Livia
02-29-2008, 06:15 PM
http://blogcritics.org/archives/2008/02/29/151545.php
Written by Liz Lent
Published February 29, 2008
You know the drill. Your relationship with a significant other just ended. You find yourself lying on the couch, an empty bag of Oreos clutched in both hands and Love Story paused on the DVD. If only someone understood your pain. If only someone shared your agony. If only a short blond woman would record a series of multi-platinum songs chronicling soul-crushing break-ups and the general misery of love so you could experience some much needed vicarious relief.
You may be on your own with those first two “if onlys” but Stevie Nicks has got your back on the last one, offering up 35 years worth of truly great kiss-off music, perfect for easing even the toughest break-up. How effective are her songs? Let’s just say she’s the one Johnny Cash would have turned to if he ever needed his romantic frown turned upside down.
Both as a solo artist and with Fleetwood Mac, Nicks has penned some of the finest “I hate you, I love you, no, wait, I’m pretty sure I hate you again” music this side of Puccini. For anyone who has been dumped, her songs offer a vituperative cure for rejection. You know Stevie will get revenge on the man who done her wrong… and your psyche is going to be geeked about riding shotgun.
Take, for example, “Silver Springs,” a song Nicks originally wrote for Fleetwood Mac’s mega-platinum Rumours, an album recorded during Nicks’ break-up with long-time boyfriend and Fleetwood Mac guitarist Lindsey Buckingham. The song was left off the album, but Nicks successfully resurrected it as part of Fleetwood Mac’s live reunion album, The Dance, in 1997. Whether you watch the video or simply listen to the song, Nicks’ energy and rage are palpable as she sings – or rather hurls — the lyrics at Buckingham: “Time cast a spell on you but you won’t forget me / I know I could have loved you but you would not let me/ I’ll follow you down ‘til the sound of my voice will haunt you / you’ll never get away from the sound of the woman that loves you...”
And with those words, she vocally nails Buckingham to the stage like a floor board. Thinking about your own ex and shaking your fist in shared anger during this number is worth four or five therapy sessions. At least.
As “Silver Springs” shows, Nicks has a true talent for crafting wonderful “I’m glad you’re gone, jackass, and boy, are you going to miss me” lyrics that are a restorative elixir for any crushed heart. In the Fleetwood Mac hit “Dreams,” she sings: “You say you want your freedom/ well who am I to keep you down/ iIt’s only right that you should/ play the way you feel it/ but listen carefully to the sound/ of your loneliness/ like a heartbeat…drives you mad/ in the stillness of remembering what you had/ and what you lost…/ and what you had…/ and what you lost…”
See, right there? That’s a gut-punch that’s going to stick. Who wouldn’t be tempted to pull a reverse Lloyd Dobbler, grab a boom box and stand outside in the rain playing that number for an errant ex or two?
It’s not like Nicks grew bitter over time either. Throughout her career, she has exuded a careful romanticism, one that is always, always tempered with the knowledge that love can go bad at any time. On her 1973 album with Buckingham, entitled Buckingham Nicks, the duo offered up this lyric from their song “Frozen Love”: “Life gave me you; the change was made/ and there’s no beginning over/ you are not happy, but what is love?/ hate gave you me for a lover...”
Yes, it’s one of those, “I guess we’re stuck with each other even if we’re miserable” love songs you hear so much at Valentine’s Day. I don’t know for certain whether it was Buckingham or Nicks who wrote that lyric, but it sounds an awful lot like Stevie. And as a fan, I hope it is hers because it shows that hint of darkness that has made her an enduring, one-of-a-kind performer. And you’ll never find lyrics like those on a Hallmark card – further evidence that there’s no better Pied Piper for pragmatists and broken-hearted romantics than our own Miss Stephanie Nicks.
Written by Liz Lent
Published February 29, 2008
You know the drill. Your relationship with a significant other just ended. You find yourself lying on the couch, an empty bag of Oreos clutched in both hands and Love Story paused on the DVD. If only someone understood your pain. If only someone shared your agony. If only a short blond woman would record a series of multi-platinum songs chronicling soul-crushing break-ups and the general misery of love so you could experience some much needed vicarious relief.
You may be on your own with those first two “if onlys” but Stevie Nicks has got your back on the last one, offering up 35 years worth of truly great kiss-off music, perfect for easing even the toughest break-up. How effective are her songs? Let’s just say she’s the one Johnny Cash would have turned to if he ever needed his romantic frown turned upside down.
Both as a solo artist and with Fleetwood Mac, Nicks has penned some of the finest “I hate you, I love you, no, wait, I’m pretty sure I hate you again” music this side of Puccini. For anyone who has been dumped, her songs offer a vituperative cure for rejection. You know Stevie will get revenge on the man who done her wrong… and your psyche is going to be geeked about riding shotgun.
Take, for example, “Silver Springs,” a song Nicks originally wrote for Fleetwood Mac’s mega-platinum Rumours, an album recorded during Nicks’ break-up with long-time boyfriend and Fleetwood Mac guitarist Lindsey Buckingham. The song was left off the album, but Nicks successfully resurrected it as part of Fleetwood Mac’s live reunion album, The Dance, in 1997. Whether you watch the video or simply listen to the song, Nicks’ energy and rage are palpable as she sings – or rather hurls — the lyrics at Buckingham: “Time cast a spell on you but you won’t forget me / I know I could have loved you but you would not let me/ I’ll follow you down ‘til the sound of my voice will haunt you / you’ll never get away from the sound of the woman that loves you...”
And with those words, she vocally nails Buckingham to the stage like a floor board. Thinking about your own ex and shaking your fist in shared anger during this number is worth four or five therapy sessions. At least.
As “Silver Springs” shows, Nicks has a true talent for crafting wonderful “I’m glad you’re gone, jackass, and boy, are you going to miss me” lyrics that are a restorative elixir for any crushed heart. In the Fleetwood Mac hit “Dreams,” she sings: “You say you want your freedom/ well who am I to keep you down/ iIt’s only right that you should/ play the way you feel it/ but listen carefully to the sound/ of your loneliness/ like a heartbeat…drives you mad/ in the stillness of remembering what you had/ and what you lost…/ and what you had…/ and what you lost…”
See, right there? That’s a gut-punch that’s going to stick. Who wouldn’t be tempted to pull a reverse Lloyd Dobbler, grab a boom box and stand outside in the rain playing that number for an errant ex or two?
It’s not like Nicks grew bitter over time either. Throughout her career, she has exuded a careful romanticism, one that is always, always tempered with the knowledge that love can go bad at any time. On her 1973 album with Buckingham, entitled Buckingham Nicks, the duo offered up this lyric from their song “Frozen Love”: “Life gave me you; the change was made/ and there’s no beginning over/ you are not happy, but what is love?/ hate gave you me for a lover...”
Yes, it’s one of those, “I guess we’re stuck with each other even if we’re miserable” love songs you hear so much at Valentine’s Day. I don’t know for certain whether it was Buckingham or Nicks who wrote that lyric, but it sounds an awful lot like Stevie. And as a fan, I hope it is hers because it shows that hint of darkness that has made her an enduring, one-of-a-kind performer. And you’ll never find lyrics like those on a Hallmark card – further evidence that there’s no better Pied Piper for pragmatists and broken-hearted romantics than our own Miss Stephanie Nicks.