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the part that I want to know about is when Stevie arrived, having just completed her first (very successful) solo tour, accompanied by her boyfriend Jimmy Iovine... and some sort of kerfuffle ensued between Lindsey and Jimmy, which by all accounts was instigated by Lindsey and resulted in Jimmy getting on a plane and going back to the US rather than staying the 10 days he had planned to stay. That majorly impacted Stevie and Jimmy's romantic relationship by all accounts. I want to know did that essentially break them up? did he never come back to the chateau? Did he ever spend time on that tour with her? Or was it so f***ed up from that he stayed away? I would have strong sympathy for Stevie in that situation if your ex behaves so badly that it breaks up your present relationship, while he continued to drag *his* new girlfriend around with the band everywhere for years.....
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Christine on the making of Mirage (2016):
Well, I don’t think any of us remember a huge amount about it! But I don’t remember there being anything bad about it, how about that [laughs]? It was extremely odd in the sense that it wasn’t really a studio. It really was a rather beaten-up old castle. We were living in it, and then there was another area that was made to be a studio. And there were wine cellars underneath, which I believe we used as echo chambers. So it was unusual, but it also provided a “come-together” sort of moment. Because we really had no options to do anything else. In Sausalito, at least you were close to restaurants, clubs, whatever. But at the chateau, you were just there. We had the table tennis out, we had some radio-controlled helicopters, we had food cooked for us every night on the premises. … I don’t know, it was like some weird, manic kind of resort or something. But I think we got on really well during the making of the record. The actual recording part of it, there were no particular spats I can think of. And some of the tracks are really good.
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I remember an interview where they mentioned other names for the Rumours album, but once John mentioned the album should be called Rumours (because of all the rumors going around about them, natch) they all agreed instantly that was the name. It would be interesting if anyone could remember what the other possible names were.
Behind the Mask was originally titled Twist of Fate. I think, after Rumours, Tusk, and Mirage, Lindsey wanted to end the one word title streak, hence Tango in the Night. |
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It was. Rumours is so much more intriguing.
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Skies the Limit
Instead of decades of confusion as to the spelling of "Rumours", we could have been enjoying decades of confusion about pluralization and apostrophe placement of "Yesterdays".
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Yes, you and jmn3 are right, as soon as you guys said that, I recognized it. Yesterday’s Gone is actually a good title and very fitting, but Rumours is the perfect title.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
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My take is that Lindsey suspected that Jimmy would try to produce the album or at least Stevie's tracks. There's a Tom Petty interview where he says that Jimmy was only suppose to be the engineer on Damn The Torpedoes but horded his way into being producer. There were a lot of power plays going on in and out of the group at this time.
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Too bad there was not a documentary about the making of Mirage. I would enjoy it more than the Tusk one. It was the end of an era for the band and I love every tiny detail about it.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
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