#31
|
|||
|
|||
Quote:
The problem is we can't know the full story because Stevie doesn't want to dwell on it - SYW - nor does Lindsey. He thinks it turned out great, because his GOS1 songs were awesome I must admit (though some of the lyrics are cliched, I just cannot give his music playing/guitars poor critique) - and 7 of the 16 or so songs intended for GOS1 ended up being released, owned by and sold under the guise of "Fleetwood Mac". I think Lindsey ...this is only my hunch...he probably doesn't care how his music is released provided his creative vision is fulfilled. He may have had his most successful solo album ever with GOS1 but instead he got to help Fleetwood Mac achieve ~800000 sales (0.8 million) with Say You Will. I'd say it's possibly more than that. It achieved Gold status but the sales figures have not been recorded/reported for a long time now, so it could actually have achieved platinum sales over the last ten years. And it is probably difficult for Lindsey to let go of some anger that the best music he has ever produced was not compiled into one "artpiece" or "artwork" or whatever. But here's the reality kids: I can make the intended playlist of GOS1 using SYW songs and GOS2 and I get not the same thing, but music with a gorgeous soothing contralto female voice on the recording too. Plus Mick. Plus John laying down the bass lines, and black keys might I add on Syw. Anyways...why write all this? Lindsey is big enough and ugly enough to accept now all that his job entails! He does not care any more about how he got ripped off in SYW by losing his rights to make GOS1 and be a really successful solo artist for the first time ever (meaning: similar to Stevie's star power/solo work income). And Stevie does not resent Lindsey for having smaller, more intimate solo work experiences. She got that with Dave Stewart and In Your Dreams, she worked first with Dave and her bandmates Waddy, the girls Lori and the other girl. Some other people too of course. In 2010. Then she released her record and she "personally sold" it to 300000 people. And she was NOT dissatisfied with the album sales of IYD. The journalist who said she was needs to watch the interview she said this in, in context. It's like 15 min and he used a 15 second soundbite to write that Nicks was unhappy with her album sales. Not true. She does not care. Why would she? She's rich. She doesn't have to make money any more. She has investments and financially trained people to help her maintain those investments to secure her income. She wanted to make a record she liked, on her own terms, with Dave. And she did. It's just four adults doing a job together these days I'd say. Four adults who all adore each other. |
#32
|
|||
|
|||
Quote:
__________________
-- Mark -- |
#33
|
|||
|
|||
Mick said she was, after Hawaii. We just have to find something for her to do with it!
Michele |
#34
|
||||
|
||||
Yesssssssssss! And record it.
|
#35
|
||||
|
||||
Quote:
I think Stevie was used to Christine being in the band as a more pop-friendly and very formidable/respected musical force. I have a distinct feeling that post Tusk, Christine had a way of reigning in Lindsey when he went too far out into left field. In turn, Christine probably got Stevie to meet Lindsey in the middle when it came to her own songs. I just think Stevie was shocked by the all male dynamic, and what it really meant in regards to the way it changed the band's sound AND power structure. SYW must have been tough for Stevie because she lost an ally with Christine; and someone who really helped bridge the chasm between herself & Lindsey musically. That's probably exactly why more than a decade has passed since the last Fleetwood Mac album.
__________________
|
#36
|
|||
|
|||
Quote:
And then Stevie said "good news is I wrote four songs. And I tried to write them as though you guys were there. You weren't there but it was like you were, ya know?" So the whole band obviously tries to do things apart and then get together and nail it down as quick as they feel is practical to avoid the squabbles. Also it is somewhat of a Lindsey Buckingham signature thing that in his production of songs....well not just Lindsey but the band....they layer their vocals like you say and almost always have done (for the last 30 years at least). Yes, it is true Stevie lost an ally in Christine. Supposedly the whole song Say You Will was written for Christine's benefit .....but I don't know if that's just a Rumour pun intended or an acutal fact from Stevie's mouth. I do not know why it took Fleetwood Mac 36 years to finally get along and I sincerely wish for all my family and friends that our working lives will be much more pleasant than that. Yes they always loved each other and yes they "pushed the wrong buttons" (Mick) but there is no excuse for 36 years of that. It is bitter, angry, self-indulgent and excessive, poisonous for all people involved. I'm just happy that the four of them are getting along now so finally....Christine feels ok to pop up on stage....also her life is her's now. I don't think the same can be said for Stevie and am willing to bet Nicks has a lot more "people"/minders than C. McVie...! And that's sad, because Stevie always wanted to look after people and have a family and be a mother, have a long term relationship but it never worked out for her. It worked for Chris twice, but failed eventually with John and Eddy. And Chris clearly did not want children. I have a distinct feeling that Stevie did, but it was not possible, and by the way I'm a nursing student: most sexually active women will have at least one miscarriage in their life that they don't even notice (ever been a week late? or two? and then you were fine?). That's because the pregnancy is not viable so the body spontaneously aborts it before the foetus develops. I know people find it taboo, but just simply, I think Stevie may have wanted children and that many opportunities came up but her health was so poor (e.g. Klonopin and cocaine) that a pregnancy probably would have ended because of her poor health and substance misuse if she ever was pregnant. And I think she absolutely believe this "Destiny Rules" thing. It's not about "spirits are ruthless" - it is about how destiny/fate gets in the way and if she had not joined Fleetwood Mac she probably would have stayed together with Lindsey, had a family and still worked as a musician. But I don't want to get into too much conjecture..... |
#37
|
||||
|
||||
Quote:
__________________
|
#38
|
|||
|
|||
Quote:
|
#39
|
||||
|
||||
I don't know if I agree that Lindsey feared for his personal safety. I don't think he really wanted to be in any band, but especially not one with two strung out drama queens and a recovering addict who's sobriety he doubted would last the tour (and I don't think it did).
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#40
|
||||
|
||||
I've always thought there was something else that broke the camels back. I'm sure his reason is true. But it seems like there's another part that we will probably never know. It doesn't add up to me that he suddenly had this epiphany of how crazy a tour would get. I mean, maybe he witnessed a break in the sobriety at rehearsal or a video shoot or maybe he even partook and then realized how hard it was going to be.
__________________
|
#41
|
||||
|
||||
Quote:
Well, per Mick and Billy, Billy was going to be on the Tango tour regardless because Lindsey wanted a second guitarist, and Billy was the obvious choice, considering his work with Mick, Christine, Stevie, and even Lindsey. Maybe Lindsey even figured that Billy could just take over altogether, which would free him up from being in the band.
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#42
|
||||
|
||||
Interesting. I wondered if he had any input in his replacement(s).
But, why didn't he consider not getting so involved in the band before he produced a new album, made videos, did press, and booked a tour?
__________________
|
#43
|
||||
|
||||
Quote:
Quote:
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#44
|
|||
|
|||
Quote:
|
#45
|
||||
|
||||
Quote:
|
|
|
LINDSEY BUCKINGHAM Senior High School Yearbook Fleetwood Mac GREAT PICS
$289.99
Stevie Nicks Fleetwood Mac signed autographed photo coa 6x8 inch
$70.00
Vintage 70s Stevie Nicks Fleetwood Mac Live Concert Original T-Shirt In Men’s XL
$150.00
Vintage Fleetwood Mac Artist Signed Poster Framed
$49.99
STEVIE NICKS ORIGINAL AUTOGRAPH PHOTO W/COA
$45.00