#31
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Yes, I didn't see this post when I commented above. And yes, it was Mozart, not Beethoven. Good memory, Gail.
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#32
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Yes, I believe she said she played Mozart for fun. And it would take her a few days to plod through it.
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#33
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Whoops... didn't read the whole thread either. ... .
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#34
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oh there's definitely gossip and snark.... he makes reference to Lindsey's anger management issues a lot, and says LB not only got physical with him, but with a woman named Christina, and with Carol..... the gossip is just intertwined with some technical stuff and some rather juvenile descriptions of his swinging' single dude days...
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#35
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I got a sense of this reading portions of it in the "Look Inside" feature on Amazon.com, so I didn't fork over the cash.
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#36
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__________________
moviekinks.blogspot.com |
#37
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Quote:
The book is good for its information about the recording process. I played Rumours while reading it and I thought it was cool when he would tell you where in a song he used a certain lick or sound. I'd go back and listen to it, and it gave me a new perspective on sound construction. |
#38
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I finished the book over the week-end. Eh. The book should be marketed more to would-be producers rather than FM fans. I wasn't looking for dirt or drama about the relationships, but I was hoping for more about how the different members felt/acted about their songs, maybe?
The somewhat vague remarks about Stevie were interesting because he never said what happened. He would make statements about how at the time, he still thought she was just a sweet/cool girl back then (totally paraphrasing) but then never explains why that view changed. I also thought the ending was somewhat odd; the last sentence in the book makes reference to Lindsey's difficult nature. Anyway, I wish Ken the best with this book and as I said, a would be producer or musician who is also a fan of FM would really enjoy it. |
#39
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I thought the part about John flirting with Linda Ronstadt when she and Governor Brown visited the studio was funny. That would be so awesome, LR and FM in the same studio!! I really hope Caillat writes a book about Tusk at least, and I would also love to hear about Mirage. I really like how he seemed to keep the drama to a minimum and based the book on facts.
__________________
"Where is the reason? Don't blame it on me, blame it on my wild heart!" |
#40
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Myself, I would have liked a little more drama and a little less about the technical aspects of making the record. Overall I enjoyed it though. Did give more appreciation for all the work they did on that album.
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#41
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Just finished the book yesterday, while I lay in bed... sick. I liked it! I thought it would make a good HBO Movie-of-the-Week. It reads like it was written from his journal, although it does bounce around a little in terms of going off on certain tangents. For example, when his grandfather died, he expounded on family, but it does not take away from the general flow of the book. I thought it was funny in parts, such as when he describes getting crabs. I didn't get a good feel for band politics, it seemed more like he wrote from a perspective of how it was to be an employee of the band and how he observed his bosses. (Maybe I didn't pick up on it.) I dropped jaw on the part about his dog Scooter and how he ended up on the cover of Tusk, Stevie said she'd put a hex on him and when the dog died a few years later, Stevie made a snide remark about it then said she she should have been the one on that album cover. Sure doesn't sound like the Stevie we've come to know and love... WOW! The technical parts about the songs are interspersed with the personal anecdotes, so it doesn't bog down there either. I went back and made notes so I could listen for certain things like the naugahyde chair in Second Hand News... we may have already known about that one, but the only one I remember is the Kleenex box on Tusk. I would recommend it. It's not too expensive, particularly if you can get the Kindle version, and it will only take a few days to read. Did I learn anything new? I dunno... but it was pretty cool the way he wrote made you feel like you were there. The fly on the wall thing is always cool.
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#42
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#43
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Quote:
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#44
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Sure...The best preparation for Bartok is Bartok. Start with the early stuff from Microcosmos, then build gradually. Those early "easy" pieces really do prepare you for the swirling difficulties that come later!
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#45
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Okay, if you liked the book then I might buy it after all. I trust your judgment.
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