Like or Dislike: Alice

[skcin]

People seem to have pretty strong feelings for or against this song. I've heard many put it down, saying it's one of her worst, and a couple (well, OK, mainly just Jimmy :laugh: ) who absolutely love it. I'm kind of in the middle. It moves around on the "favorites" list that's in my head. Right now, I'm liking it quite a bit. That could change in a week or two. :D

It still has that magical quality, but it doesn't "take me there" as much as Rooms on Fire does for some reason. I think I would like it a lot better if it weren't so slow, sometimes it seems like the music is draaaaaaaaaagging.

Does anyone know if this song is about Stevie's coke addiction & rehab in 86/87? As I'm reading through the lyrics, it seems that it may be, at least partially - like she was comparing what she had just gone through to Alice In Wonderland. Has she ever confirmed this? Just wondering. Cowritten with Rupert. Huh.

I do like her vocals here. She holds some notes for a long time, which I love. "Oooh, call my naaaaaaaaaaammmme!" "I hear she went hiiiiiiiiigher!" Love it.

I'm a huge fan of the following lyric:
"Oh, no you cannot tell a gypsy, ooooh that she's no longer a member...." The stiletto line that drives everyone nuts - eh. It doesn't bother me anymore, it fits pretty well. But this is one of the few Stevie tunes where I don't really like the chorus a whole lot, it's kind of blah to me.

This tune was pretty good live, nothing groundbreaking or anything. Sounded very similar to the album version. I think she would do a good job vocally today, but the song is a bit dull to me & I don't really need to hear her do it live again. :shrug:

[trackaghost]

It's about Stevie running back and forth between her solo career and Fleetwood Mac, and being so busy she can't remember who she is anymore, other than Stevie the rock star. A lot of people think the song is about drugs, and it may well be, but she herself has said it's about her dual careers.

I quite like the song, although it's not one of her very best. I think it's probably fitting it ended up a B-side to Rooms On Fire.

[foxyluva]

I adore 'Alice' so much - one of my very favourites :nod:

[DavidMn]

It's not my favorite on OSOTM, but I've heard worse.

[AliceLover]

People seem to have pretty strong feelings for or against this song. I've heard many put it down, saying it's one of her worst, and a couple (well, OK, mainly just Jimmy :laugh: ) who absolutely love it. I'm kind of in the middle. It moves around on the "favorites" list that's in my head. Right now, I'm liking it quite a bit. That could change in a week or two. :D

It still has that magical quality, but it doesn't "take me there" as much as Rooms on Fire does for some reason. I think I would like it a lot better if it weren't so slow, sometimes it seems like the music is draaaaaaaaaagging.

Does anyone know if this song is about Stevie's coke addiction & rehab in 86/87? As I'm reading through the lyrics, it seems that it may be, at least partially - like she was comparing what she had just gone through to Alice In Wonderland. Has she ever confirmed this? Just wondering. Cowritten with Rupert. Huh.

I do like her vocals here. She holds some notes for a long time, which I love. "Oooh, call my naaaaaaaaaaammmme!" "I hear she went hiiiiiiiiigher!" Love it.

I'm a huge fan of the following lyric:
"Oh, no you cannot tell a gypsy, ooooh that she's no longer a member...." The stiletto line that drives everyone nuts - eh. It doesn't bother me anymore, it fits pretty well. But this is one of the few Stevie tunes where I don't really like the chorus a whole lot, it's kind of blah to me.

This tune was pretty good live, nothing groundbreaking or anything. Sounded very similar to the album version. I think she would do a good job vocally today, but the song is a bit dull to me & I don't really need to hear her do it live again. :shrug:

I disagree...I think it was different live...especially the chorus. It just seemed so much more interesting to me. In fact I think the Live is so much than the album for some reason. The first time I heard the song was a live recording...then I heard what was on the album and didnt think it was too great. This is the #1 song i'd kill to see live again. In 89, she said it was her favorite song, referenced to it everywhere, dressed up as Alice for her listening party, and kept it in her set the entire OSOTM tour....THEN we never saw it again. Not even on Enchanted!!! But uh yeahhhhh I chose ALICE!!!!

