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#16
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Given Stevie's dislike for Lindsey (and perhaps vice versa), I don't understand how "Twisted" happened at all. Was it perhaps a trial run to see if the two of them could work together before committing to The Dance?
Last edited by cbBen; 01-07-2019 at 11:30 AM.. |
#17
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I think Stevie was a different person at that point. She was relatively fresh out of rehab for the second time, and coming off of a commercially and critically disappointing album (Street Angel). All of her old insecurities were at play, making her much more open to working with Lindsey - the guy who'd previously polished her lumps of coal into diamonds.
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"Ooh, there is magic...all around you... every time you walk in the room..." |
#18
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14 years later, if I see him (which isn't often) we pretend the other isn't in the room. So stuff like Twisted can happen because the roller coaster of hate is in full swing. Sometimes, we keep someone close so we can keep hurting them. Sometimes we remember the good times and try and re-live them.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#19
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During her “Landslide” dedication to him on the last BTM show in 1990, she said that she hoped he could find it in his heart to work with her again someday.
By 1996, her career was in the crapper, his career was in the crapper, the band without them (or Christine on tour) was in the crapper, and the industry wanted the Rumours band to pull an Eagles. Stevie, Lindsey, and Mick needed to be able to work together, and this was a good trial. People forget Stevie wasn’t on especially good terms with Mick at the time, either.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#20
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__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#21
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This was interesting to see. Thanks for boosting it.
Lindsey does seem like he wants to die for most of it. I like how he says something about "no more tension now" with their rehearsals ... if that's "no tension" I can only imagine how the first encounter or two went! Time is so interesting... this was so long ago now and yet it felt so far into their careers at the time. To think LB was already out of the band for what, 6 years at this point? And yet so much has yet to occur. SO MUCH. To think Stevie went from such low doldrums, personally and professionally, to now being elected to the RRHOF. Time is a crazy thing. |
#22
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#23
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__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#24
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"Well, John and I just wouldn't talk, other than the civilities of what key is this song in?"
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#25
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Yes. After a while of us being together, I realized that he was no longer who he used to be and we both became absolutely sick of each other. When we broke up, things were definitely very awkward for a while, but things eventually cooled down and we get along fine now.
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#26
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And then he bought her house and helped her with the bassline on “Love Will Show Us How” while she wrote “The Challenge” about his boat and lent him her keyboards for his solo album.
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#27
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Wait, what? This information is new for me. So explain what all that meant. I did know about the Challange. But, isn't Hawkins on LWSUH
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#28
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By "him" you mean Lindsey?
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#29
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__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#30
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George ultimately played bass on it. Typically, the songs are completely flushed out by the time they hit the studio. I don’t know if you heard one of Stevie’s bumpers back in May, but she said they all independently worked out songs/harmonies before going into the studio with the band. Stands to reason the same is true with solo projects, and explains why Stevie didn’t want to work with Lindsey anymore.
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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