|
|
Thread Tools | Display Modes |
#91
|
||||
|
||||
[QUOTE=RockawayBlind;1091342]
[QUOTE=elle;1091335]where does this say that you listened to the digital release? i guess after your additional explanation quoted below i can now understand that was what you tried to say. but that was not what you said. [/QUOTE} I never said he did. I was simply agreeing with him, based on what I heard. Again, not really that hard a concept. Quote:
look, you may want to re-read some of your posts before pressing submit. i respect your opinions and love reading many of them, but the way they come across sometimes is.... well, let's just say, not very nice and not in the least respectful of others.
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#92
|
||||
|
||||
Quote:
For This EP, I totally agree that the agressive, metallic sound of the Ovation, or what the heck which guitar he used on Without You-sounds like a twelvestring, or has he dubbed something?- is an absolute earwar. And then that thin, empty, cold, emotionless rythmtrack. Aweful. But I'm mellowing towards the sound of the Froomproductions. There's more life in it than I heard the first two days after release.
__________________
.......................................................................................... |
#93
|
|||
|
|||
[QUOTE=elle;1091345][QUOTE=RockawayBlind;1091342]
Quote:
"However, I was careful to say what I know of the show is from the recordings and the YouTube postings, and what I saw there did not move me. I would have loved a completely different approach. And I bet I would be saying the same thing, had I gone to a show. It's possible to enjoy the performance when you're at the venue and then not like the recording or video of it." Because, from what I read there, it's pretty clear I didn't like the "recordings." Or is there a better way to say that? Or are you, by any chance, aware of any non-digital recordings of this particular tour? Because I would be willing to bet there are none. You tell me, though. You seem to want everybody to agree everything Lindsey does is absolutely great. The problem is there are no absolutes in this great world. Lindsey makes bad calls. And going on tour by himself doing exactly what he had been doing all along, but without a band, was a bad call, in my opinion. And the sound suffered for it. Go Your Own Way sounds horrible, for instance, without a band. However, he could have salvaged the song if he had cared to rearrange it as a quiet solo performance. He chose not to. Or are you going to argue with me that Lindsey has a track record of lazy setlists? That he plays the same old crap again and again. That, especially with FM, there is no variation even in the sequencing of the songs? That as a solo performer he still dedicates half the show to FM songs when all he really would need to do is two or three? You seem to think he's infallible. And the only person I know who is that is the pope. |
#94
|
|||
|
|||
And I'll add something else about lazy setlists: When Lindsey toured for UTS, he sounded surprised when someone asked him why the set included nothing from Out of the Cradle. He blamed it on Brett, as I recall.
I know Cradle was a commercial flop, but if he means what he says about artistic integrity, there should have been a couple of songs from his solo masterpiece. He came close with SWS, but he has yet to top that album as a solo artist. So why ignore it, if art is what drives you? |
#95
|
|||
|
|||
So far I have been to three shows on this tour Philadelphia, NYC and Newark. Here is my seven cents.
IMO the band did not sound stale at all. Is the set list crammed with songs that have become concert staples for them?.....Yes. That said when I went to see McCartney, Aerosmith, Clapton and Petty and countless others, I wanted to hear the familiar songs. For the most part, concert attendees like/love the particular performers for these songs. Nostalgia? Possibly. But I for one do not see anything wrong with nostalgia. But back to the Mac. I have loved this band since I first heard them in 1977. Though my attraction to Stevie outweighs my attraction to Lindsey, I still greatly admire the man and his own special powers. Granted I was up front for all three shows but each performance for me was electrifying in it's own way. And Stevie's voice has lost NONE of it's power. Is it different.... sure... but I recently touched base with an old friend of mine from the early 1980's who had a cassette recording of us just screwing around and you know what, neither of us sound like we did on that tape. Stevie sang wonderfully at each show. Sara was magnificent and it's not a go to song for me. But the way she is performing it on this tour is beautiful. And can we talk about JOHN F*****G MCVIE!!!!!!!! That bass playing was extraordinary.....pluck away John pluck away! During GYOW it was making my heart smile! Each show was packed to the rafters so they must be doing something right. And everyone there seemed to be having a blast. OK maybe that was fifty cents worth Last edited by Angel69; 05-03-2013 at 06:47 PM.. |
#96
|
||||
|
||||
Quote:
as a way to answer some of your questions - if you read others' reactions, there are many who misunderstood what you said. so it was not as clear as you think it was. but it's all good. you ascribed a number of opinions to me in several of your recent posts, including this last one, that i've never expressed, so i'm not really sure why you are so surprised that others assume or extrapolate from what you say too. for example: Quote:
Quote:
but of course i do! definitely! i never said any of those things, exactly the opposite, and if you carefully read my posts (as you ask for others to do with yours!) you would know that. instead you are putting forth these cliche "typical fan" judgements about my opinions. if you asked Lindsey what i think of him, he'd probably tell you that it's very opposite of infallible
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#97
|
|||
|
|||
Eh, Elle, I really don't ask anybody to read my posts. Frankly, if I had to read them myself, I might get bored.