[Nixxxed]

I echo David's comments in the "Rooms" thread: when I got the cassingle, I listened to "Alice" many more times. And the sonic upgrade I got when I finally got the CD made me love it even more.

I especially like when she says "I'm going back ... to the other side of the mirror," meaning forsaking Wonderland for reality. I also like the "Each had their own charms..." verse which seems to be everyone's fave.

[Jyqm]

I think this song really epitomizes everything I find boring and distasteful about the TOSOTM album.

For starters, it's one of the absolute worst of Stevie's non-melodies. The chorus is actually rather catchy and nice, but lord, the verses are death. It's like sitting through a bad Wagner opera (this song is almost as long, too...). Once again this seems to be a result of somebody giving Stevie a piece of music of music and her just slapping her words over it. Which means I've got to at least partially blame Rupert Hine for this; why didn't he write a melody for this song?

Up next, the lyrics are just beyond clunky and awful. I mean, this is just plain bad songwriting. Where to even start? I guess at the beginning: "Well, I heard she flew down to the Mountain City / He said, 'That's not what I heard / I hear she went higher.'" Ugh. I wish I could say things got better after this. There's so much potential, too: the metaphor of going back through the mirror is a good one, but Stevie does absolutely nothing with it.

And then of course there's the production. Once again, I can hear some decent music just begging to break out of this song, but I feel like I've got a terrible head cold. I imagine some people feel that the tinkling keys and such give this song a "magical" feel, but it's all done so blandly, any magic there ever was is just sucked right out of it. This song sounds utterly two-dimensional. There's hardly any sense of sonic space whatsoever. I can't hear different instruments cropping up around me, playing different roles, adding different sounds in different spaces. I just see the song laid out before me on a flat canvas, splashed over with whitewash to dull the colors, and then covered with a layer of gauze. And just when you think it can't get anymore BLAH, here comes f***ing Kenny G again with another saxerectomy. Cannonball Adderley must be spinning in his grave at the thought of this instrument being abused like this.

So I suppose I'm not an "Alice" fan.

[AliceLover]

I think this song really epitomizes everything I find boring and distasteful about the TOSOTM album.

For starters, it's one of the absolute worst of Stevie's non-melodies. The chorus is actually rather catchy and nice, but lord, the verses are death. It's like sitting through a bad Wagner opera (this song is almost as long, too...). Once again this seems to be a result of somebody giving Stevie a piece of music of music and her just slapping her words over it. Which means I've got to at least partially blame Rupert Hine for this; why didn't he write a melody for this song?

Up next, the lyrics are just beyond clunky and awful. I mean, this is just plain bad songwriting. Where to even start? I guess at the beginning: "Well, I heard she flew down to the Mountain City / He said, 'That's not what I heard / I hear she went higher.'" Ugh. I wish I could say things got better after this. There's so much potential, too: the metaphor of going back through the mirror is a good one, but Stevie does absolutely nothing with it.

And then of course there's the production. Once again, I can hear some decent music just begging to break out of this song, but I feel like I've got a terrible head cold. I imagine some people feel that the tinkling keys and such give this song a "magical" feel, but it's all done so blandly, any magic there ever was is just sucked right out of it. This song sounds utterly two-dimensional. There's hardly any sense of sonic space whatsoever. I can't hear different instruments cropping up around me, playing different roles, adding different sounds in different spaces. I just see the song laid out before me on a flat canvas, splashed over with whitewash to dull the colors, and then covered with a layer of gauze. And just when you think it can't get anymore BLAH, here comes f***ing Kenny G again with another saxerectomy. Cannonball Adderley must be spinning in his grave at the thought of this instrument being abused like this.

So I suppose I'm not an "Alice" fan.

The tinkling keys are much more apparant on the Live Versions (Chorus) and thats one of the reasons why I like it so much more live...you should take a listen sometime. If you want I could email you a good one. :wavey:

[JazmenFlowers]

as I said in the other thread, this song, along with Juliet and Ooh My Love are my favorites. I love the atmosphere it creates...love the lyrics the most.

