Interesting Interview with Word Magazine

[WildHearted]

Not sure if it's been posted, so forgive me if it has. I did a quick search and didn't find anything... even though I felt like the question about BN I'd heard before..

http://4.bp.blogspot.com/-L4qChwxSgXM/Tjr9n2gBTzI/AAAAAAAAJ_c/SJtMbyyJcwk/s1600/Stevie+Nicks+The+Word+Magazine+July%252C+2011+pg1.jpg

http://3.bp.blogspot.com/-kl7LUp_zGPQ/Tjr9pnJ4icI/AAAAAAAAJ_g/rOE1zncI5Yw/s1600/Stevie+Nicks+The+Word+Magazine+July%252C+2011+pg2.jpg

from http://nickslive.blogspot.com/

I thought it was interesting that she would say that she remember John and Chris breaking up more than anything else from that certain time period.. kind of sweet, in it's own way? Also, gotta love her declaring herself to be Lindsey's muse and going so far to say that his wife is alright with it :lol:

I found her whole spiel about drugs to be rather confusing, ironically.. it took me a few read throughs to actually decipher what she was saying about who used what etc. Except for her saying she didn't consider pot drugs. That was the only clear part :cool:

[-Lillith-]

Thanks :)

Anyone ever heard something about that computer song ?

[sherhiannon]

I thought the whole part about Joe Walsh and the computers was a little confusing...LOL...Ahhh Stevie, gotta love her!:laugh:

Not sure if it's been posted, so forgive me if it has. I did a quick search and didn't find anything... even though I felt like the question about BN I'd heard before..

http://4.bp.blogspot.com/-L4qChwxSgXM/Tjr9n2gBTzI/AAAAAAAAJ_c/SJtMbyyJcwk/s1600/Stevie+Nicks+The+Word+Magazine+July%252C+2011+pg1.jpg

http://3.bp.blogspot.com/-kl7LUp_zGPQ/Tjr9pnJ4icI/AAAAAAAAJ_g/rOE1zncI5Yw/s1600/Stevie+Nicks+The+Word+Magazine+July%252C+2011+pg2.jpg

from http://nickslive.blogspot.com/

I thought it was interesting that she would say that she remember John and Chris breaking up more than anything else from that certain time period.. kind of sweet, in it's own way? Also, gotta love her declaring herself to be Lindsey's muse and going so far to say that his wife is alright with it :lol:

I found her whole spiel about drugs to be rather confusing, ironically.. it took me a few read throughs to actually decipher what she was saying about who used what etc. Except for her saying she didn't consider pot drugs. That was the only clear part :cool:

[Josh2003]

Computer Baby?

How has this reporter heard of a song that nobody here has?

[Johnny Stew]

Computer Baby?

How has this reporter heard of a song that nobody here has?

I can't remember the exact context off the top of my head, but I recall the phrase "Computer Baby" in the acknowledgments & thank yous portion of the 'Other Side of the Mirror' liner notes.

Thanks for sharing the article, WildHearted. :wavey:

[WildHearted]

I had never heard of Computer Baby, but I figured you guys would have.

Doing a quick google search... it seems, in fact, that the only thing I can find about Computer Baby, ever, is that it was in the OSotM liner notes, as JohnnyStew mentioned.

Weird.

[vivfox]

Marijuana is a drug. Stevie doesn't know EVERYTHING.

[Regina]

So, so weird.
At least she didn't go on about Joe being the love of her life.
I would love to know what in the hell went on that made her SO unhappy with the 2003 SYW tour that she actually re-upped for the 2004 third (or fourth) leg of the tour?
And she's generally nicer (and more fun) that she was in the press interviews that she did a couple of years ago.

[LilyRose]

LOLWUT? Computer Baby? Now it's allll clear why she really hates computers & technology as much as she does. I didn't know Joe was such a computer nerd.

This interviewer really focused on the drugs though. Meh. Kind of lame...

[WildHearted]

LOLWUT? Computer Baby? Now it's allll clear why she really hates computers & technology as much as she does. I didn't know Joe was such a computer nerd.

This interviewer really focused on the drugs though. Meh. Kind of lame...

I keep laughing every time I think about Computer Baby... I can't help it. What on earth.

What I thought was interesting, re: the drugs, was that it seemed like he kept trying to get her to tell stories about them partying and stuff, and she kind of side-stepped the questions initially. She was just like, "Yeah, but that's when we recorded all 12 tracks!" and went off talking about that.

[gldstwmn]

So basically Joe was into online porn in the 80's? Was there even porn online in the 80's or is that just the dumbest question ever? :laugh: :confused:

[WildHearted]

So basically Joe was into online porn in the 80's? Was there even porn online in the 80's or is that just the dumbest question ever? :laugh: :confused:


No, I think that he used his computers to create/fiddle with music and such, and he spent all his time in there tinkering. I remember her talking about it before, how he was playing all the different parts to the song on a computer and she didn't like that or something, cause she felt like it was replacing musicians.

But he may have been into online porn, too, haha. If that was around (I don't know either, I was not alive sadly)..

[michelej1]

Not sure if it's been posted, so forgive me if it has. I did a quick search and didn't find anything... even though I felt like the question about BN I'd heard before..



Great article. I heard the BN part before, but not the rest. Honestly, if I hadn't heard most of SWS and didn't know exactly what to expect, I'd be kind of bummed that Stevie likes it so much, because I don't consider her a good barometer of good LB music. She doesn't like what I like.

Although, that reminds me of when she said hearing There's Your Trouble was the Dixie Chicks song that she heard that made her interested in them, because that's my favorite of theirs too.

Michele

[sparky]

I also think this is an interesting article for the computer baby revelation alone.

I don't blame her for finding new ways of getting past the drug fascination in interviews. It is the most base thing about her identity. It hardly makes her unique among artists or musicians. It is about as interesting as her bleached blonde hair.

What is slightly more interesting is her now on again focus on Lindsey as her muse. Sometimes it is off again, but now it is on, and I am perhaps the only person in fandom who finds it so sad, boring, unhealthy and utterly uninteresting. Who cares if it is true? The only thing less interesting than her dwelling on it is the endless fascination that fans have with it.

The true value of of art is how it moves us relative to our own experiences. Is anyone out there sobbing over "You May Be The One" or HAEWAFY because it is about Whoever the hell she wrote it about? No. It is because it reminds us of our own loss, and expresses something we have been unable to express of our own volition and talent. Good art moves people because it stirs inaccessible or difficult to express feelings within them - relative to their own lives. Not because they are living vicariously through people they have never met and will never know intimately.

I have no knowledge of other rabid fan groups, but I have never talked to another Joni Mitchell fan who endlessly references Larry Klein when talking about how the songs on Night Ride Home are so great. Is that because Joni never mentions him? I dunno. Chicken or egg. Maybe Stevie encourages all this bs by constantly talking about Lindsey.

The thing that I find lost in not only Stevie's harping on Lindsey, but also in the discussion of her most potent songs, is why in the hell these songs affect people so much. It is almost an endless circle of denial and shame about why her songs have such deep meaning to them. I appreciate the fact that she is so open about her influences, as much as I find the LB references tiresome. If nothing else, I have always loved TLH for her honesty. But there is a strange dichotomy between the reverence fans have for her backstory and the wide open blank pages about why the songs have resonance to them. I have almost ZERO interest in her inspirations for her songs. Almost ZERO. What amazes me is that she so often captures my emotional experiences at the perfect times of my life when she puts the songs out.
And that helps me to learn more about myself and has been invaluable in helping me to traverse the sometimes difficult moments I encounter in my own life.

