#91
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#92
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
#93
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"Do not be afraid! I am Esteban de la Sexface!" "In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice" Whehyll I can do EHYT!! Wehyll I can make it WAHN moh thihme! (wheyllit'sA reayllongwaytogooo! To say goodbhiiy!) - |
#94
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"The next time you give your clothes away, why don't you just stay in them?"
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#95
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Truth be told, I'd have liked that line much better if she didn't use Paris twice. But I can still enjoy the song the way Stevie wrote it... 'cuz I'm not an uncompromising sadist.
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
#96
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#97
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#98
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#99
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"Love Changes" sucks ass.... sorry, Hillary.... |
#100
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"Do not be afraid! I am Esteban de la Sexface!" "In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice" Whehyll I can do EHYT!! Wehyll I can make it WAHN moh thihme! (wheyllit'sA reayllongwaytogooo! To say goodbhiiy!) - |
#101
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I Miss You has a very dream-like vibe to it, I like it.
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#102
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Okay, I'm hurting for "Love Changes", but I can't bring myself to type out another long-ass pseudo-interpretation thingy tonight. |
#103
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And I agree about Stevie. She was a divine songwriter for years, but then lost it, in my opinion.
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#104
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LEAVE MY LOVE "EVERY DAY" ALONE! IT'S THE SONG THAT GOT ME INTO STEVIE!!! Okay, I'll stop with all the melodrama. Eh, maybe. Just had to let that out. As Celine says in one of her cheesiest English songs to date, "Everybody's talkin' my baby down." (But, damn it, Stevie can't even remember the friggin' words to that song when she performs it live! I've yet to hear a live version in which she really sounds like she gives a damn). |
#105
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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