.

Mid-seventies interviews show him saying things like: I stopped listening to Fleetwood Mac after Bare Trees because I wasn’t thrilled with the direction Bob Welch took the band. And, with the exception of Green, he has never acknowledged the accomplishments of their previous guitarists. Many critics and general listeners have noted his stylistic affinities with Danny Kirwan, but he never admits to them. It’s part of his manner to underplay others in the band. Heck, even when he was being interviewed for the BuckVie record, he told the journalist he’s not really a fan of, or inclined to listen to, Christine’s work, that what he admires about her is her commitment to craft in songwriting—but even when the journalist pressed, he still did but concede that he’s terribly interested in her voice or her instrumental prowess. Strange man indeed.

[bombaysaffires]

Well, apparently you're not the authority, here. YOU NEED TO BACK TF DOWN.

Love ya, Homie :xoxo:

[HomerMcvie]

Love ya, Homie :xoxo:

Back at ya!:xoxo:

[bombaysaffires]

Back at ya!:xoxo:

Now....BACK TF DOWN!! :eek:

[jbrownsjr]

Now....BACK TF DOWN!! :eek:

There's never fighting in the CMcVie forum!!! :wavey::laugh:

[HomerMcvie]

Now....BACK TF DOWN!! :eek:

I ain't the authority on nothin'... I've got my opinions, but that's all they are.

Now BACK TF DOWN!

[jbrownsjr]

I ain't the authority on nothin'... I've got my opinions, but that's all they are.

Now BACK TF DOWN!

You're the jack of hearts!

[HomerMcvie]

You're the jack of hearts!

You left off an F!

[bombaysaffires]

You left off an F!

in that case, seriously, BACK THE F DOWN!:lol:

[DownOnRodeo]

It’s part of his manner to underplay others in the band. Heck, even when he was being interviewed for the BuckVie record, he told the journalist he’s not really a fan of, or inclined to listen to, Christine’s work, that what he admires about her is her commitment to craft in songwriting—but even when the journalist pressed, he still did but concede that he’s terribly interested in her voice or her instrumental prowess. Strange man indeed.

At least he isn't constantly underplaying himself, like Christine used to.
"I, er, released a solo album... it probably wasn't very good." etc. :lol:

[HomerMcvie]

in that case, seriously, BACK THE F DOWN!:lol:

I love it when you're so bitch!


I mean butch!:lol:

[jbrownsjr]

Heck, even when he was being interviewed for the BuckVie record, he told the journalist he’s not really a fan of, or inclined to listen to, Christine’s work, that what he admires about her is her commitment to craft in songwriting—but even when the journalist pressed, he still did but concede that he’s terribly interested in her voice or her instrumental prowess. Strange man indeed.

Can you clarify? I remember these sentiments as his usual "Bucktalk"
... but I don't remember this interview. And just wow, he has no class when it comes to talking about the other members' material.

[aleuzzi]

Can you clarify? I remember these sentiments as his usual "Bucktalk"
... but I don't remember this interview. And just wow, he has no class when it comes to talking about the other members' material.

I don’t remember the exact interview but it was posted in a thread on this very site. I remember being so pissed when I read it and thought, “Dude, can’t you show some basic respect and decency?” I’ll try and find it.

[aleuzzi]

At least he isn't constantly underplaying himself, like Christine used to.
"I, er, released a solo album... it probably wasn't very good." etc. :lol:

Her self-effacement can be overkill. And I don’t always buy it. I mean, sometimes she downplays a project and it’s worth; other times she is talking it up like it’s the best thing she’s ever done. In the Meantime is one such project.

[bombaysaffires]

I love it when you're so bitch!


I mean butch!:lol:

birds of a feather baby!:angel:

[HomerMcvie]

birds of a feather baby!:angel:

Takes one to know one!




Now back TF down! :lol:

[bombaysaffires]

Takes one to know one!




Now back TF down! :lol:

I can't walk away from you
baby if I try

[SteveMacD]

Jesus Christ, rent a room already.

[jbrownsjr]

Jesus Christ, rent a room already.

He'll get a Motor Inn on the border of Indiana and Kentucky.

[HomerMcvie]

Jesus Christ, rent a room already.

You're about as much fun as cactus toilet paper.

[BigAl84]

https://media.giphy.com/media/3ohhwlN2fU4oFDgkk8/giphy.gif

[jbrownsjr]

You're about as much fun as cactus toilet paper.

I think that was Steve "being fun". :lol:

and OUCH! X 10

[HomerMcvie]

I think that was Steve "being fun". :lol:

and OUCH! X 10

Fun with daggers! Check!

:woohoo:

[bombaysaffires]

Jesus Christ, rent a room already.

there were candles,
crystals,
I was...anyone's fantasy.
Say I'm not......

[HomerMcvie]

there were candles,
crystals,
I was...anyone's fantasy.
Say I'm not......

Don't forget the many boxes of Kleenex that were required for mopping up!

And the Steve poster we taped to the wall for inspiration! :wavey: