Guess Who?

[DashingDan]

Guess who this review is referrring to:

She also thoroughly sanitizes Stevie Nicks' "Edge of Seventeen", blasting the song's cavernous emotional topography into flatlands that could give North Dakota a run for its money. Where longing, manipulation and regret once flowed, synthetic-sounding strings now join XXXXX's synthetic voice, which conveys none of the resonance in Nicks' own.

[SortaSavageLike]

Guess who this review is referrring to:
now join Lohan's synthetic voice

Hmmm... I wonder? :shrug:

[DavidMn]

Guess who this review is referrring to:

She also thoroughly sanitizes Stevie Nicks' "Edge of Seventeen", blasting the song's cavernous emotional topography into flatlands that could give North Dakota a run for its money. Where longing, manipulation and regret once flowed, synthetic-sounding strings now join XXXXX's synthetic voice, which conveys none of the resonance in Nicks' own.
Quite the scathing review. There is a god....:) :lol:

[Sahara]

Quite the scathing review. There is a god....:) :lol:

Aww yeah -- *punches air triumphantly* Follow this, you little...!!

[Ghost_Tracker]

Guess who this review is referrring to:

She also thoroughly sanitizes Stevie Nicks' "Edge of Seventeen", blasting the song's cavernous emotional topography into flatlands that could give North Dakota a run for its money. Where longing, manipulation and regret once flowed, synthetic-sounding strings now join XXXXX's synthetic voice, which conveys none of the resonance in Nicks' own.



I'm just glad there's a reviewer out there who "gets it" as far as the song
itself and Nicks's performance of it are concerned - sometimes I feel it's under-rated.

"Cavernous emotional topography" - I LOVE it!!! :laugh:

[Lala]

He's saying what we're all thinking!