Such personal discussion is ridiculously, glaringly, and shockingly absent from almost all exchanges about her songwriting. It is a black hole that leaves me both shocked and dismayed. I am not sure if it indicates a shallowness among most Stevie fans or a lack of insight that her most ardent fans have into their own psyches. She writes some shattering, jarring and devastating pieces of music about the deepest of emotional experiences and all people have to say is "LINDSEY LINDSEY LINDSEY".
Or maybe, "OMG IS IT ABOUT JOE?"

Seriously, folks?

Do people think that her songs are merely a Shawl draped National Enquirer version of her love life thrown onto tape for her own personal edification? And the one who figures it out gets a made in china crystal ball from a Hollywood Blvd gift shop as a grand prize?

The LB or other past lover song inspiration obsession reminds me of a bad B movie scenario. A gifted Freudian psychotherapist has just delivered a 6 phrase response to a very sad and lifelong troubled patient and has explained the origin, nature of, and solution to a problem that has haunted them for many years. In those 6 phrases all is explained. The seed, the problem, and the solution. And the patient bolts out of the chair and screams, "This is all about your mother, Freud! And you based your research on a bunch of mentally ill women and drug addicts! I finally figured you out!" and promptly runs screaming from the room. And the patient spends the rest of their lives repeating that to everyone they ever meet. In the process, they forget everything the therapist ever said to them. The key to their freedom is lost.

Bitch was truest of all in her writing in these lines: "Don't listen to her, listen through her."

It amazes me, these 35 years of hearing her voice, that so many people cannot, and WILL NOT hear that.

[fumidesigns]

cute way to tell y she hates computers!

[LilyRose]

What is slightly more interesting is her now on again focus on Lindsey as her muse. Sometimes it is off again, but now it is on, and I am perhaps the only person in fandom who finds it so sad, boring, unhealthy and utterly uninteresting. Who cares if it is true? The only thing less interesting than her dwelling on it is the endless fascination that fans have with it.

The true value of of art is how it moves us relative to our own experiences. Is anyone out there sobbing over "You May Be The One" or HAEWAFY because it is about Whoever the hell she wrote it about? No. It is because it reminds us of our own loss, and expresses something we have been unable to express of our own volition and talent. Good art moves people because it stirs inaccessible or difficult to express feelings within them - relative to their own lives. Not because they are living vicariously through people they have never met and will never know intimately.

I have no knowledge of other rabid fan groups, but I have never talked to another Joni Mitchell fan who endlessly references Larry Klein when talking about how the songs on Night Ride Home are so great. Is that because Joni never mentions him? I dunno. Chicken or egg. Maybe Stevie encourages all this bs by constantly talking about Lindsey.

The thing that I find lost in not only Stevie's harping on Lindsey, but also in the discussion of her most potent songs, is why in the hell these songs affect people so much. It is almost an endless circle of denial and shame about why her songs have such deep meaning to them. I appreciate the fact that she is so open about her influences, as much as I find the LB references tiresome. If nothing else, I have always loved TLH for her honesty. But there is a strange dichotomy between the reverence fans have for her backstory and the wide open blank pages about why the songs have resonance to them. I have almost ZERO interest in her inspirations for her songs. Almost ZERO. What amazes me is that she so often captures my emotional experiences at the perfect times of my life when she puts the songs out.
And that helps me to learn more about myself and has been invaluable in helping me to traverse the sometimes difficult moments I encounter in my own life.

Such personal discussion is ridiculously, glaringly, and shockingly absent from almost all exchanges about her songwriting. It is a black hole that leaves me both shocked and dismayed. I am not sure if it indicates a shallowness among most Stevie fans or a lack of insight that her most ardent fans have into their own psyches. She writes some shattering, jarring and devastating pieces of music about the deepest of emotional experiences and all people have to say is "LINDSEY LINDSEY LINDSEY".
Or maybe, "OMG IS IT ABOUT JOE?"

Seriously, folks?

Do people think that her songs are merely a Shawl draped National Enquirer version of her love life thrown onto tape for her own personal edification? And the one who figures it out gets a made in china crystal ball from a Hollywood Blvd gift shop as a grand prize?

The LB or other past lover song inspiration obsession reminds me of a bad B movie scenario. A gifted Freudian psychotherapist has just delivered a 6 phrase response to a very sad and lifelong troubled patient and has explained the origin, nature of, and solution to a problem that has haunted them for many years. In those 6 phrases all is explained. The seed, the problem, and the solution. And the patient bolts out of the chair and screams, "This is all about your mother, Freud! And you based your research on a bunch of mentally ill women and drug addicts! I finally figured you out!" and promptly runs screaming from the room. And the patient spends the rest of their lives repeating that to everyone they ever meet. In the process, they forget everything the therapist ever said to them. The key to their freedom is lost.

Bitch was truest of all in her writing in these lines: "Don't listen to her, listen through her."

It amazes me, these 35 years of hearing her voice, that so many people cannot, and WILL NOT hear that.

I do believe she is partially to blame. Before, she maintained a certain mystique when it came to her music, lately she's more and more comfortable telling the stories behind her songs.

However, as much as I like to hear the backstory, it doesn't make me any less inclined to have the want to look at the song as a true piece of art. As humans we have more than just one layer. I find myself able to appreciate her reason for writing the song, as well as my ability to turn it on myself and find my own personal meaning.

Maybe those of us who are fascinated by who or what her songs are about are shallow. Okay.

"Only the shallow know themsevles." - Oscar Wilde

[Regina]

I remember when the Penguin had song interpretations. It was actually Ledge 5...where those interested would tear apart songs, looking for hidden meanings (great fun for ex-English-major/geeks like moi). I remember we went on and on about the Blue Lamp song. Lindsey! Mick! Heartache! yada, yada.
Then, we ran across and interview re: the meaning of this song.
"Well, I had this blue lamp..."

I still laugh when I think about it.
Stevie's revelations about her inspirations are just part of the total package. Sometimes, they are unexpected; sometimes, heartwarming and/or heartbreaking; sometimes (as in the case of the BL) hilarious. But, they are so "her."
And, whatever they are written for--the real secret of Stevie's appeal, to me, is in that moment when a song touches us. The moment that CAN'T really be put down in words. The moment when tears come to my eyes and there is a place in my gut that is just...touched...in a way I can't even begin to write about. And she's done that a lot.

So, yeah. She feeds the Lindsey-wagon or shipper-wagon (and/or [as I suspect]really believes what she's saying at this particular moment in time) but I kind of like knowing what goes on during her creative process.

[gldstwmn]

Do people think that her songs are merely a Shawl draped National Enquirer version of her love life thrown onto tape for her own personal edification?

You mean they're not?



And the one who figures it out gets a made in china crystal ball from a Hollywood Blvd gift shop as a grand prize?


I was thinking more snow globe. :shrug:

[gldstwmn]

"Only the shallow know themsevles." - Oscar Wilde

"Every portrait that is painted with feeling is a portrait of the artist, not of the sitter."
Oscar Wilde


I love Oscar Wilde. I could post his quotes all day long.

[tabruns]

Bitch was truest of all in her writing in these lines: "Don't listen to her, listen through her."
.

