BURTON LANE handwritten letter / note COMPOSER On a Clear Day You Can See For Sale

BURTON LANE handwritten letter / note  COMPOSER   On a Clear Day You Can See


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BURTON LANE handwritten letter / note COMPOSER On a Clear Day You Can See:
$40

BURTON LANE - NICE handwritten letter not dated but from the late 1980's. An uncommon and scarce autograph.BURTON LANE (February 2, 1912 – January 5, 1997) was an American composer and lyricist. His most popular and successful works include Finian's Rainbow and On a Clear Day You Can See Forever.
He was known for his Broadway musicals, Finian's Rainbow (1947) and On a Clear Day You Can See Forever (1965). He also wrote the music for the less remembered Broadway shows, Hold On to Your Hats (1940), Laffing Room Only (1944), and Carmelina (1979), the latter with lyrics by Alan Jay Lerner, who had also written lyrics to Lane's music for On a Clear Day and the film Royal Wedding (1951). Lane mainly wrote music for films, such as Dancing Lady, Babes on Broadway, writing for more than 30 movies.
Lane's best-known songs include "Old Devil Moon," "How Are Things in Glocca Morra?", "Too Late Now," "How About You?", and the title song from "On a Clear Day." He shared a Grammy Award in 1965 for Best Broadway Cast Album of the year (On a Clear Day You Can See Forever).
Lane is credited with discovering the 13-year-old Frances Gumm (Judy Garland). He caught her sisters' act at the Paramount theater in Hollywood which featured a movie and a live stage show. The sisters, Virginia and Mary Jane, brought on their younger sister, Frances, who sang "Zing! Went the Strings of My Heart". Lane immediately called Jack Robbins, head of the music department at MGM, and told him he'd just heard a great new talent.
Robbins told him to bring her in next day for an audition which Lane did. Robbins was knocked out by the little girl's voice (Lane played the audition piano for her), rushed upstairs and dragged Louis B. Mayer down to listen to her belt out some songs. Mayer was so impressed he ordered every writer, director and producer on the lot to hear her with the result that the audition, which began at 9 am, finished at 7:30 pm. Frances (Judy) was signed, and that was the start of her career. Because of circumstance, and contractual arrangements, Burton Lane didn't work with her again for seven years (Babes on Broadway), but it was definitely he who discovered her.


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