|
|
Thread Tools | Display Modes |
#91
|
||||
|
||||
Quote:
__________________
Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#92
|
|||
|
|||
But why...
...didn't Stevie take more chances with the SYW-project? I mean, more than half the songs she contributed were old. She could have stalled the project if she needed more time, surely. Not that old is a bad thing, it just indicates her level of adventure-seeking..
And the tour... Man, she didn't take one step that surprised anyone. Oh yeah, she played Beautiful Child, but that was it, really.. Besides, we heard the same ol' same ol'.. She regularly played Say You Will and Goodbye Baby from SYW and the the classics (sometimes Destiny Rules). I keep thinking Thrown Down or Everybody Finds Out could've kicked some butt live.. Lindsey, on the other hand, played more new songs and generally gave more of himself at the gigs, as many has pointed out.. No wonder he steals the show.. I think it falls back to something Lindsey has always mildly critizised her for, her strong conservative point of view.. I mean, come on...! She keeps hangin' around the same people. Sheryl Crow, Don Henley and Tom Petty, and each time she does so she's using the power of nostalgia. You don't see Lindsey doing that, he makes appearences on albums, including Tom Pettys, but he doesn't abuse it in the same. He tries, as much as he can, to tread new ground.. |
#93
|
||||
|
||||
Quote:
__________________
Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#94
|
|||
|
|||
Quote:
But yeah, I think he's done a decent job of it, especially when comparing him to Stevie.. If you listen to technical details going on in the tracks, I hear stuff that I don't hear anywhere else. He's use of manipulated vocals for instance. And that's released after 1979.. |
#95
|
||||
|
||||
Quote:
Right...he used manipulated voices on Tusk (in 1979)...and he's used them on every album since. The Beatles used manipulated voices in 1966; wanna talk "new ground" still?
__________________
Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#96
|
|||
|
|||
Quote:
ok ok ok AMEN
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#97
|
|||
|
|||
Quote:
It's so nice to know that someone else can see, hear, and observe the same details and nuances that you do.
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#98
|
|||
|
|||
Quote:
Besides, it was just an example.. My whole point was still the comparison with Stevie, which is what this thread startet out with.. |
|
|
BILLY BURNETTE – BELIEVE WHAT YOU SAY 7" VINYL 45 RPM PROMO POLYDOR PD 14549 VG+
$7.99
Billy Burnette - Billy Burnette [New CD] Rmst, Reissue
$15.38
Billy Burnette - S/T - 1980 Columbia Records White Label Promo LP EX/VG++
$4.99
Signed Tangled Up In Texas by Billy Burnette (CD, Capricorn/Warner Bros.,1992)
$35.00
Billy Burnette – Shoo-Be-Doo Polydor – PD 14530, Promo, 7"
$6.00