You should say "She was truest..." etc. etc.

I don't participate in the "who was the song about" threads either, but I can understand why some people like that sort of thing.

[SapphireSister]

Computer Baby would have been a great addition to In Your Dreams :lol:. Seriously though, if I had not heard this story directly from her I would so not have believed she ever wrote a song about this called Computer Baby. I would think it was some of us fans making fun of her. Only Stevie baby, only Stevie baby.

[GoldDustWoman22]

I have to say that when I first "heard" Stevie sing it was Landslide (I know, original right :rolleyes:?). I graduated this year and it totally had to do with all the emotions I was going through (moving away from home, saying goodbye etc.). I thought it was an awesome song, not knowing anything about the background between her and Lindsey or the house in Aspen or anything haha. Well then I liked the song so much that I bought the entire White and Rumours album just because of how good that one song was:laugh:. Well those two albums were the only thing I listened to for about a month. Until I started to buy all the other Fm/solo stuff. Now when I first started listening to Rumours I had absolutely no idea about any of the behind the scenes drama going on. I just loved the fact that all of the songs on both albums were totally relatable and beautiful to listen to. The harmonies, lyrics and instrumentation made my listening experience. I had fun relating my own personal experiences to the songs themselves. And not to mention that album is what made fall in love with Stevie!! I was amazed at her lyrics and her imagery. As someone who writes as an escape method, it was something I could really appreciate :nod:. And not to mention her voice! Obviously this obsession led to more research during which I found the ledge (best. thing. ever ;)) and more about the history of FM. Obviously the drama made me want to go listen to it again and see if I could really tell what was going on through the songs. And I think that's what Stevie's trying to do when she talks about Lindsey. She knows that people like the songs because they are fabulous. But when she tells her own story about them it gives people more reason to really kind of speculate what the song is about. And especially with Lindsey, everyone knows the story so they see it as their own personal outlook into Stevie's life.Also, who hasn't had that on again/off again relationship, I'm sure people can relate to their long winded "affair". And Stevie probably tells stories about her songs because she knows someone else has experienced something similar. So by telling a story she is essentially forming a deeper one on one connection of that shared experience with a fan. Of course no matter how many stories she tells about a song that I can relate to, it will never change my meaning of the song. Her universal lyrics to me, are not affected by the personal stories she shares. However, they add some intrigue to make you want to the lyrics a little closer next time. :nod:

Btw, I sincerely apologize if this post put anyone to sleep.:laugh: :wavey:

[michelej1]

The true value of of art is how it moves us relative to our own experiences. Is anyone out there sobbing over "You May Be The One" or HAEWAFY because it is about Whoever the hell she wrote it about? No. It is because it reminds us of our own loss, and expresses something we have been unable to express of our own volition and talent. Good art moves people because it stirs inaccessible or difficult to express feelings within them - relative to their own lives. Not because they are living vicariously through people they have never met and will never know intimately.



Your comments assume that interest in her relationships doesn't also tell us something about ourselves and that that's not the draw in the first place. I started reading Anne Morrow Lindbergh in high school and I've been reading and re-reading her and Charles and their daughters Anne Spencer and Reeve ever since. I am deeply interested in the Lindberghs, it's true. But what keeps me drawn to them is that they express something when discussing their relationships to each other and to the luminaries that past through their lives (like Antoine St. Exupery, who has also inspired Stevie) that I feel about my own relationships.

When I read Anne's first diary, it began when she was about the same age as I was. She was 16 and so was I. I had always had certain feelings, but I was barely aware of why I felt that way. When she articulated her reactions in prose or narrative form, it suddenly dawned on me, "That's why I feel that way, but I could never put it into words before. I could never put my finger on it." Conversely, if she finds herself feeling shy or at a loss and says she doesn't know why, from the reader's objective viewpoint I can say, "Anne, it's because your sister Elizabeth was being so pushy. That's why you retreated. You wanted to put yourself in her shadow before he had a chance to hurt you by putting you there himself."

You get to a point where you're explaining yourself when you explain them. If Fox Mulder acts in a way that's not explained in the script, but I feel I know why, when I discuss his motives, I'm revealing a part of myself and my own values and learning about them too.

I feel this about the Lindberghs and about the X-Files and about Dickens and Austen for that matter. I think it's a tool to explore your own feelings about loyalty, love, betrayal, or aging. While we may be wrong in guessing what or whom Stevie's songs are about, I don't think in doing so we're ignoring why those songs speak to us. Indeed, I think just the opposite is true. There are things that I like and I know it's about me, not about them. Yesterday, when the MDA announced its cutting ties with Jerry Lewis and Jerry responded "it's none of your business," I thought about Jerry Lewis' history and, of course, that led me to think of Lewis & Martin. I'm fascinated by Lewis and Martin in much the same way I am about SnL and FM and I know my interest in these frayed partnerships, is more about me than about any of the couples involved.

Just because not everyone takes the same road into their own head as you do, doesn't make them shallow. My father had a stroke in February 2005 and died in May 2005, so when Stevie first put Circle Dance into her setlist that year, did I want to think she put it in there for her father? Yeah, I did. I really, really did. It made a difference in the way I heard the song. It made a difference in the way I felt that song.

Michele

[WildHearted]

How is it shallow to want to know what inspired a song? When that, in itself, can give you a deeper look into the meaning behind the song, as well as give you a new persepective on it? That's in no way shallow, in my opinion. But to each their own.

While we're on the subject, I thought I would share this, which I found to be a pretty interesting and mostly accurate analysis..

http://palepinksatin.tumblr.com/post/8304561981/im-going-to-do-a-series-of-analytic-posts-on-stevie

There are some things I would dispute, but I enjoyed reading it and it did make me think a bit about the whole topic.

[michelej1]

How is it shallow to want to know what inspired a song? When that, in itself, can give you a deeper look into the meaning behind the song, as well as give you a new persepective on it?

And as you delve into the meaning, I think public information is ideally suited for public discussion. I could discuss why a Fleetwood Mac song reminds me of my childhood hernia operation, but you don't know me or my medical qualms, so we wouldn't be able to exchange many posts on that subject. You could listen to (read) me discuss the repair of my abdominal muscles, but it's not something that we can really talk about together.

We only know a small fraction of the events that make up FM's life, but what we do know is common knowledge. We share it. We can all participate in the discussion of the Landslide fight or the HAEWAFY fountain.

We analyze what's most what's most accessible to all. It's like being in school. I have very personal views on Mark Twain, but that's not what we discuss in a literature class. We discuss the universal themes, the historical facts, the ones we all know, build upon and extract ideas from collectively.

That's what you do in a group. You find common ground. If I was only writing to my brother, I'd discuss lyrics that reminded us of our shared childhood and, since he was there, he'd know exactly why those words speak to me. But on a music forum, of course you're going to talk about the band, their documented events and published words. That's the kind of thing that lends itself best to general conversation. I don't think a public bulletin board is the place where you'd naturally expound upon idosyncratic song reactions that only have meaning to you. Doesn't mean you don't have those reactions.

Michele

[WildHearted]

Brava, Michele :clap:

On a different note.... is this a hypothetical '57 Chevy, or do they really have one? :lol:

[LilyRose]

On a different note.... is this a hypothetical '57 Chevy, or do they really have one? :lol:

Don't cha know, they take it for drives on the weekend?

