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Think About Me Save Me a Place Sara Storms Not That Funny Angel Brown Eyes And all of side 4 Last edited by jbrownsjr; 10-27-2019 at 01:06 PM.. |
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#2
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I love the rehearsals of Save Me A Place with Christine on guitar. Also, the harmonies on that song. And I also love the long version of Not That Funny (Mirage) on the upright. Would love to have seen Don't Stop on the Upright on the HBO special.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" Last edited by jbrownsjr; 10-28-2019 at 07:50 AM.. |
#3
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It’s so nice to see posts that still exists that I can actually agree with. Save Me a Place with Chris on guitar the three part harmonies....... Last edited by jbrownsjr; 10-28-2019 at 07:49 AM.. |
#4
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On the albums: In their history (Rumours 5) They've also had a back log of songs. It's just that during Tusk and after. LB started recording without them. Then either leaving members off, or adding them later. I think that's my main problem with some of the final material. Having said that, his work with Christine on Mirage and Tango is impressive. SYW, not so much of a chemistry even though some great songs came out of it.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#5
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Love SYW as a testament to the duo's continued viability as songwriters. The set is strengthened by the trio's instrumentation. But it's so bifurcated. Christine is sorely missed. |
#6
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#7
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It's for this reason that I particularly love all of side 4. Honey Hi--the harmonies! Never Forget--the harmonies! Beautiful Child--the descants! Walk a Thin Line--the harmonies! |
#8
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Oh yes, definitely agree. The harmonies are what save "Honey Hi", and I love all their vocal parts in "Beautiful Child", particularly at the end of the song.....I think the song fades a bit too quickly actually because i love Stevie's distant "aaaahhhhhhh" twice at the end.
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#9
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Sadly Chris retired the upright after Mirage. Loved watching her play Sara and Not That Funny. It would be a dream to see Don't Stop IMHO when the upright left the stage, the Mac was never the same
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#10
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Mirage was really the end of them as being "just a band". Big production started taking over by Tango. Stevie's backup singers, and off stage keyboard players.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#11
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I think Chris played both Don’t Stop and Songbird on her Yamaha grand (or the Hamilton before that). When I was ahem much younger, I used to throw sheet music and aluminum drink coasters into the grand piano to simulate the honky-tonky sound Christine got for Sara and Not That Funny. It’s actually easier to tack a grand piano than an upright because the iron plate, the soundboard, the bridge and the strings are all horizontal—so bits of trash can be added under the lid and will just lie there. For an upright, you have to construct an entire mechanical rigmarole that offsets by pedal, and what teenager has the wherewithal to do that while his parents aren’t looking (as he trashes their Yamaha C7)?
Tacking the piano sounds as if it was originally Lindsey’s idea for the tour. But if Stevie played the tack piano originally on the demo, it may have been one of her friends’ idea—maybe Tom.
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moviekinks.blogspot.com Last edited by David; 10-29-2019 at 12:36 PM.. |
#12
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But these guys didn’t swamp the show by any means, or detract any attention from the four main instrumentalists. So, yes, the nonsense started in 1987 with digital instrumentation. Remember Mick’s nonsense on World Turning that year with the Atari vest? I doubt he was triggering absolutely everything we heard—which sounded like a film soundtrack orchestra: swelling strings and brass, Mick’s digitized shouting, the percussive stuff from him tapping his vest, etc. Dan Garfield added all sorts of stuff offstage to most of the set, including Seven Wonders, Gold Dust Woman, Everywhere, and Little Lies. A few years afterward, he even sold his rig and modules on eBay. This past year’s tour was ridiculous on that front. Weren’t there something like 14 people onstage? One of the reviews in the paper even called them out on it. It was certainly the first time that Fleetwood Mac ever played with two Hammond B3s live. Why on earth . . . ?! Why does any live outfit need two B3s?
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moviekinks.blogspot.com |
#13
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I was beginning to play keyboards by 1987, but I was POOR, and a Rhodes and some Korg synth(it's been so long now, I can't remember what model) was about the best I could afford. Wish I had that Rhodes now! I sold it for $100(I paid $400) to a friend. They're going for about 2K now. Mick's Vesturbation was just about the dumbest thing the band ever did, live. Really, I see the need for a second guitar and a second key player(or ONE that does both[Brett]). Two B3's are needed, because they need someone who can actually still play one. Sorry, Christine is showing the effects of being a senior citizen. As easy as it it to mock the 14 people on stage, the Eagles do it, too. Two non member key players, 4 horns, and an extra drummer. Extra guitar player, too, if you count Steuart as a non member. And I'm still leaving out Deacon and Vince Gill(but of course that's an unusual situation, because of Glenn's death).
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#14
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forgive my musicianship ignorance, but why do they need a backup drummer? is it just that Mick gets fatigued and someone else is carrying the actual physical load of banging away on certain songs? The early rumours5 tours certainly didn't have thin sounding drums.
Is john the only one who doesn't have a backup player on his instrument, or is there a bass player now too?
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