[skcin]

I just realized another reason I don't love this tune - the sax. I don't like most Stevie tunes with horns. :shrug: Wait until we get to Whole Lotta Trouble. :rolleyes:

[Jyqm]

The tinkling keys are much more apparant on the Live Versions (Chorus) and thats one of the reasons why I like it so much more live...you should take a listen sometime. If you want I could email you a good one. :wavey:

Toss one up on YouSendIt, and I'll be glad to take a listen! I probably won't like the lyrics or the Wagnerian non-melody any more, but I imagine the music itself would sound much better in a live setting with actual instruments playing through amps.

[amber]

I picked the middle choice, and that was being a tad generous.
Talk about soft rock...:rolleyes: Blergh.
I do, however, like it when she sings "Call out my name". It's okay.

[AliceLover]

Toss one up on YouSendIt, and I'll be glad to take a listen! I probably won't like the lyrics or the Wagnerian non-melody any more, but I imagine the music itself would sound much better in a live setting with actual instruments playing through amps.

Im on dial up...YouSendIt refuses to work for me. Id be glad to email it or email one to someone with a website. I have probably about 25 versions of it...so NAME YOUR CITY! :lol:

[diamondsnake]

This one of my favorite Stevie songs! It is in my top ten Stevie songs.

[skcin]

Im on dial up...YouSendIt refuses to work for me. Id be glad to email it or email one to someone with a website. I have probably about 25 versions of it...so NAME YOUR CITY! :lol:


Wow - I never realized there were that many TOSOTM shows out there! :shocked:

[danax6]

While I usually really like the 'underdogs', I have to say there is absolutely no love lost between me and 'Alice'. Whatsoever. I blame it on the damn saxophone, for starters. Too 'elevator music' for me.

[AliceLover]

Wow - I never realized there were that many TOSOTM shows out there! :shocked:

Check my page..theres probably more than that.

[foxyluva]

Check my page..theres probably more than that.

OSOTM is also my favourite tour :thumbsup: "GDW" is second best on this tour to "The Dance"

[Sorcerer386]

It's about Stevie running back and forth between her solo career and Fleetwood Mac, and being so busy she can't remember who she is anymore, other than Stevie the rock star. A lot of people think the song is about drugs, and it may well be, but she herself has said it's about her dual careers.

That's interesting, I never heard that. To me, Alice is so blatantly about drugs and her drug habit that I don't see much else. "I heard she went higher / She depended on her friends to tell her when to stop it." Didn't she have a sort of intervention as such? "Like Alice through the looking glass / She used to know who she was," like drugs had completely changed her, but she does remember what she was like without them. "Each had their own charm / Hidden beneath a solid piece of armor / And a steel plated vest / Some carry a stiletto in their garter / Along with everything else that they carry." I get that she's saying everyone had their own drugs...and I may be overreaching here, but I always take the "stiletto" as a needle for shooting up. Also, for the second verse, does anyone know what it means? It seems like someone told her that she's no longer a big part of Fleetwood Mac or something. :shrug:

Anyway, I feel a distinction needs to be made between live and album. Live = great, album = pretty much everything Jyqm said. It feels more fleshed out live and flows a hell of a lot better, especially the chorus. She's not all over the place like she can't find where each word is supposed to go within the song. MUCH MUCH better live, definitely.

[SapphireSister]

I'll second what a lot of you are saying...When I first listened to TOSOTM I did not like Alice at all. You are right Paula, it drags. But when I got my first Mirror show and heard it live I was reborn and I fell in love with this song. It is competley different live, it literally comes alive! The lyrics were great to begin with but as I've mentioned previously if I don't like the music to a song it's rare I can connect with it no matter how great the lyrics are. So when I fell in love with the music (live) magic happened and Alice welcomed me with open arms.
I have never heard this relating to drugs but I've heard numerous accounts from Stevie herself referring to "The other side of the mirror" as switching back and forth between her solo career and FM. Also, her grandma's name was Alice.
Favorite lyrics:
"Like Alice through the Looking Glass...
She used to know who she was" although I'm not sure if I ever knew who I was but I'm learning...
And I love the stiletto in the garter line!

The highlight of this song is hearing it live when she yells "Aliiiiiiiiiiiiice". Sensational! Too bad she was so out of it :( I would love to hear her sing Alice Klonopin free.