:laugh:

[michelej1]

Brava, Michele :clap:

On a different note.... is this a hypothetical '57 Chevy, or do they really have one? :lol:

They do have a music corporation together called something like "ThenMusic" or "ThenSounds". I forget which exactly.

It's kind of funny about cars because even when they were together Stevie seemed to speak in terms of it being her car or his. They seemed to have separate cars. She'll discuss their living quarters jointly, but not cars.

Michele

[equeen102289]

Even though she thanks Rupert Hine by name in the OSOTM liner notes, I still, for whatever reason, thought he was the Computer Baby. It's really interesting to learn that it's referencing Joe, though. Good article-- for that little tidbit alone.

[CADreaming]

I also think this is an interesting article for the computer baby revelation alone.

I don't blame her for finding new ways of getting past the drug fascination in interviews. It is the most base thing about her identity. It hardly makes her unique among artists or musicians. It is about as interesting as her bleached blonde hair.

What is slightly more interesting is her now on again focus on Lindsey as her muse. Sometimes it is off again, but now it is on, and I am perhaps the only person in fandom who finds it so sad, boring, unhealthy and utterly uninteresting. Who cares if it is true? The only thing less interesting than her dwelling on it is the endless fascination that fans have with it.

The true value of of art is how it moves us relative to our own experiences. Is anyone out there sobbing over "You May Be The One" or HAEWAFY because it is about Whoever the hell she wrote it about? No. It is because it reminds us of our own loss, and expresses something we have been unable to express of our own volition and talent. Good art moves people because it stirs inaccessible or difficult to express feelings within them - relative to their own lives. Not because they are living vicariously through people they have never met and will never know intimately.

I have no knowledge of other rabid fan groups, but I have never talked to another Joni Mitchell fan who endlessly references Larry Klein when talking about how the songs on Night Ride Home are so great. Is that because Joni never mentions him? I dunno. Chicken or egg. Maybe Stevie encourages all this bs by constantly talking about Lindsey.

The thing that I find lost in not only Stevie's harping on Lindsey, but also in the discussion of her most potent songs, is why in the hell these songs affect people so much. It is almost an endless circle of denial and shame about why her songs have such deep meaning to them. I appreciate the fact that she is so open about her influences, as much as I find the LB references tiresome. If nothing else, I have always loved TLH for her honesty. But there is a strange dichotomy between the reverence fans have for her backstory and the wide open blank pages about why the songs have resonance to them. I have almost ZERO interest in her inspirations for her songs. Almost ZERO. What amazes me is that she so often captures my emotional experiences at the perfect times of my life when she puts the songs out.
And that helps me to learn more about myself and has been invaluable in helping me to traverse the sometimes difficult moments I encounter in my own life.

Such personal discussion is ridiculously, glaringly, and shockingly absent from almost all exchanges about her songwriting. It is a black hole that leaves me both shocked and dismayed. I am not sure if it indicates a shallowness among most Stevie fans or a lack of insight that her most ardent fans have into their own psyches. She writes some shattering, jarring and devastating pieces of music about the deepest of emotional experiences and all people have to say is "LINDSEY LINDSEY LINDSEY".
Or maybe, "OMG IS IT ABOUT JOE?"

Seriously, folks?

Do people think that her songs are merely a Shawl draped National Enquirer version of her love life thrown onto tape for her own personal edification? And the one who figures it out gets a made in china crystal ball from a Hollywood Blvd gift shop as a grand prize?

The LB or other past lover song inspiration obsession reminds me of a bad B movie scenario. A gifted Freudian psychotherapist has just delivered a 6 phrase response to a very sad and lifelong troubled patient and has explained the origin, nature of, and solution to a problem that has haunted them for many years. In those 6 phrases all is explained. The seed, the problem, and the solution. And the patient bolts out of the chair and screams, "This is all about your mother, Freud! And you based your research on a bunch of mentally ill women and drug addicts! I finally figured you out!" and promptly runs screaming from the room. And the patient spends the rest of their lives repeating that to everyone they ever meet. In the process, they forget everything the therapist ever said to them. The key to their freedom is lost.

Bitch was truest of all in her writing in these lines: "Don't listen to her, listen through her."

It amazes me, these 35 years of hearing her voice, that so many people cannot, and WILL NOT hear that.

Alas, that is what makes the world go round. My best friend cannot stand to know what inspired a song. She hates it when I tell her the story behind songs. Despises it. It changes what makes the song personal to her or causes her to think beyond it's entertainment value. I, on the other hand, am totally fascinated by a writer's inspiration and feel it gives revelation into the true meaning behind the lyrics and an in depth look into the artist or the songwriter. In the end of the day, isn't that what the writer wants the reader to do anyway? On the surface, yes the reader should be entertained. But, if the writer wasn't baring their soul or had a need to reveal themselves to others (and the way they do that is through writing), then they wouldn't put their most personal thoughts and feelings out there for all the world to see. Is it wrong that you're only entertained or interpret the songs how they affect you personally? No, not at all! You've have given the writer the best gift by allowing your life to be touched by their words. And, is it wrong for someone else to interpret the truth of the lyrics, discover the subject for the inspiration or ponder the writer's reason for a line like 'If he leaves her he'll be losing the chance to stay alive'? No, not at all! They have also given the writer the best gift by hearing the heart of the poetry and in some way connecting to the emotion behind the words and being able to say, "I get you."

[sparky]

Your comments assume that interest in her relationships doesn't also tell us something about ourselves and that that's not the draw in the first place.


Sadly I think this is chicken and egg theory. I think the songs are the intial draw. The music is the magic. Beyond that, I think the vocal majority then begins to turn their fascination to her personal life. And completely neglects personal meaning for a focus on her life. Then it veers towards cult of celebrity.

Just because not everyone takes the same road into their own head as you do, doesn't make them shallow. Michele

I wasn't implying that the mere interest in her personal backstory makes a person or their interpretations shallow. But I would say that the real point is that people often don't even bother to go into their own heads very deep at all. Or very deep into the songs at all. The point becomes focused on Stevie, and not why the songs have meaning to each person. In my opinion that is a missed opportunity.

Clearly you, and a few other people, have articulated how Stevie's songs and other things have connected with them on a personal level. I appreciate that, and find it meaningful and interesting. I believe, as I said before, that the higher purpose of art is exactly that. What did the art do to you? How did it illuminate your journey through life? How did it shine light into the paths you are trudging through? That is where the real stuff is. And it is as bright as neon that such things are what Stevie is after and finds most rewarding about her songs. How do they help people? She is very upfront about that.

I don't honestly expect people to spill their guts about their deep emotional connections to her songs on every other post. That is what close friends are for. But I maintain that there is much more conversation about her personal connections and personal inspirations on this forum than the actual emotional impact they have on people. And god forbid, how the music plays a part in that. She is completely complicit in that, as she is now much more open about who the songs are about than ever before. It is my opinion that such statements detract from her art. Good for her for being open. But I think it is at a cross purpose to her greater calling.

For God's sake there is a new thread here about if she and Lindsey did or did not hook up during the Dance. I am not above gossip, but I believe such fascination contributes to people utterly missing the point of what her songs can do as pieces of art in the lives of those who listen to her. I doubt she wrote a single song with the intention of having people trying to speculate over when she did or did not have sex with Lindsey at some point of their lives. Maybe she is opening that door, but I for one am not interested in walking through it.

Stevie's legendary prudishness aside, I think it is kind of crude. And a bit stalkerish.

