#16
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4 slowdancing
Quote:
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#17
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Round 4: Play in the Rain part 1
David, what are you doing ???? You should have voted for D.W. Suite to be immune. Well, since the gawd awful Play in the Rain part 1 is no longer immune, I hope it gets eliminated!!! woo.
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"Hearts will break with choices we must make, so sleep and dream of me." - LB |
#18
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Round 4 - Play in the Rain Part 1
Did you guys voting for "Slow Dancing" forget that Play in the Rain part 1 is still in the running?!
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#19
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Quote:
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"Hearts will break with choices we must make, so sleep and dream of me." - LB |
#20
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Round 4: Play in the Rain I
Is there anything left to say?
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Curtis |
#21
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Quote:
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#22
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Quote:
No, I prefer BOTH "Play In The Rain"s over "Slow Dancing".
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#23
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save play in the rain please
please people, nobody's waiting for angry posts about understanding Lindsey's art again, and voting in his spirit on a game at his side of the board about his art. And for you who writes those: don't feel offended, I agree. I'm just sick of those preaching posts.
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#24
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Quote:
I suppose I could sum up my views thus, Chili: The track has orchestral strengths, undoubtedly. It's just that the textuality presupposes a certain static yet pre-lingual obsession with naive sexual guilt & hegemonic discrimination. It turns in on itself in an endless dismantling of its craving for origins: truth & presence. But outside this metaphysics of presence, the song seems too encased in its receding aporia, & I can't help thinking that Lindsey is fixated on the epoch of the full speech, suspended from the metal strings of his Turner Model 1 between a free reflection on the origin of writing-qua-writing & the subsuming of that fixated transcendence. So, as you can see, I really had to vote it out. |
#25
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Quote:
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#26
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Quote:
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#27
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Quote:
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#28
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Quote:
And I even agree with that. But I'm sure he'll frown a brow when he sees his FANS vote such songs of so early. I KNOW that you agree with me on that. somewhere deep down inside
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#29
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Quote:
"Play in the Rain," after all, is the only link this album has with the work of Varèse & Salzedo. If we get rid of it, there goes the only connection in all of Lindsey Buckingham's music to the pioneers of the "Liberation of Sound" movement & their break from European influences & their paralysis of the tempered system. Might Varèse actually have been speaking for Lindsey Buckingham, when he told a group of students & professors in 1939: "When you listen to music, do you ever stop to realize that you are being subjected to a physical phenomenon? Not until the air between the listener's ear and the instrument has been disturbed does music occur. In order to anticipate the result, a composer must understand the mechanics of the instruments and must know just as much as possible about acoustics. I need an entirely new medium of expression: a sound producing machine (not a sound reproducing one)"? |
#30
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Round 4: Play in the Rain Part 1
**********
__________________
Kimberly |
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