Here are Stevie's own words about Alice:
"The name came, really, from the song Alice. And I must give credit where credit is due... my manager Tony Dimitriades, when we were over in England, said "What about 'The Other Side of the Mirror'?' Because, in Alice, it says, when she finally has had it when being over in Wonderland, [sings] 'Alright says Alice, I'm going back to the other side of the mirror' and I thought to myself, well, that pretty much encompasses my entire life. I'm constantly going back and forth from one side of the mirror to another. Between Fleetwood Mac and Stevie Nicks, and then there's of course the cusp, where I do the things I do, like painting and collecting things and drawing and making blankets, and doing silly stuff that probably keeps me sane... I thought, well, Alice... your grandmother's name was Alice, everybody tells everybody that you look a lot like her, I know you are a lot like her, since you spent half of your life with her, and I dedicated the record to Alice my grandma. So why not call it The Other Side of the Mirror? She died a few months ago, so she's on the other side of the mirror now. The other side of the real mirror. And I know in my heart that she's looking down, probably saying 'I wish I could've lasted a few more months so that I could have held this in my hands and said, this is my granddaughter and she gave me this record."
~Stevie Nicks, Castle Walls interview

[SapphireSister]

That's interesting, I never heard that. To me, Alice is so blatantly about drugs and her drug habit that I don't see much else. "I heard she went higher / She depended on her friends to tell her when to stop it." Didn't she have a sort of intervention as such? "Like Alice through the looking glass / She used to know who she was," like drugs had completely changed her, but she does remember what she was like without them. "Each had their own charm / Hidden beneath a solid piece of armor / And a steel plated vest / Some carry a stiletto in their garter / Along with everything else that they carry." I get that she's saying everyone had their own drugs...and I may be overreaching here, but I always take the "stiletto" as a needle for shooting up. Also, for the second verse, does anyone know what it means? It seems like someone told her that she's no longer a big part of Fleetwood Mac or something. :shrug:


Wow, I never heard or thought Alice was about drugs but now that you've mentioned it it's really got me thinking, it absolutely could be! As I posted above Stevie claims this song is about going back and forth to the other side of the mirror (solo and FM) but often times Stevie's songs have more than one theme and I could see the drugs being a theme that she has chosen NOT to discuss when asked about this song. In 1989 she wasn't as forthcoming about her drug use as she is nowadays. In fact when I heard a press conference for TOSOTM in 1989 she totally avoided a drug question and said she didn't want to talk about it. Anyway thanks for putting a new twist on this song and reminding me that there is so much going on in Stevie's songs that she doesn't talk about and sometimes I really need to "read between her lines".

[TheBlueLamp]

Alice is in my top five Stevie songs. I find it to be sad and dreamlike. However, I think it drags too much when it's performed live. Maybe I've just heard a not so great version, but I think the album version is much much better.

[SapphireSister]

I think this song really epitomizes everything I find boring and distasteful about the TOSOTM album.

For starters, it's one of the absolute worst of Stevie's non-melodies. The chorus is actually rather catchy and nice, but lord, the verses are death. It's like sitting through a bad Wagner opera (this song is almost as long, too...). Once again this seems to be a result of somebody giving Stevie a piece of music of music and her just slapping her words over it. Which means I've got to at least partially blame Rupert Hine for this; why didn't he write a melody for this song?

Up next, the lyrics are just beyond clunky and awful. I mean, this is just plain bad songwriting. Where to even start? I guess at the beginning: "Well, I heard she flew down to the Mountain City / He said, 'That's not what I heard / I hear she went higher.'" Ugh. I wish I could say things got better after this. There's so much potential, too: the metaphor of going back through the mirror is a good one, but Stevie does absolutely nothing with it.

And then of course there's the production. Once again, I can hear some decent music just begging to break out of this song, but I feel like I've got a terrible head cold. I imagine some people feel that the tinkling keys and such give this song a "magical" feel, but it's all done so blandly, any magic there ever was is just sucked right out of it. This song sounds utterly two-dimensional. There's hardly any sense of sonic space whatsoever. I can't hear different instruments cropping up around me, playing different roles, adding different sounds in different spaces. I just see the song laid out before me on a flat canvas, splashed over with whitewash to dull the colors, and then covered with a layer of gauze. And just when you think it can't get anymore BLAH, here comes f***ing Kenny G again with another saxerectomy. Cannonball Adderley must be spinning in his grave at the thought of this instrument being abused like this.

