#31
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Quote:
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#32
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Quote:
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#33
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except he never claimed he's a poet.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#34
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Lindsey told Charlie Rose that when he first met Stevie at that youth function she considered herself a poet even then and she gave him some of her stuff (don't know if she wrote it for him or just recited it or what) and he said he was quick to criticize it and added that nothing's changed.
Michele |
#35
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Also brings to mind:
"I'll be there if you want me to No one else that can ever dooooo" Lalalala. I like it. I like it very much. |
#36
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"Sick of You" appeared in a scene in the movie. It was played as a transition song at the beginning of a party. You could hear Lindsey faintly.
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#37
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yeah i actually thought it sounded better as used in the movie, than when i just hear that song as a track.
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#38
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Finally got some peace in his mind????
Quote:
Maybe the song is describing some frustration in coming up with more complex lyrics – they are coming out to simplistic, too obvious. They are keeping him up at night; he can’t keep them from his mind. He even recycles the easy ‘no one else could ever do’ from Monday Morning. The ‘You,’ then, could be referring to himself/writer’s block of his own creative powers. And so the lyrics reflect exactly that. Orrrrrrrrr, it could just as easily be about being sick of the never-ending analysis of the attraction/tension between him and SN. How exhausting to be defined and dogged by that your whole creative life – like being one half of a Siamese twin! You can’t ignore that the word ‘dream’ is in every verse – this could be a clear reference to SN. As always, he ends with one foot out the door – never leaving all the way. And again, the line ‘no else could ever do’ is a reference to that – it’s as if he’s saying ‘even after all this time, since the day I wrote Monday Morning - dang, that’s still true!?’ – like he doesn’t even believe it himself. If that’s the case, though, I like that the melody and tenor of the song seem more resigned and accepting of this fact – almost amused by it even. Maybe he’s finally accepting his past in his own Lindsey way – yeah, I’m sick of it already, but you know, it is what it is, let’s just make some nice music. And I agree, lovely outro! |
#39
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Great outro (I don't know if this a music industry term or if Elle coined it, but I like it). The Sick of You outro is on par with the studio version of Bleed to Love Her and Rock Away Blind. I don't believe LB is much of a "jam session player" (and may have stated such in the past, although the song Tusk did grow out of a rehearsal "jam" session), but the outro on these songs have a great "feel" to them (can't describe it very well, just that they make me feel like swaying to the sounds of the music). Sick of You and Bleed to Love Her outros are very much the FM sound that LB is responsible for. This could be a poll question - LB's best or your favorite outro.
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#40
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you know, i've seen tweets floating around saying LB is the best outro guitarist / songwriter there is. he does have so many great outros, it would be interesting to try to list them, or pick favorites.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#41
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Quote:
Michele |
#42
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I pictured him staring right into Stevie's eyes and playing this and I laughed the whole way through.
But I like the song a lot, it sounds great. |
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