Oh, and Chris? I stand corrected. It is definitely a snow globe and not a crystal ball.

[seekerj]

I also think this is an interesting article for the computer baby revelation alone.

I don't blame her for finding new ways of getting past the drug fascination in interviews. It is the most base thing about her identity. It hardly makes her unique among artists or musicians. It is about as interesting as her bleached blonde hair.

What is slightly more interesting is her now on again focus on Lindsey as her muse. Sometimes it is off again, but now it is on, and I am perhaps the only person in fandom who finds it so sad, boring, unhealthy and utterly uninteresting. Who cares if it is true? The only thing less interesting than her dwelling on it is the endless fascination that fans have with it.

The true value of of art is how it moves us relative to our own experiences. Is anyone out there sobbing over "You May Be The One" or HAEWAFY because it is about Whoever the hell she wrote it about? No. It is because it reminds us of our own loss, and expresses something we have been unable to express of our own volition and talent. Good art moves people because it stirs inaccessible or difficult to express feelings within them - relative to their own lives. Not because they are living vicariously through people they have never met and will never know intimately.

I have no knowledge of other rabid fan groups, but I have never talked to another Joni Mitchell fan who endlessly references Larry Klein when talking about how the songs on Night Ride Home are so great. Is that because Joni never mentions him? I dunno. Chicken or egg. Maybe Stevie encourages all this bs by constantly talking about Lindsey.

The thing that I find lost in not only Stevie's harping on Lindsey, but also in the discussion of her most potent songs, is why in the hell these songs affect people so much. It is almost an endless circle of denial and shame about why her songs have such deep meaning to them. I appreciate the fact that she is so open about her influences, as much as I find the LB references tiresome. If nothing else, I have always loved TLH for her honesty. But there is a strange dichotomy between the reverence fans have for her backstory and the wide open blank pages about why the songs have resonance to them. I have almost ZERO interest in her inspirations for her songs. Almost ZERO. What amazes me is that she so often captures my emotional experiences at the perfect times of my life when she puts the songs out.
And that helps me to learn more about myself and has been invaluable in helping me to traverse the sometimes difficult moments I encounter in my own life.

Such personal discussion is ridiculously, glaringly, and shockingly absent from almost all exchanges about her songwriting. It is a black hole that leaves me both shocked and dismayed. I am not sure if it indicates a shallowness among most Stevie fans or a lack of insight that her most ardent fans have into their own psyches. She writes some shattering, jarring and devastating pieces of music about the deepest of emotional experiences and all people have to say is "LINDSEY LINDSEY LINDSEY".
Or maybe, "OMG IS IT ABOUT JOE?"

Seriously, folks?

Do people think that her songs are merely a Shawl draped National Enquirer version of her love life thrown onto tape for her own personal edification? And the one who figures it out gets a made in china crystal ball from a Hollywood Blvd gift shop as a grand prize?

The LB or other past lover song inspiration obsession reminds me of a bad B movie scenario. A gifted Freudian psychotherapist has just delivered a 6 phrase response to a very sad and lifelong troubled patient and has explained the origin, nature of, and solution to a problem that has haunted them for many years. In those 6 phrases all is explained. The seed, the problem, and the solution. And the patient bolts out of the chair and screams, "This is all about your mother, Freud! And you based your research on a bunch of mentally ill women and drug addicts! I finally figured you out!" and promptly runs screaming from the room. And the patient spends the rest of their lives repeating that to everyone they ever meet. In the process, they forget everything the therapist ever said to them. The key to their freedom is lost.

Bitch was truest of all in her writing in these lines: "Don't listen to her, listen through her."

It amazes me, these 35 years of hearing her voice, that so many people cannot, and WILL NOT hear that.

Thank you so much for writing this. All of it. Thank you, thank you. I think I'm in love with you now.

[glamorousnymph]

Hmm. I love parsing lyrics. LOVE. I love trying to figure out what she was thinking when she wrote them. Sometimes, I'll admit, it's a letdown when I find out what she really meant or what she wants people to think she really meant (welfare line?) but that fades. I love making up my own stories to the songs. Ex: someone had a theory about how Gold Dust Woman was written about an abortion she had, and I made it fit by examining the lyrics in more detail. I never thought of GDW in this way before, but it opened my eyes to enjoying the lyrics in a new way.

I will admit something here and now, that I don't think I've heard many fans say, so I realize I'm in the minority: many of Stevie's songs don't speak to me in the same way that, say, some of Joni Mitchell's or Bob Dylan's do. I don't think I've ever heard a Stevie lyric that sparked recognition in me the whole way through. Maybe Dreams and Storms. But some of her lyrics are too opaque, too amateur, or stuck in the mystical for *me* to truly relate to. I can't make the songs fit into my emotional experiences as easily as others. It happens, but not as often, and usually it's just one bit of a song rather than the whole song. Does this mean I am not worthy of enjoying the music? What can I say? I still buy the albums, still think she's great. I don't think there is a "wrong" way to enjoy it.

[LilyRose]

Does this mean I am not worthy of enjoying the music? What can I say? I still buy the albums, still think she's great. I don't think there is a "wrong" way to enjoy it.

Thank you! *claps*

I'm not going to judge how anyone listens to music, just as long as they do.

[michelej1]

For God's sake there is a new thread here about if she and Lindsey did or did not hook up during the Dance. I am not above gossip, but I believe such fascination contributes to people utterly missing the point of what her songs can do as pieces of art in the lives of those who listen to her. I doubt she wrote a single song with the intention of having people trying to speculate over when she did or did not have sex with Lindsey at some point of their lives. Maybe she is opening that door, but I for one am not interested in walking through it.


I don't think most people even get to the Ledge unless the music spoke to them in the first place. Yes, in 1977 when the press was chronicling the break ups, maybe people became interested for that reason, but now that the band is middle aged, I don't think people are hanging out because they're obsessed with their personal lives. It's the music that brought them here in the first place.

People discuss it, because that's what you discuss on a bulletin board. Look at the Pre-Rumours section. There is no question that people were and are deeply moved by the early incarnations of this band, but there's no way to easily articulate what the music means to you and why in a way that others care about. So, in that forum, they tend to discuss the technical aspects of the songs, dates and specific performances recorded. Their Pre-Rumours discussions aren't dilluted with talk of affairs and divorce, but that doesn't mean they're having more substantive and soulful conversations about the emotional impact of the music. They aren't. And that's not because Green Manalashi fans are less inspired than Dreams fans. It's because personal reflection on the impact of music doesn't lend itself to ongoing conversation really.

I don't think celebrity gossip is obscuring or eclipsing anything. Take it away and it's not like you're going to suddenly get gritty analysis and revelations in its place. As the subject implies: "what this music means to me on a personal level" is a rather internal inquiry and it doesn't generate much public traction. That doesn't mean the inquiry isn't being made and answered by everyone. In fact, I don't think people would be here discussing anything if it weren't. Because there is much better gossip to be gotten in other places. As they go, FM artists are a poor substitute for Brad Pitt and Angelina Jolie, in that department.

Michele

[michelej1]

I will admit something here and now, that I don't think I've heard many fans say, so I realize I'm in the minority: many of Stevie's songs don't speak to me in the same way that, say, some of Joni Mitchell's or Bob Dylan's do.