So I suppose I'm not an "Alice" fan.

Hey stop ruining songs for me! No really though, I don't agree with you here but I always welcome your insight.
Sometimes I'm weary of reading these threads when I adore a song for fear of someone saying something that may be true but it's all really just an opinion. I mean, what is truth when it comes to your opinon on a song? You either like or you don't or you're somewhere in the middle.

[Jyqm]

Hey stop ruining songs for me! No really though, I don't agree with you here but I always welcome your insight.
Sometimes I'm weary of reading these threads when I adore a song for fear of someone saying something that may be true but it's all really just an opinion. I mean, what is truth when it comes to your opinon on a song? You either like or you don't or you're somewhere in the middle.

Well, if there's a "When I See You Again" thread anytime soon, I'll be one of the two people in the cheering section. No accounting for taste. As you said, there's no "truth" in whether or not you should like a song. If people like "Alice," more power to them (although I really do have scratch my head when people say they like these lyrics; I think if I ever wrote anything like "Alice" I'd be embarrassed to show it to anybody).

Does anybody with broadband have an mp3 of a live performance of "Alice" they could post somewhere? I don't want him to waste hours uploading it on a dial-up connection just for me.

[Johnny Stew]

Does anybody with broadband have an mp3 of a live performance of "Alice" they could post somewhere? I don't want him to waste hours uploading it on a dial-up connection just for me.Soitenly! Just give me a few to get it ripped and uploaded.

[JazmenFlowers]

Well, if there's a "When I See You Again" thread anytime soon, I'll be one of the two people in the cheering section.
and I'll be the other person.
Does anybody with broadband have an mp3 of a live performance of "Alice" they could post somewhere? I don't want him to waste hours uploading it on a dial-up connection just for me.
I think I do. I'll check when I get home.

EDIT: I see JS beat me to it.

[Johnny Stew]

Get it while it's hot (or half-baked, depending on your opinion of it)....

"Alice" (Live in Houston, 10/08/89) (http://download.yousendit.com/FD0701A31B591037)

[Johnny Stew]

and I'll be the other person.I have, from time to time, been referred to as "When I See You Again's" greatest defender around here... but I'll happily share that title with others.
David O. quite likes it, too. :nod:

[JazmenFlowers]

I have, from time to time, been referred to as "When I See You Again's" greatest defender around here... but I'll happily share that title with others.
David O. quite likes it, too. :nod:
we'll call in the cavalry. there's some WISYA-lovin' bitches out there.

come out, come out WHEREVER YOU IS.

[foxyluva]

we'll call in the cavalry. there's some WISYA-lovin' bitches out there.

come out, come out WHEREVER YOU IS.

Add me to your WISYA lovers list :nod: :D

[Jyqm]

Get it while it's hot (or half-baked, depending on your opinion of it)....

"Alice" (Live in Houston, 10/08/89) (http://download.yousendit.com/FD0701A31B591037)

You're just trying to build up extra good will for when you call in your big favor!

I mean, thank you.

EDIT: This is indeed much better, as I expected. The song has far more depth and character with live instruments, and the atmosphere is created much more successfully and has a much better effect in the context of a live performance. I'm especially pleased by the emphasis of the guitar and bass during the verses, both of which instruments were woefully buried beneath the muck and mire of the studio mix. This saxophonist is far better than Kenny G (not that that's saying much), although it's still quite a bit too MOR "adult contemporary" for me. Stevie's vocal on this performance is much better than the studio version, too. Less bleating, more feeling.

[Johnny Stew]

You're just trying to build up extra good will for when you call in your big favor!:laugh: Actually, I'm just enjoying the fact that now that I have DSL, I can actually share some of the stuff from my collection! I always felt bad before when someone was looking for something, and I couldn't help out because it would take an hour or more for me to upload it.

[wheart]

I think this song really epitomizes everything I find boring and distasteful about the TOSOTM album.