The difference between what you say I said and my ascribing opinions to you is that I say "you seem to..." The English language is full of nuances, and it's easy to overlook them sometimes. Be that as it may, I respect your admiration for my favorite guitarist. It's quite possible I might change my mind about the songs on the EP. But, no matter what, those OMS recordings (!!!) will never do it for me -- they are as bad as the guitar on Without You. Shockingly bad, to be honest. Sorry. |
#98
|
||||
|
||||
ha, i knew you would to try to hang your hat on those when i first read them!
btw i never insisted OMS digital release production is perfect sounding but i was gonna let that slide (i don't hear production nuances that you all do, in many cases, so i don't normally comment on them). but since you keep bringing it up: what i said was his interpretations of the songs were great on OMS tour, imo. and that all out acoustic tour would not be my cup of tea, just like the type of tour he chose to do is not your cup of tea. Come and ISA absolutely worked with the backing track, imo, i loved them! GYOW was somewhat ridiculous and especially when there would not be audience interactions, a bit sad and rushed. so yeah some songs worked perfectly electrically done completely solo, others not so much. acoustically redone GYOW would be interesting. Come or ISA not so much. so again, i hope he doesn't take your advice and does old-fashioned acoustic tour that you seem to want him to do. i read a review somewhere which said something like "LB took the concept of what a man-man show is supposed to be and turned it on its head" - it was better wording but something like that. re sound at the shows, some venues had better sound than others (no surprise considering the variety of venues he played).
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#99
|
|||
|
|||
Quote:
I agree regarding Stevie. I think her voice sounded great, and I'm disappointed her studio recordings (In Your Dreams and the recent EP) in my opinion don't capture how strong her voice still is. Maybe it's that the quality of songs is much diminished when comparing to her classics. I said this in another thread: but as stale as some people think Landslide is, Stevie has been singing it wonderfully. Her tone over certain lines was beautiful. It's sad that I haven't really heard that translate in her recent studio efforts. I thought at MSG John's bass part was too loud for the beginning part of the concert, maybe as far up to Sara. That song was most noticeable, since his sound was way too heavy. I'm interested how Fleetwood Mac's show stacks up against the other rock classic acts: the Rolling Stones, Paul McCartney, U2, Eric Clapton, etc. They certainly aren't disappointing anyone with a 23-song setlist. Last edited by bethelblues; 05-03-2013 at 10:37 PM.. |
#100
|
|||
|
|||
I'm sure you have nothing to worry about. He will be taking this concept to his grave now.
|
#101
|
||||
|
||||
I'm counting on it!
|
#102
|
||||
|
||||
you may be onto something. he did say he'll continue and expand his one man tour concept to other songs next time around (it was in response to a question why doesn't he do more SWS songs, like IOOT for example), now that he knows it's working.
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#103
|
|||
|
|||
Quote:
Although I am more of a fan of Lindsey's solo work, I did enjoy seeing them together Stevie's voice sounded better live than I was expecting. |
#104
|
|||
|
|||
Quote:
Michele |
#105
|
|||
|
|||
Quote:
There was more interaction between Stevie and Lindsey at the Garden than in Philadelphia. Sisters was the best at the Garden. I feel like they just go the extra mile for NYC for some reason. The Newark show was also better than Philadelphia and Gypsy was better at this show. I can't say what they each said verbatim, but their introductions to the songs were different....the same story..... just told differently. I also liked that for the most part it was just the four of them...and not the small army they had with them on their last go round. One thing that bothers me during World Turning when Lindsey sits on the floor and you hear "on the ground...on the ground" .....but thats minor. And so what if the horn section is really played through the use of a keyboard for Tusk. I think Mr. Tuggle would look ridiculous out front with an accordion. I for one cannot get enough of John's bass playing so it could never be too loud... lol. And you are right about concert attendees.....most are not going to multiple shows so any speeches are new to them. I think Stevie's vocals on IYD were pretty much spot on in comparison to her "live" singing. The only song that I am not crazy about on that album is Ghosts Are Gone.....sounds like a ZZtop cover. |
|
|
I Got News for You - Audio CD By Bekka Bramlett - VERY GOOD
$249.52
The Zoo Shakin' the Cage CD Mick Fleetwood Bekka Bramlett Billy Thorpe
$10.79
RITA COOLIDGE CD THINKIN' ABOUT YOU BEKKA BRAMLETT LETTING YOU GO WITH LOVE 1998
$12.00
It Won't Be Christmas Without You by Brooks & Dunn (CD, Oct-2002, Arista)
$5.21
Bekka (Bramlett) & Billy (Burnette) - Bekka & Billy - 1997 Almo Sounds - Used CD
$9.00