For me, it's rarely just a song all the way through that speaks to me. It's usually a line and the way that it's sung that gets me going. For instance, I was listening to Stumbling In the other day and just the way Quatro sings, "I may have been young, but honey that's not what I wanted to be," sets me off on a tangent about feeling like the naive one in the relationship; being discounted; possessing adult emotions without the experience needed to control them; perceived sexual immaturity. All those things start racing through my mind, memories from my youth, and they probably wouldn't have, if the singer had delivered the line differently.

That's how it is with Stevie's songs. There's a certain passion or catch in her voice the way she sings a line or a chorus that kind of elevates the whole song and makes a simple sentence take on the meaning of a book. And I guess the more I know about the creation of a song, the more certain I become that the little catch I thought I heard in the delivery was not my imagination and really had the same meaning for the singer as it did for me.

I don't know why this should matter, but it does. For instance, I was so taken by Calumny and when I grabbed the liner notes and saw that Christine didn't write it, but her nephew did, I admit it bothered me. That pain in her voice when he tore the petals one by one, testing their love to prove that it's done . . . I somehow wanted to think that that pain was real, not just the work of a skilled vocalist. When you think the ache you hear is genuine, it changes the music. Makes it a story, not just a song.

Michele

[chele_belle]

On a different note.... is this a hypothetical '57 Chevy, or do they really have one? :lol:

Haha! I thought the exact same thing. :D

And I think it's hilarious that Stevie repeatedly says how much she hates computers, but yet she OWNS an iPad and is from all accounts obsessed with it! :rolleyes::p

[fumidesigns]

Dea Sparky,

I'll be your Stevie, if you'll be my Lindsey.

Yours truly,
Yet another fan that thinks all their songs are about eachother

*hugs*

[LilyRose]

Haha! I thought the exact same thing. :D

And I think it's hilarious that Stevie repeatedly says how much she hates computers, but yet she OWNS an iPad and is from all accounts obsessed with it! :rolleyes::p

She has an iPad? Inneresting. My dad has introduced several people in my family who are from the old school generation to iPads. They seem to really take to them. Maybe because the seem less intimidating?

[skcin]

I doubt she wrote a single song with the intention of having people trying to speculate over when she did or did not have sex with Lindsey at some point of their lives.

You take that back. :mad:

Well played, sir. :cool:

[CADreaming]

Haha! I thought the exact same thing. :D

And I think it's hilarious that Stevie repeatedly says how much she hates computers, but yet she OWNS an iPad and is from all accounts obsessed with it! :rolleyes::p

LOVES her photo software!!! LOL

Dea Sparky,

I'll be your Stevie, if you'll be my Lindsey.

Yours truly,
Yet another fan that thinks all their songs are about eachother

*hugs*
:lol::lol::lol::lol:

[glamorousnymph]

Haha! I thought the exact same thing. :D

And I think it's hilarious that Stevie repeatedly says how much she hates computers, but yet she OWNS an iPad and is from all accounts obsessed with it! :rolleyes::p

Uh oh... No one told her iPads can be addictive! :eek:

[fumidesigns]

Uh oh... No one told her iPads can be addictive! :eek:

Stooooooooopid lmao!

[glamorousnymph]

That's how it is with Stevie's songs. There's a certain passion or catch in her voice the way she sings a line or a chorus that kind of elevates the whole song and makes a simple sentence take on the meaning of a book. And I guess the more I know about the creation of a song, the more certain I become that the little catch I thought I heard in the delivery was not my imagination and really had the same meaning for the singer as it did for me.

I don't know why this should matter, but it does. For instance, I was so taken by Calumny and when I grabbed the liner notes and saw that Christine didn't write it, but her nephew did, I admit it bothered me. That pain in her voice when he tore the petals one by one, testing their love to prove that it's done . . . I somehow wanted to think that that pain was real, not just the work of a skilled vocalist. When you think the ache you hear is genuine, it changes the music. Makes it a story, not just a song.

Michele

Michele, thank you for articulating that "little catch" moment and why knowing the back story can add to the experience!

I just listened to Calumny again and you are right, the way she sings that part makes it sound like it really comes from her heart... and, you know, maybe it does. After all, she's known heartache and men like that, and her own nephew wrote the song. Maybe it's an adopted song she loves like one of her own. ;) I know what you mean about that disappointment, though. Felt it many times, but I usually try to rationalize it as I did above.

[glamorousnymph]

Stooooooooopid lmao!

"Everyone said it wasn't like a REAL computer baby, it wasn't addictive, so I just used it whenever I needed a boost."

"I lost my 60s to the iPad... it would have been most fertile time as a recording artist. The Apple store just kept upping my collection."

"If you want to get an iPad, you'd better start putting some money in an account now for the repairs. Because AppleCare will NOT want to pay for your repairs when the thing ruptures in a few years."

I can just hear it now.

[fumidesigns]

"I lost my 60s to the iPad... it would have been most fertile time as a recording artist. The Apple store just kept upping my collection."

___________________ I'm done! Lmbao!

[LilyRose]

"Everyone said it wasn't like a REAL computer baby, it wasn't addictive, so I just used it whenever I needed a boost."

"I lost my 60s to the iPad... it would have been most fertile time as a recording artist. The Apple store just kept upping my collection."

"If you want to get an iPad, you'd better start putting some money in an account now for the repairs. Because AppleCare will NOT want to pay for your repairs when the thing ruptures in a few years.

I can just hear it now.

:lol: :laugh:

[michelej1]

I just listened to Calumny again and you are right, the way she sings that part makes it sound like it really comes from her heart... and, you know, maybe it does. After all, she's known heartache and men like that, and her own nephew wrote the song. Maybe it's an adopted song she loves like one of her own. ;) I know what you mean about that disappointment, though. Felt it many times, but I usually try to rationalize it as I did above.

Funny how Christine co-wrote songs with others, but after the Legendary album, she didn't do many covers for most of her career. With Calumny and Northern Star, even as I love them I am thinking, "Dan, I didn't want that to be yours!"

Some people are great at interpreting songs. Elvis was. Tim McGraw is. But there's something about a songwriter who sings his/her own stuff that really pulls me in.

And I do think that many times the writer wants you to know what inspired the song. They had something they wanted to say and they wanted you to hear it. It's great if you get something personal out of the Dixie Chicks Taking the Long Way album, but I think they wanted you to hear their story about censorship, blacklisting, blackballing and cruelty when you listened to the music. Natalie said she got choked up almost every time she sang Not Ready to Make Nice and I really think she wanted the audience to reflect on 9/11 , the war, the First Amendment and what she perceives as her struggle when she belted out those words and not their own disappointing prom dates.

With Stevie, she has been focusing on the personal meanings of her songs since the seventies. Even those songs with universal implications like Illume are described in personal terms, her being on tour, waking up, smelling the smoke. She occasionally steps back and allows you to apply your own meaning to her words, saying, "Everyone thinks the song is about them (Sara) and I just let them think it." Once in awhile, she'll say she doesn't remember what it means or it means nothing (GDW, GDW, IDWTK), but most of the time she'll tell you exactly what it means to her and she's been doing that for 30 years. I do think she intends for her songs to offer insight into her soul, her thoughts and the meaning between her lines. I don't think she'd feel that the constant analysis of her love life, even if way off the mark, is a bastardization of her art. Christine might feel that way, but not Stevie.

When Stevie introduced FWIW at the Wiltern and talked about traveling with the Heartbreakers, said she had the time of her life and we should make of that what we would, I am certain that she wanted the audience to wonder if it was about Tom Petty when she sang that song. I think she put it out there deliberately.