For starters, it's one of the absolute worst of Stevie's non-melodies. The chorus is actually rather catchy and nice, but lord, the verses are death. It's like sitting through a bad Wagner opera (this song is almost as long, too...). Once again this seems to be a result of somebody giving Stevie a piece of music of music and her just slapping her words over it. Which means I've got to at least partially blame Rupert Hine for this; why didn't he write a melody for this song?

Up next, the lyrics are just beyond clunky and awful. I mean, this is just plain bad songwriting. Where to even start? I guess at the beginning: "Well, I heard she flew down to the Mountain City / He said, 'That's not what I heard / I hear she went higher.'" Ugh. I wish I could say things got better after this. There's so much potential, too: the metaphor of going back through the mirror is a good one, but Stevie does absolutely nothing with it.

And then of course there's the production. Once again, I can hear some decent music just begging to break out of this song, but I feel like I've got a terrible head cold. I imagine some people feel that the tinkling keys and such give this song a "magical" feel, but it's all done so blandly, any magic there ever was is just sucked right out of it. This song sounds utterly two-dimensional. There's hardly any sense of sonic space whatsoever. I can't hear different instruments cropping up around me, playing different roles, adding different sounds in different spaces. I just see the song laid out before me on a flat canvas, splashed over with whitewash to dull the colors, and then covered with a layer of gauze. And just when you think it can't get anymore BLAH, here comes f***ing Kenny G again with another saxerectomy. Cannonball Adderley must be spinning in his grave at the thought of this instrument being abused like this.

So I suppose I'm not an "Alice" fan.

Why don't you tell us how you REALLY feel?? :D Honestly, I couldn't agree more. The song is a slug fest, as is most of that album. My favorite part of TOSOTM is the cover :nod:

[AliceLover]

You're just trying to build up extra good will for when you call in your big favor!

I mean, thank you.

EDIT: This is indeed much better, as I expected. The song has far more depth and character with live instruments, and the atmosphere is created much more successfully and has a much better effect in the context of a live performance. I'm especially pleased by the emphasis of the guitar and bass during the verses, both of which instruments were woefully buried beneath the muck and mire of the studio mix. This saxophonist is far better than Kenny G (not that that's saying much), although it's still quite a bit too MOR "adult contemporary" for me. Stevie's vocal on this performance is much better than the studio version, too. Less bleating, more feeling.

Someone should post "Rotterdam 11-24-89" - Probably the hottest one out there Good quality too
San Jose 89 (this one is on video too!!) is also a great one!

[David]

Someone should post "Rotterdam 11-24-89" - Probably the hottest one out there Good quality too
San Jose 89 (this one is on video too!!) is also a great one!Is Alice on the Greek Theatre video?

[Richard B]

San Jose 89 (this one is on video too!!) is also a great one!
I remember this wonderful show. I was there. A few days after the Loma Prieta 7.1 Quake. Everyone was a little on edge (including Stevie who cancelled her Concord show the night of the quake)...but chose to rock out.

[AliceLover]

Is Alice on the Greek Theatre video?

Negative...There are lotf of cuts on that video. Alice and Two Kinds of Love are cut. Luckily Lisa (Dark Angel) is transferring vids and Wembley 11-27-89 and Saratoga 8-28-89 will be posted on her site for trade on DVD.

IF ANYONE CAN GET JONES BEACH 89 ON DVD I WILL TRADE REGARDLESS OF MY STATUS.

[David]

I remember this wonderful show. I was there. A few days after the Loma Prieta 7.1 Quake. Everyone was a little on edge (including Stevie who cancelled her Concord show the night of the quake)...but chose to rock out.I saw you there, Richard. Stevie was a little bit late, & some guy went out onstage at around 8:30 & asked people to give to the Red Cross booths on their way out. Then they put up the photo of Stevie from the tourbook onto the overhead thing & everybody cheered.

I think Stevie talked more about the earthquake & Red Cross at this show than she did at Cal Expo, which was the night after the quake. Mountain View is a bloody long drive from Sacramento.

[AliceLover]

I remember this wonderful show. I was there. A few days after the Loma Prieta 7.1 Quake. Everyone was a little on edge (including Stevie who cancelled her Concord show the night of the quake)...but chose to rock out.

