#136
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The funniest part of this is that y'all know exactly to what I'm referring.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#137
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We absolutely know the difference of the "Whaaaaaaaaaaaaa" and the "whooooooooooooooooooooooooooo".
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#138
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However, based on what you’re saying, I’ll listen more closely to the drum solo.
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moviekinks.blogspot.com |
#139
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Ntf 22-10-1982
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1 - The original VHS version from 1983 [10:43] 2 - The heavily edited 1992 version on '25 Years - The Chain' [7:47] 3 - The less edited versions from 2016 (Mirage Deluxe) and 2024 (Mirage Tour '82) [8:54] (Times are without audience noise/applause and so on) GJK |
#140
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After having this CD for some time now, I will say this is probably my favorite version of Landslide. It has a little 70s magic sprinkled with a raspy Stevie early 80s. Has the Chris keyboard solo and is played at a faster speed that it is today. It hits that sweet spot for me. Besides the BTM version which was full of klonopin and without Lindsey, THIS was the last time it really shined without being a sing along. There is unpredictability in her voice which makes it exciting IMHO.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#141
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#142
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Its all so good. I still can't believe after all these decades that I have a professionally recorded commercially issued CD live songs from 1982 that include Brown Eyes, Oh Well, Sara, Hold Me, Landslide and all the rest. Makes you wonder WHY they waited so long to do this. I bet this CD collection would have even charted if it was released during the Dance. Many of the reissues or deluxe releases are meh or not that special, this is a must for any Mac fan for their collection. Its so magical for so many reasons. It was the last tour before solo careers took over. It was the last tour without backing musicians and back up singers. It was the last tour before members left and then would rebound many years later. It was the last tour promoting a #1 studio album and being MTV darlings. IT'S SO DAMN GOOD
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#143
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#144
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https://www.undertheradarmag.com/rev..._fleetwood_mac
Reviews All Music DVDs Live Cinema TV Books Comic Books Video Games Fleetwood Mac Mirage Tour ‘82 Warner/Rhino Oct 07, 2024 Web Exclusive By Frank Valish Bookmark and Share By 1982, one might say Fleetwood Mac was past its prime. Its best recorded material, bookended by 1975’s self-titled album and 1979’s Tusk, was already behind it. The age of ‘70s excess was passed and a new musical era was dawning. The group’s 1982 album, Mirage, was something of a return after the experimental Tusk; however, it was also to some degree a paler imitation of past album glories. Mirage Tour ‘82 captures the band live promoting their latest album, rendered here in a three-LP set taken from two nights at The Forum in Inglewood, CA. First off, 12 of the tracks here were part of the 2016 Mirage (Deluxe Edition) release, and an additional three were previously released on the Fleetwood Mac Live (Deluxe Edition) from 2021. But six additional tracks (“Don’t Stop,” “Dreams,” “Oh Well,” Never Going Back Again,” Landslide,” and “Sara,” if you’re keeping track) are original to this set. And apart from the quality of these six unique tracks, all part and parcel of the Fleetwood Mac 1982 live experience presented here, the whole show as presented is a terrific document of a band that sounds intent on proving its best days were in fact not behind it. The set begins with fun harmony-laced interplay between Stevie Nicks and Lindsey Buckingham on the opener, “Second Hand News,” and continues with Buckingham sounding at his most unhinged on a fiery version of “The Chain.” “Don’t Stop” sounds played out, which I suppose it was, and “Dreams” sounds uninspired, which again I suppose by 1982 it was. But by the time the show really gets moving though, things pick up nicely. Buckingham plays the heck out of “Oh Well.” Christine McVie’s “Brown Eyes” stands out for its detached cool. Buckingham’s terrifically jumpy, yelp-filled “Not That Funny” also features some nice sputtering bass work by John McVie. A slowed down “Never Going Back Again” highlights Buckingham’s fingerpicked guitar. “Landslide” is sublime perfection, and “I’m So Afraid” is a highlight for its slow-burn intensity. By the time Mirage Tour ‘82 closes with the trio of “Blue Letter,” “Sisters of the Moon,” and McVie’s gem “Songbird,” it’s clear that, despite Fleetwood Mac’s best recorded material being in the rearview, its live show was still a juggernaut. (www.rhino.com) Author rating: 7.5/10 Rate this album Average reader rating: 6/10
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#145
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#146
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I couldn't disagree with the review more. The band is magical.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#147
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Agreed, this review is just...wrong! The comment about Don't Stop Just say I'm not a fan of the band.
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"Leisure line to heaven, puttin' on the hits, here we have another, another piece of glitz" |
#148
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Or, that you don't get it.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#149
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I focused my comment in the studio albums opinion. I do think Mirage is a good album and I like it a lot, but I think the songwriters' interest (specially Lindsey and Stevie) in further promoting their solo careers avoided them from including other songs that could have made the album a much better piece of work. Though pale imitation was an excessive criticism.
And the fact that the tour lasted so little time is a clue that the conflicts and nightmares that existed from the previous decade now weigh more than the interest in being a magical and extraordinary band that gives us its state of the art.
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Last edited by Villavic; 10-09-2024 at 08:51 AM.. |
#150
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Did David write this for you?
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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