#31
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get over what?
You just seem to not want to hear me. PS: I did not attack you. I did not quote anything. Look at chili's post you last quoted. THERE you go. You agreed. You two constantly bash that performance. I LOVE IT I LOVE IT I LOVE IT
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.......................................................................................... Last edited by shackin'up; 08-01-2006 at 06:12 PM.. |
#32
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How many times did you defend slowhand and that other JJcale- copy? crappy argument.
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#33
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Oh I hear you and I understand what you are saying regarding it as art etc. I'm not attacking the concept or the idea, just the application. Quote:
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Last edited by madformac; 08-01-2006 at 07:21 PM.. |
#34
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#35
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A suggestion:
It is VERY important, but also very difficult, to learn anything by ear musically. Lindsey's stuff is especially difficult--sometimes, it can seem impossible. But it isn't. The people here who are not posting tabs are only trying to help you, of course, but you don't realize it yet. So, here's an alternative: Try learning it yourself. Spend 2 hours playing it over and over and over. Lindsey's FM stuff is almost always in standard tuning (or drop D), so there's nothing there to really trip you up. Try learning it, post what you think is correct, then we here who know these songs can help push you in the right direction in places wherein you've gone wrong. ChiliD used to do this for me when I started playing. No one here will laugh at a decent attempt. Just a suggestion. Take it or leave it. Adam |
#36
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mich |
#37
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#38
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mich |
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