That show is great!!! Its probably my most watched DVD. Edge of Seventeen is really cool when she rocks out at the end. The shoulderpads don't bother me that much. I love when the band all dances on Edge of Seventeen. Also I love when Sharon and Lori dance with her on Whole Lotta Trouble....AND OF COURSE Alice! Fan, blue lamp shawl, twirls...what more could you ask for? I love her smiles on this one too..I am gunna try and get a few screen caps.

[David]

Negative...There are lotf of cuts on that video. Alice and Two Kinds of Love are cut. Luckily Lisa (Dark Angel) is transferring vids and Wembley 11-27-89 and Saratoga 8-28-89 will be posted on her site for trade on DVD.Cool! I'm gonna send my Greek to Brian J. to transfer to DVD.
IF ANYONE CAN GET JONES BEACH 89 ON DVD I WILL TRADE REGARDLESS OF MY STATUS.I don't think I ... er ... have that one. Sounds as if you were sure getting a jones for jones beach!

[AliceLover]

Cool! I'm gonna send my Greek to Brian J. to transfer to DVD.
I don't think I ... er ... have that one. Sounds as if you were sure getting a jones for jones beach!

Well its out there I know it. I am pretty sure Greg is selling it. Shel may have it too perhaps....Maybe you have the full Greek show?

[JazmenFlowers]

Someone should post "Rotterdam 11-24-89" - Probably the hottest one out there Good quality too
San Jose 89 (this one is on video too!!) is also a great one!
here 'tis
http://s55.yousendit.com/d.aspx?id=36J5Z4ZW9P3GF1J11B2JDGZDIS

[David]

Maybe you have the full Greek show?I don't think so. I think mine's a partial show. Here are some Mountain View screen captures--not very clear. Apparently, Brian already duped my VHS to DVD! One less tape to worry about.


http://i21.photobucket.com/albums/b298/cbrook/WholeLottaTrouble.jpg

Whole Lotta Trouble


http://i21.photobucket.com/albums/b298/cbrook/OutsidetheRain.jpg

Outside the Rain


http://i21.photobucket.com/albums/b298/cbrook/GoldDustWoman.jpg

Gold Dust Woman


http://i21.photobucket.com/albums/b298/cbrook/DumbDance.jpg

Dumb Dance

[AliceLover]

here 'tis
http://s55.yousendit.com/d.aspx?id=36J5Z4ZW9P3GF1J11B2JDGZDIS

Awesome version...I hope people download!

Thanks for posting

[AliceLover]

I don't think so. I think mine's a partial show. Here are some Mountain View screen captures--not very clear. Apparently, Brian already duped my VHS to DVD! One less tape to worry about.


http://i21.photobucket.com/albums/b298/cbrook/WholeLottaTrouble.jpg

Whole Lotta Trouble


http://i21.photobucket.com/albums/b298/cbrook/OutsidetheRain.jpg

Outside the Rain


http://i21.photobucket.com/albums/b298/cbrook/GoldDustWoman.jpg

Gold Dust Woman


http://i21.photobucket.com/albums/b298/cbrook/DumbDance.jpg

Dumb Dance

Cool captures David!!!!

I want the smile she does on Alice right before the first chorus kicks in. That would make a SICK sig pic!

[Richard B]

I saw you there, Richard.
And again, David, you could have said hello.

[David]

And again, David, you could have said hello.I never say hello to ledgies at concerts. Did I not say hello? Rude of me! :mad: :mad: :shocked: :sorry: :D :distress:

[Richard B]

I never say hello to ledgies at concerts. Did I not say hello? Rude of me! :mad: :mad: :shocked: :sorry: :D :distress:
At that time, I was not a Ledgie. But that's okay, I forgive you. I may have even bought you a drink.

That Shoreline is something else. I went there with 3 friends for The Dance Tour, second night and we had a magic cookie...we floated around pre-show and completely lost each other in a haze. Of course, for some reason, I had my friends ticket stubs. Amazing how we just "suddenly" found each other minutes before the show started.

Since it was the second night at Shoreline, Christine came out to do her traditional Songbird on the grand piano, she ran her fingers across the top of it and commented that they didn't dust it. So cute.