On the other hand, when songs are less subjective and give us more general reflections on human nature, I think we talk about them accordingly.

When we have discussed lines like, "you can consume all the beauty in the room. I know you can. I've seen you do it," on these boards, it's in terms of people we know who have done that. Heartbreakers. Manipulators. People who deny that they're enticing you. Actually, for me the line reminds me of a Henry James story The Sacred Fount about people at a party who sap energy and confidence from each other, in some paranormal way. But TISL invites that kind of open-ended conversation because it is quite generic. Most of Stevie's songs are more specific. It's no surprise that they generate questions about the writer herself.

Michele

[GoldDustWoman22]

For me, it's rarely just a song all the way through that speaks to me. It's usually a line and the way that it's sung that gets me going. For instance, I was listening to Stumbling In the other day and just the way Quatro sings, "I may have been young, but honey that's not what I wanted to be," sets me off on a tangent about feeling like the naive one in the relationship; being discounted; possessing adult emotions without the experience needed to control them; perceived sexual immaturity. All those things start racing through my mind, memories from my youth, and they probably wouldn't have, if the singer had delivered the line differently.

That's how it is with Stevie's songs. There's a certain passion or catch in her voice the way she sings a line or a chorus that kind of elevates the whole song and makes a simple sentence take on the meaning of a book. And I guess the more I know about the creation of a song, the more certain I become that the little catch I thought I heard in the delivery was not my imagination and really had the same meaning for the singer as it did for me.

I don't know why this should matter, but it does. For instance, I was so taken by Calumny and when I grabbed the liner notes and saw that Christine didn't write it, but her nephew did, I admit it bothered me. That pain in her voice when he tore the petals one by one, testing their love to prove that it's done . . . I somehow wanted to think that that pain was real, not just the work of a skilled vocalist. When you think the ache you hear is genuine, it changes the music. Makes it a story, not just a song.

Michele

This exactly. There are times when I am listening to a song, seemingly not worried about anything and when someone sings a certain phrase or line of a song, all of the sudden I'm choked up. This happened when I was listening to "Storms" the other day. I had heard the song quite a few times before and thought I was totally fine. All of the sudden when she got to line "So I try to say goodbye my friend. I'd like to leave you with something warm. But never have I been a blue calm at sea; I've always been a storm." I lost it. All emotional control was gone and today I still can't figure out why I lost it:shrug:...just the emotion in her voice and the way she sounded almost in tears just made me super emotional.

As for the personal stories with the song I think knowing that the artist went through something personal and that this song was truly from their heart. I believe hearing what they went through in order to make this piece of art almost makes it easier to be more vulnerable and emotional when listening to their songs.

[glamorousnymph]

Funny how Christine co-wrote songs with others, but after the Legendary album, she didn't do many covers for most of her career. With Calumny and Northern Star, even as I love them I am thinking, "Dan, I didn't want that to be yours!"

Some people are great at interpreting songs. Elvis was. Tim McGraw is. But there's something about a songwriter who sings his/her own stuff that really pulls me in.

-snip-

When Stevie introduced FWIW at the Wiltern and talked about traveling with the Heartbreakers, said she had the time of her life and we should make of that what we would, I am certain that she wanted the audience to wonder if it was about Tom Petty when she sang that song. I think she put it out there deliberately.

On the other hand, when songs are less subjective and give us more general reflections on human nature, I think we talk about them accordingly.




Northern Star was his, too? Talented writer; after checking out the album on YouTube yesterday, that and Calumny were my favorite tracks.

I agree, there's something about hearing the songs directly from the songwriter. Example: Townes Van Zandt's "Pancho and Lefty" was covered by people with much better voices (Willie Nelson & Merle Haggard, and Emmylou Harris, another great interpreter) but I prefer listening to Townes sing it himself, because he wrote it, and because of the lifestyle he led, his mental illness and alcoholism, I think he sang about "down and out" lives in very knowing and touching way.

Was Stevie referring to the tour w/The Heartbreakers around 1981, or later? Hmm! The is very interesting. Maybe she was trying to throw people off the Dallas scent, although she has said in interviews, "Dallas Taylor was there the whole time."

[LilyRose]

When Stevie introduced FWIW at the Wiltern and talked about traveling with the Heartbreakers, said she had the time of her life and we should make of that what we would, I am certain that she wanted the audience to wonder if it was about Tom Petty when she sang that song. I think she put it out there deliberately.

Michele

I haven't watched the Wiltern video in a while, so I may be wrong, but I think the story about being on the road with the Heartbreakers had more to do with her introduction of Mike Campbell than the song FWIW.

[michelej1]

I haven't watched the Wiltern video in a while, so I may be wrong, but I think the story about being on the road with the Heartbreakers had more to do with her introduction of Mike Campbell than the song FWIW.

Yes, she was introducing Mike Campbell, after talking about the badge Tom gave her and how he made her an honorary Heartbreaker. Combined with the fond reference to Tom Petty, her bus trip with the Heartbreakers and the words of the song, I got the Tom Petty suggestive vibe.

Michele

[michelej1]

Northern Star was his, too? Talented writer; after checking out the album on YouTube yesterday, that and Calumny were my favorite tracks.



They are my 2 favorites on the album as well. Michele

[glamorousnymph]

Yes, she was introducing Mike Campbell, after talking about the badge Tom gave her and how he made her an honorary Heartbreaker. Combined with the fond reference to Tom Petty, her bus trip with the Heartbreakers and the words of the song, I got the Tom Petty suggestive vibe.

Michele

This link says FWIW was inspired by the tour with Petty, and tells the story of the introduction basically the way you did, Michele.

http://ultimateclassicrock.com/stevie-nicks-new-single-for-what-its-worth-inspired-by-tour-with-tom-petty/

[LilyRose]

This link says FWIW was inspired by the tour with Petty, and tells the story of the introduction basically the way you did, Michele.

http://ultimateclassicrock.com/stevie-nicks-new-single-for-what-its-worth-inspired-by-tour-with-tom-petty/

Again, they got that quote from The Wiltern when she was introducing Mike. FWIW is definitely about the Street Angel tour love affair.

[glamorousnymph]

Again, they got that quote from The Wiltern when she was introducing Mike. FWIW is definitely about the Street Angel tour love affair.

Ah, so the song wasn't really inspired by the Petty tour, then, as the headline suggested. Sheesh!

[CADreaming]

Yes, she was introducing Mike Campbell, after talking about the badge Tom gave her and how he made her an honorary Heartbreaker. Combined with the fond reference to Tom Petty, her bus trip with the Heartbreakers and the words of the song, I got the Tom Petty suggestive vibe.

Michele

For the record, Stevie never said she went on a bus tour with Tom Petty. That is very leading. At the Wiltern show, she made a separate comment about spending the "best summer" of her life on a bus and told the audience to interpret that however they wanted. Of course, she knew everyone would jump to conclusions after her intro of Mike Campbell. She certainly didn't tour on a bus with Tom Petty in 1981 -- and even if she did ride on a bus in 2006 (which I doubt - *see below*) we already know FWIW was written about the tour she did right after rehab and the title is a nod to Dallas Taylor (former CSN drummer), her drug counselor during that time - a time when she said she was not in any condition to be performing sober in front of thousands of people.
_____________

*Tom Petty & Heartbreakers tour info (http://www.livemusicguide.com/blog/show-reviews/concert-review-tom-petty-works-his-mojo-in-nashville.html):
Ben gave me a little insight into how a modern-day Heartbreakers tour happens, and it’s quite an amazing production. Instead of traveling across the country in a luxurious tour bus, Tom and the boys stake out in one city and “set up camp” in a hotel. Everyday they board the private Heartbreaker’s jet and fly from their home base to wherever that night’s show is. Immediately after the show the band boards the plane again and they head back to their hotel (currently in Washington DC), get up and do it all over again the next day.

