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Lindsey Buckingham & Rick Vito: Comparing Styles
I thought we'd have a thread comparing styles & approaches in two of Fleetwood Mac's guitarists: Rick Vito & Lindsey Buckingham.
Our moral imaginations can calculate the passage of possibilities into probabilities when we compare Vito with Buckingham, as well as to all other extant literature of the Baby Boom. From the perspective of that Baby Boom, what is new in Vito? in Buckingham? Where do Vito's & Buckingham's crucial originalities cluster? What is it about Vito's & Buckingham's tone, stance, mode of aural narrative, that was a difference that made a difference? One large area of answer should undoubtedly concern the representation of motivic arc within the melodic line as a child to a parent, or perhaps a subject to the State. Another should concern irony, which seems to me the element of style in the Fleetwood Mac opus that is still most often & most weakly misread, even by the latest-model music critics of the New York Times.
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moviekinks.blogspot.com |
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#2
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The difference in my opinion is that Rick got more out of Fleetwood Mac than he put in.
Lindsey was just being Lindsey in Fleetwood Mac but Rick seemed so uncomfortable and forced on stage. He was trying to be something he's not. I like his playing but I just see him as a replacement ratehr than a true member (not a huge fan of behind the mask) |
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Lindsey overthinks the big picture, while Rick would overthink the small details of his guitar playing (in a way that I don't believe Lindsey has the ability to overthink).
Lindsey was a visionary, Rick was a team player. Lindsey is a modernist, Rick is a traditionalist. Lindsey had something to prove, Rick already had an impressive resumé and didn't need to prove himself. Lindsey was intense and angry, Rick was laid back and happy. Lindsey is a brilliant finger stylist, Rick is billiant in every other facet of guitar playing. I think both are amazing at what they do, and I think the band was lucky to have had both. I'd have either one in my band. Hell, I'd have BOTH in my band!
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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Amen & Hallelujah Brother!
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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Interestingly, TISL is the only one I know of that she stopped to do a FM record and who could blame her then, though clearly she would have released TISL, albeit likely to much less fanfare without The Dance and her stellar performances there. |
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#9
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The "retro" album would have looked something like this: Walk Another Mile So Excited Hi Ho Silver Are You Mine Living Without You Whole Lotta Trouble When The Sun Goes Down Desiree Roll With Me Henry Tear It Up Love Is Dangerous I Still Miss Someone While the more modern album would have looked like: Skies The Limit Victim Of Love Rooms On Fire Got No Home Save Me Affairs Of The Heart In The Back Of My Mind Behind The Mask Stand On The Rocks Do You Know Intuition Paper Doll As Long As You Follow The Game Of Love Lizard People This way, we would have had two new Fleetwood Mac albums (remember, most of the songs on the "retro" album were recorded by the band or by Stevie during this period) and no lame repackaging of songs we all had, videos that suck, or a lame solo album.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 03-15-2006 at 08:57 PM.. |
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I'm confused.
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moviekinks.blogspot.com |
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#12
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I'm not really sure if you mean technical things or not - I don't really have the musical knowledge to even take a guess at that. But just in general, I'd say that Rick Vito is an extremely talented guitarist who has the ability to play anything at all that they hand him very well, no matter what the difficulty level, speed, etc. He can also "put on a show" at the same time. (on-stage, etc.) But Lindsey IS a guitarist, "through-and-through." He claimed he "had his guitar around his neck 24/7" - Stevie's joked in interviews and stuff that he pretty much slept with the damn thing and I think that's pretty much true. So in other words, it's VERY much a part of his "identity" - and a big part of how he views himself, etc. He "gets" the music, in a very deep way. Not putting Rick Vito down but he's basically a "hired gun" whereas Lindsey's a "professional gunslinger" - he's an artist, Rick Vito's (essentially) a technical guy. (Obviously I'm kinda generalizing.) Sound about right??? On Edit: I think maybe also, whatever the technical differences are, a large part of them is caused by the differences in type of ambition that they have, or at least had. Not putting Vito down, but I think maybe his "embellishments," "interpretations" etc. on-stage were essentially designed to show off his (extraordinary) guitar work. Obviously Lindsey does the same thing (c'mon - wasn't he showing off at least a LITTLE in "So Afraid?" ) - - - But Lindsey is ultimately playing his own songs most of the time and so he's more concerned with expressing the emotions he felt when he wrote the songs - much more concerned with that than demonstrating technical skills. He really is at "a whole 'nother level," in other words (i.m.o.) - the technical stuff is just so basic to him, and so second-nature, that he can concentrate on other things (such as conveying emotion, etc.) So in other words - Vito is portraying an emotion. Lindsey is expressing one that he's actually feeling, or at least has felt. (For example, when he wrote the song.) I've also heard it said that Lindsey B. uses a "diatonic" style of playing - I think maybe that means he has two different things going on at once. (That's very clear in "So Afraid," I think... ) I don't believe that R. Vito does that, at least not in the "Tango in the Night" concert. Also - Buckingham has a very strong "home court" advantage in that not only did he write the songs, he's performed many of them so many times he can't even count. So songs such as "So Afraid," etc. are sort of "permanently etched" into his memory, whereas Rick Vito would have to re-memorize things, review them in his mind before a concert, etc. So since Lindsey doesn't (usually) have to take the time with re-learning many of the songs, he can concentrate on other things. Last edited by Ghost_Tracker; 03-16-2006 at 09:03 PM.. |
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Diatonic just means using major & minor but not chromatic scales. In that sense, it describes just about all mainstream rock: Lindsey, Rick, Stevie, even Weird Al Yankovic.
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moviekinks.blogspot.com |
#14
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I'd have to agree with what most of Ghost tracker said.
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In actuall fact I think hes pretty laid back and easy to get along with, although, yes, he is a perfectionist and does take his music career very serious. http://www.youtube.com/watch?v=Im02u...y%20buckingham Quote:
I think “I’m so afraid” is a bad example of this though as he doesn’t actually use the technique for that song. [QUOTE]I'm not really sure if you mean technical things or not - I don't really have the musical knowledge to even take a guess at that. But just in general, I'd say that Rick Vito is an extremely talented guitarist who has the ability to play anything at all that they hand him very well, no matter what the difficulty level, speed, etc. He can also "put on a show" at the same time. (on-stage, etc.) [QUOTE] Yeah, Rick is probably on paper the better guitarist. He does exactly that, plays anything someone hands him. He certainly can't use the alternating bass technique in the same way Lindsey can but for blues etc he has the upper hand. My problem with the guy is that hes to robotic and textbook, if you know what I mean. He doesn't use music to be artistic or push the boat out like Lindsey does, he just kind of, Plays. Like I said I only see him as a replacement rather than a member in his own right. I say he got more out of Fleetwood Mac than they got out of him because, he was only in the band for three years. Wrote 3 songs, 2 of which where Co-wrote. He was the wrong man for the band and he tried to be someone he's not. I think he needed fleetwood mac but not vise visa. People on this forum say that Fleetwood mac are a nostilga band now (which is TOTALLY untrue) in actually fact the only time they have ever been one was durring the tango tour, and this was down to Mr Vito. |
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