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#76
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Last edited by MikeInNV; 04-29-2013 at 08:56 PM.. |
#77
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if only she'd bring some of that verve to the mac. could u imagine this ep with at least one song worthy of Ghosts Are Gone!? (which, yes, might be her second greatest solo song EVER.)
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"They love each other so much, they think they hate each other." Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way" Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart. |
#78
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Sister's of the Moon
Complete song. It's jumbled in sound but what a fantastic performance!!! |
#79
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LOL, this is an amusing thread. As a long-time FM fan, I see some things don't change. What has changed is the band's quality. I am sorry to say that even Lindsey's new stuff is rather dull, judging from the EP. Stevie has been phoning it in for three decades, so now she doesn't even pick up the phone anymore.
Both of these reviewers seem to hit some hard truths: One says Stevie is croaky and Lindsey steals the show. No surprise there. The other says the set list is rusty and uninspired. Again, no surprise. What cracks me up is that people still take sides between Lindsey and Stevie, and a lot of the same old arguments come up. Both sides make good points. But the reality is neither Lindsey nor Stevie are stellar right now. Sure, Lindsey rips it up on stage, and Stevie still has a lot of the old witchy charm. But the band is stale, end of story. On and by the way, I'll agree with the first reviewer about Lindsey's One Man Show. I didn't go to any shows, but what I heard and saw on YouTube struck me as way off. Lindsey missed the target by a wide mile on that one. What he should have done was leave the backing vocals, cheesy backing tracks and about two thirds of his guitars behind. Then take a guitar and stand -- or sit! -- in front of the mic and do quiet, introspective versions of old songs and play some new stuff. But even Lindsey admittedly is flawed. SWS was tremendous, but the EP is lackluster, and the OMS was just him doing by himself what four guys generally have done. (Who cares? I've seen solo performers with a looper put on more interesting performances.) As for IYD, yes, it was a good album. Better than anything Stevie has done since The Wild Heart, in my view. But the reason it got such a positive response was because most of everything else in between has been crap. So in comparison, good seems great. IYD isn't great, but it's damn good. |
#80
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I think that pretty much says it all.
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#81
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#82
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However, I was careful to say what I know of the show is from the recordings and the YouTube postings, and what I saw there did not move me. I would have loved a completely different approach. And I bet I would be saying the same thing, had I gone to a show. It's possible to enjoy the performance when you're at the venue and then not like the recording or video of it. Happens all the time. And what I saw and heard on recordings gave me the sense that Lindsey has no confidence in himself as a solo performer. Leave the effects and the tricks at home, and just play, man! That is all I am saying. If you loved the show, that's great. I'm glad you did. |
#83
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#84
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The production of IYD was as aweful as these tracks. Only Without You stands out as the most harsh and dreadful recording ever. Metallic paint without an underground.
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#85
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Yes! Wish I could like this post! YouTube makes everything look dull and bad quality and not great sound most of the time... It's rare that it's good
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#86
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Honestly, I just don't get these people anymore. Lindsey should have take a cue from the guy who produced the This Is 40 tracks and used it as a guidepost for future recordings. Instead, it's back to the over-produced studio trickery that's gotten kind of old, in my view. |
#87
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__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#88
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Sounds like you liked it. That's great. Quote:
Tell me, do you see a problem with that reasoning? Or does it seem perfectly logical to you? |
#89
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you didn't clearly say that you've heard digital release, and thinking logically (that may have been the wrong choice ) i couldn't predict you were willing to spend 90 minutes of your life and $10 for digital release when you were not willing to spent any of that to actually go hear the show live when it was in your neck of the woods, despite your long-standing love for this guy's music. to conclude, just to make it really clear - if you both heard digital release, your opinions are both informed. i will still never understand why you decided to skip on actually hearing what he had to offer. it just always seemed like trying to make some kind of point (kinda like "you don't want to do acoustic show the way i want it, i will not even try to go see what you actually put together"), unnecessarily.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#90
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But he makes missteps, and he has made several lately. You didn't like the This Is 40 songs. I do. I disagree with you, but I don't give you a hard time about it. You like the crappy, synthetic sound of OMS, I don't. I could tell you your ears need cleaning, if you like the horrible sonics on that awful recording, but I don't. It doesn't sound good to me. If I had been at the show, I would have loved to see the man doing his thing. But when I learned that all he was doing was replacing the backing band with pre-recorded tracks, I didn't want to waste my time. That was my decision, I stand by it, and I feel good about it. None of this changes the fact the sound is crappy. None of it changes the fact that the production on the EP is even crappier. Have I made myself clear? Last edited by RockawayBlind; 05-03-2013 at 06:14 PM.. |
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