[1sttimelongtime]

"Everyone said it wasn't like a REAL computer baby, it wasn't addictive, so I just used it whenever I needed a boost."

"I lost my 60s to the iPad... it would have been most fertile time as a recording artist. The Apple store just kept upping my collection."

"If you want to get an iPad, you'd better start putting some money in an account now for the repairs. Because AppleCare will NOT want to pay for your repairs when the thing ruptures in a few years."

I can just hear it now.


This is too funny!! Where is it said that she owns an ipad!? I'd love to read about it!

[glamorousnymph]

So, when was this best summer, then, I wonder? She couldn't really be talking about the SA tour, could she? I mean, Dallas aside, she was just out of rehab, overweight, insecure...

1sttimelongago, the iPad info was given earlier in this thread. I don't think there has been a story about it.

[CADreaming]

So, when was this best summer, then, I wonder? She couldn't really be talking about the SA tour, could she? I mean, Dallas aside, she was just out of rehab, overweight, insecure...

See, to me the song encompasses her entire career. So, who knows when that "best summer" was? Didn't they tour on a bus the first year 1975 in Fleetwood Mac? Could be that. Could be her Enchanted tour was her "best summer" on a bus...

[Morgana]

See, to me the song encompasses her entire career. So, who knows when that "best summer" was? Didn't they tour on a bus the first year 1975 in Fleetwood Mac? Could be that. Could be her Enchanted tour was her "best summer" on a bus...

According to Mick it was in rented station wagons during the promotion of the, "White Album!" But that doesn't mean there wasn't a tour bus in there somewhere!

[michelej1]

For the record, Stevie never said she went on a bus tour with Tom Petty. That is very leading. At the Wiltern show, she made a separate comment about spending the "best summer" of her life on a bus and told the audience to interpret that however they wanted. Of course, she knew everyone would jump to conclusions after her intro of Mike Campbell. She certainly didn't tour on a bus with Tom Petty in 1981 -- and even if she did ride on a bus in 2006 (which I doubt - *see below*) we already know FWIW was written about the tour she did right after rehab and the title is a nod to Dallas Taylor (former CSN drummer), her drug counselor during that time - a time when she said she was not in any condition to be performing sober in front of thousands of people.


I don't think the great love affair in FWIW is about any of those things.

Michele

[michelej1]

According to Mick it was in rented station wagons during the promotion of the, "White Album!" But that doesn't mean there wasn't a tour bus in there somewhere!

Probably. And I also know Tom Petty had a tour bus in 1987 because that was part of the introduction to his songs, discussing the problems he'd seen in society just looking out the window of his tour bus, when he was doing Let Me Up I've Had Enough.

Michele

[CADreaming]

I don't think the great love affair in FWIW is about any of those things.

Michele

Any of what things? The tour, Tom Petty, Dallas Taylor? Neither do I.

So, when was this best summer, then, I wonder? She couldn't really be talking about the SA tour, could she? I mean, Dallas aside, she was just out of rehab, overweight, insecure...

1sttimelongago, the iPad info was given earlier in this thread. I don't think there has been a story about it.

FM77 has said that Stevie has an iPad and has discussed loving the photo editing app.

Glamorous, it's interesting to note Stevie ad-libbed "This is the time of your life!" on SB during her Enchanted tour...

[Supernaut]

I also think this is an interesting article for the computer baby revelation alone.

I don't blame her for finding new ways of getting past the drug fascination in interviews. It is the most base thing about her identity. It hardly makes her unique among artists or musicians. It is about as interesting as her bleached blonde hair.

What is slightly more interesting is her now on again focus on Lindsey as her muse. Sometimes it is off again, but now it is on, and I am perhaps the only person in fandom who finds it so sad, boring, unhealthy and utterly uninteresting. Who cares if it is true? The only thing less interesting than her dwelling on it is the endless fascination that fans have with it.

The true value of of art is how it moves us relative to our own experiences. Is anyone out there sobbing over "You May Be The One" or HAEWAFY because it is about Whoever the hell she wrote it about? No. It is because it reminds us of our own loss, and expresses something we have been unable to express of our own volition and talent. Good art moves people because it stirs inaccessible or difficult to express feelings within them - relative to their own lives. Not because they are living vicariously through people they have never met and will never know intimately.

I have no knowledge of other rabid fan groups, but I have never talked to another Joni Mitchell fan who endlessly references Larry Klein when talking about how the songs on Night Ride Home are so great. Is that because Joni never mentions him? I dunno. Chicken or egg. Maybe Stevie encourages all this bs by constantly talking about Lindsey.

The thing that I find lost in not only Stevie's harping on Lindsey, but also in the discussion of her most potent songs, is why in the hell these songs affect people so much. It is almost an endless circle of denial and shame about why her songs have such deep meaning to them. I appreciate the fact that she is so open about her influences, as much as I find the LB references tiresome. If nothing else, I have always loved TLH for her honesty. But there is a strange dichotomy between the reverence fans have for her backstory and the wide open blank pages about why the songs have resonance to them. I have almost ZERO interest in her inspirations for her songs. Almost ZERO. What amazes me is that she so often captures my emotional experiences at the perfect times of my life when she puts the songs out.
And that helps me to learn more about myself and has been invaluable in helping me to traverse the sometimes difficult moments I encounter in my own life.

Such personal discussion is ridiculously, glaringly, and shockingly absent from almost all exchanges about her songwriting. It is a black hole that leaves me both shocked and dismayed. I am not sure if it indicates a shallowness among most Stevie fans or a lack of insight that her most ardent fans have into their own psyches. She writes some shattering, jarring and devastating pieces of music about the deepest of emotional experiences and all people have to say is "LINDSEY LINDSEY LINDSEY".
Or maybe, "OMG IS IT ABOUT JOE?"

Seriously, folks?

Do people think that her songs are merely a Shawl draped National Enquirer version of her love life thrown onto tape for her own personal edification? And the one who figures it out gets a made in china crystal ball from a Hollywood Blvd gift shop as a grand prize?

The LB or other past lover song inspiration obsession reminds me of a bad B movie scenario. A gifted Freudian psychotherapist has just delivered a 6 phrase response to a very sad and lifelong troubled patient and has explained the origin, nature of, and solution to a problem that has haunted them for many years. In those 6 phrases all is explained. The seed, the problem, and the solution. And the patient bolts out of the chair and screams, "This is all about your mother, Freud! And you based your research on a bunch of mentally ill women and drug addicts! I finally figured you out!" and promptly runs screaming from the room. And the patient spends the rest of their lives repeating that to everyone they ever meet. In the process, they forget everything the therapist ever said to them. The key to their freedom is lost.

Bitch was truest of all in her writing in these lines: "Don't listen to her, listen through her."

It amazes me, these 35 years of hearing her voice, that so many people cannot, and WILL NOT hear that.

Nice work.