[markolas]

I really like this song. For some reason, the sax doesn't bother me as much on this as some of the others from TOSOTM. Really like the vocal, but the live versions I've heard are even better. The only lyric that makes me cringe a little is "you cannot tell a gypsy she is no longer a member." Umm...it's an ethnic group, Stevie, not the rotary club.

[Travisevian]

This is one of Stevie's most melancholic songs and to me, seems to convey that Stevie was experiencing an identity crisis at the time. The saxophone from Kenny G. is beautiful. I like this song very much.

[loubird98]

I like it. I love the whole album.

[mitzo]

I like the song too, it is a kind of Stevie classic - really heavy atmosphere, overblown drama, ridiculous obscure lyrics, meandering melody, urgent vocals that make it seem there is a secret being told or an emotion expressed that you can't quite grasp. I love Stevie when she's like this. Saxophone and keyboards or not.

[Christopher]

I like the song too, it is a kind of Stevie classic - really heavy atmosphere, overblown drama, ridiculous obscure lyrics, meandering melody, urgent vocals that make it seem there is a secret being told or an emotion expressed that you can't quite grasp. I love Stevie when she's like this. Saxophone and keyboards or not.

So true. This song could be a litmus test for weeding out the heretics from the disciples at the alter.

[dreamer78]

i think it shows how Stevie was kind of lost and confused at this point
"Who Called My Name? ," she used to know who she was "" i remember shedding a tear from those lyrics.
because it struck me in my life and still does ...
Id Love to hear a remixed remastered edited version of this song-

[Nathan]

So true. This song could be a litmus test for weeding out the heretics from the disciples at the alter.

And WE could do it.

Listening to it now. That bassline!

'Better ru-hun for your life, cried the ma-ad hatter!'

Sounds clear as a bell on this digital copy here.

[Macfanforever]

I like the tune.

[mikephxaz]

I just realized another reason I don't love this tune - the sax. I don't like most Stevie tunes with horns. :shrug: Wait until we get to Whole Lotta Trouble. :rolleyes:

I actually like the song but your point is valid. I did not like the use of horns on OSOTM. I can't stand the arrangement of Two Kinds of Love but Whole Lotta Trouble gets a pass for me...

[darklinensuit]

As I have mentioned a few times, I have never seen so many concertgoers make a bathroom dash as when this song played at the Wisconsin tour stop in 1989.

This is probably my least favorite Stevie album track ever. And that's saying something, considering I'm more tolerant of it today than I was 20 years ago.


- Jake

[Nathan]

As I have mentioned a few times, I have never seen so many concertgoers make a bathroom dash as when this song played at the Wisconsin tour stop in 1989.

This is probably my least favorite Stevie album track ever. And that's saying something, considering I'm more tolerant of it today than I was 20 years ago.



But in all fairness, that was in Wisconsin.

[NoFear♥OnlyLove]

The sax on this particular song doesn't do anything for me but, other than that, I love it. I admit, though, that I always considered it a song that would appeal to Stevie fans and not to people in general.

[PolishStevieFan]

This song is great. One of the highlights on "The Other Side of the Mirror". Lyrically I think it's one of the strongest songs that she wrote during the 80's. I love Kenny G's sax solo and background vocals. The song is so dreamy and fantasy-like. The keyboards arrangements add to that magical atmosphere. I used to think that it's the kind of song that can please only serious Stevie's fans but my sister (who doesn't care about Stevie at all) considers "Alice" to be one of the most enjoyable songs that I play. My favourite line in the songs is "Oh, no you cannot tell the gypsy, that she's no longer a member..."

[AliceLover]

But in all fairness, that was in Wisconsin.

:laugh::laugh::laugh::laugh::laugh:

[Phoenix]

But in all fairness, that was in Wisconsin.

:laugh: its ok, I'm sure ALICE doesn't. "Get" Wisconsin either. And given the chance she'd leave there to go pee too.

[vivfox]

"Who Called My Name? ," she used to know who she was
-

The correct lyric is: Oh call my name...

[Nathan]

:laugh: its ok, I'm sure ALICE doesn't. "Get" Wisconsin either. And given the chance she'd leave there to go pee too.

Yes, good point.