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Uncut's Earl's Court Concert Review
I thought this review was so cute and funny; I just had to post it.
Go Their Own Way Return of the Mac - another crazy episode in the longest-running soap opera in rock'n'roll. Fleetwood Mac Earl's Court, London Wednesday December 10, 2003 There's a hip young gunslinger of Uncut's acquaintance in the audience tonight who normally writes about futuristic electronic dance music for a well-known weekly music paper. And he is so moved by this performance by Fleetwood Mac, not just a guilty pleasure but his all-time favourite pop group, that he's in tears, with the lowing sounds that accompany proper sobbing. Fleetwood Mac have the strangest effect on the least likely people. They're MOR with edge. Lindsey Buckingham and Stevie Nicks, who turned the drama of their disintegrating relationship into one of the best-selling albums ever made (1977's Rumours), are that edge. They flaunt it tonight. Buckingham and Nicks, the Meg and Jack White of dreamy, druggy '70s adult soft rock, act like this is the epilogue to the longest-running soap opera in rock'n'roll. He kisses her hand. They hug. They slow dance. They sing "Say Goodbye", one of the two valedictory ballads that climax the recent Say You Will comeback set, not to the crowd but to each other as if to apologise, right there, in front of several thousand forty-somethings in sensible knitwear, for hurting each other in the name of love. Then - and Uncut nutss you not - during faster number "What's The World Coming To" Stevie plays the bull to Lindsey's matador and, hunched forward, charges across the stage at his invisible cape with her index fingers poking above her head as horns. There is no weirder group in mainstream rock. And this is odd music for a stadium. Buckingham, pop's most handsome studio nerd, takes center stage for a thrilling version of "big Love" that is vaguely like a speeded-up madigral, with amazing guttural expulsions at the end. Nicks classics such as "Rhiannon" and "Gypsy Woman" [sic!], meanwhile, feature fantastic imagery more suited to a rainswept beach at midnight, or a hippie-chick's candlelit boudoir. Stevie's voice hasn't aged, but then she always did sound world weary. The still sexy couple duet for "Beautiful Child", like Gram and Emmylou with a pop sheen. Lindsey diffidently introduces two songs from the entirely Buckingham/Nicks-penned Say You Will, but it won't be long before their latest and greatest work achieves the recognition it deserves. The fact that it wasn't persuasively marketed on giant billboards across the globe as RUMOURS II: THIS TIME IT'S CATHARTIC represents something of a missed opportunity on the part of the record company. The blistering "Come", with Buckingham, a much-underrated guitarist, soloing ferociously like Neil Young in Warren Beatty's body, and the breathtakingly adventurous "Everybody Finds Out", should be soundtracking the lives of millions of teenagers who bought Rumours, all grown up now with ruinous affairs and catastrophic marriages behind them. Never mind, because here comes big Mick Fleetwood - the safe base around whom Stevie and Lindsey whirr madly - lurching towards the front of the stage with synthesizer pads attached to his waistcoat like the percussive equivalent of a suicide bomber. Only instead of blowing himself up, he's going to entertain us with a riot of drum samples. Suddenly he goes all bug-eyed and starts blurting in tongues like some Massai warrior - or something you'd cross the street to avoid at the Edinburgh festival - and, quite unexpectedly, the B&Q brigade roar their approval. Weird band, strange fans, crazy nigt. Paul Lester
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~~Don't compromise yourself. You're all you've got.~~ Janis Joplin |
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"Gypsy Woman"? Duet on "Beautiful Child"?
How could a review that's otherwise so insightful and reverential contain such errors? (I guess it's *possible* that "Child" could be considered a duet, using the loosest definition of the word.) Otherwise, though, a nice write-up. This writer feels exactly the same way I do about the Mac: they're pop with edge. I mean, Stevie and Lindsey are just plain weird. You'd be hard pressed to find two more eccentric personalities in pop, even in supposedly counter-cultural punk bands. And that's why I love them so much. |
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Oh the memories
great review, thanks for posting! |
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"There is no weirder group in mainstream rock."
I love that!
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Do you think Fleetwood Mac will ever reunite? Maybe. But not with me or Christine or Lindsey. Christine and I will always be close; Lindsey just plain doesn't like me. I never had any musical training of any kind. I just had this innate ability to walk in, sit down at a piano, and write a song in five minutes, and go to bed. It drives him nuts. - Stevie Nicks, 1994 |
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Quote:
Golddustwoman77 - may I ask you what issue this came from? What month?
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Of course! It was in February's issue of Uncut toward the back of the magazine in the reviews' section.
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~~Don't compromise yourself. You're all you've got.~~ Janis Joplin Last edited by golddustwoman77; 03-02-2004 at 05:05 PM.. |
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Thank you kindly.
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Hey guys,
It was the March issue. I typed it up for the Burnish board. Thanks for posting it here, Golddustwoman. You even left my typos in. Thea |
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Thanks Thea.
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Quote:
"...Stevie Nicks and Lindsey Buckingham, two of pop's great eccentrics..." I love that line.
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Sorry, Les, about posting the wrong issue. My friend gave it to me out of her Uncut. I thought she said it was the February issue, and the page the review was on didn't say. Thanks for the correction, Thea.
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~~Don't compromise yourself. You're all you've got.~~ Janis Joplin |
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