#166
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I don't think going on a television show is "selling out". Marketing strategies have changed a bit and they're just promoting their product. Now, if anyone shows up as a contestant on DWTS then that's a whole other ball of wax...
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#167
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She didn't appear on Glee because they didn't ask her to. She hung around a studio backstage to encourage kids, and that's a nice thing to do. But you can't tell me she didn't want something for it. Like maybe a guest appearance on the actual show. And that's what I meant by not knowing whether it was worse to be on the show (sell out). Or to not be on (not invited). Almost groveling. Which is worse? "Cashing in big-time", I'm not so sure about that either. While I have no idea what the show had to pay to use their songs, the "resurgence on the Billboard Chart" would probably a paltry amount to notice in their bank accounts. It doesn't take much to appear in the Top 20 anymore. Last edited by iamnotafraid; 04-02-2012 at 09:10 PM.. |
#168
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seem so cynical and overwraught. Why?
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Life passes before me like an unknown circumstance |
#169
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#170
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YES Mezzoforte!! i NOTICED you weren't around AND missed you!! Between you and Viv... you BOTH post the things i was going to say!! !!!!! XOXO
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#171
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I should stick to my jokes. CAD, Like I said, I think appearing on these recent shows make business sense. I imagine the kids watching the show would rather have the actor/singers mp3 than the original versions. I don't keep up with the charts like I used to. So I'm not sure how their downloads did after the show. But hey, Stevie's appearance on Up All Night was the only thing that made the show watchable. I'd comment more but I think PenguinHead was right. Last edited by iamnotafraid; 04-02-2012 at 09:37 PM.. |
04-02-2012, 09:31 PM |
windbecame |
This message has been deleted by windbecame.
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#172
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#173
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It is appreciated!
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#174
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While I detest Glee, American Idol, televised award shows, Dancing With The Stars, and have never even heard of Up All Night, these venues are how artists market themselves these days. It's not the 1970s anymore- there is no Midnight Special, MTV has absolutely nothing to do with music, and the music periodicals that are left have become irrelevant due to the internet. Being showcased on any of the above shows today is a sign you're a big star, and people still care about you. I may not watch any of these shows (even when the band is showcased on them), but I still think it's pretty fantastic Fleetwood Mac is still generating enough interest to make the latest crazed tv shows.
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#175
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I don't know where they stand now, but a few years ago it was pretty clear from their comments that each of them blamed the other for nothing going forward. Certainly, it's evolved form Stevie saying that Lindsey won't act and him ruefully saying that she has the masters in her closet vault (or her manager does). I think they've come to some sort of understanding since then, but the reason fans initially thought that they were in discord over BN is because they both pointed fingers at the other.
Michele |
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You get on popular current shows to seem still relevant. Even if you don't get on an actual episode, your management and publicist know they can get you coverage on all the entertainment news shows and magazines visiting the set and having photos taken with the new generation of stars. It's all about keeping your name in the news. Liz Rosenberg is a master at this and that's why Stevie hired her.
Stevie has always been suuuuuuperr competitive with Lindsey and vice versa, so I'm not surprised when one of them mentions something and suddenly the other one is somehow doing something similar. Neither will ever let the other get a leg up if at all possible. Interesting that after SYW LB went with feistier management (Irving Azoff and co) to even out the power Howard Kaufman has. |
#177
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I highly doubt that Christine declined to talk to Ken because Lindsey plans on writing a book. Michele |
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Not to say that Fleetwood Mac never gave an interview to a mass-market magazine, because we know that isn't true. But they didn't accept any offers to go from one dumb TV show to another (you can bet your life that Stevie Nicks was asked to go on Love Boat and Fantasy Island and all that crap), and their concerts were run like old-fashioned rock concerts (beer, pot, and tourbooks), and they didn't put their names on lines of clothing. That reputation of the band back then was palpable and gave a lot of us fans a pleasurable buzz. The next two albums (Tusk and Live) were quirky and personal and maintained the band's reputation for doing exactly what it wanted to do. It was only with Mirage that Fleetwood Mac began to seem corporate in the bad sense of capitulating to commercial considerations.
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#180
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Last edited by CADreaming; 04-03-2012 at 06:34 AM.. |
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