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  #1  
Old 09-04-2011, 03:39 PM
michelej1 michelej1 is offline
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Originally Posted by elle View Post
yes, unlike shackin'up and Peestie, i am not very enamored by the voice trickery. and maybe if we haven't heard the samples first i might be somewhat disappointed now? but i didn't notice it that much the first few listens, although my overall impression is that throughout most of the album he sounds more like his young voice then his current one - and i do like his current voice better.
It's funny that that one interviewer just thought that Lindsey was singing in a higher range (as if) and didn't seem to realize that his voice was sped up. I guess that was what Lindsey was going for and it must work for most ears.

I guess that's an improvement over the UTS raspy sound that alienated some. But you're right, maybe since we heard the clips first that that softened the shock.

Michele
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  #2  
Old 09-04-2011, 03:57 PM
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elle elle is offline
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Originally Posted by michelej1 View Post
It's funny that that one interviewer just thought that Lindsey was singing in a higher range (as if) and didn't seem to realize that his voice was sped up. I guess that was what Lindsey was going for and it must work for most ears.
yes, even reading the comments on this board, i'm surprised that like that interviewer many people comment on the sound of his voice on this album as that really is how he sounds naturally. i'm assuming many of these people were primarily here because of FM or SN, and maybe that's why they don't notice it that much. so maybe aside from just several of us, most people don't even notice it? and then some do notice it, but like it that way, and appreciate his play in the studio...
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  #3  
Old 09-04-2011, 04:16 PM
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shackin'up shackin'up is offline
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You know what I find the biggest problem with his studiowizardry? I'm pompous enough to live in the illusion that I "fully understand" his art and accept some things from him that make a crash with my own standards of esthetics and harmonics. After a while he drew me in and I became intensely fond of his experiments. Thing is, When he lights my fire again, I want to share that with the world. I play them my faves, like Johnny Stew, Play In The Rain, Shut Us Down, Great Day Bel Air Rain and from this album for instance IOOT, One Take and RABlind. People freak out and I always have to say that you must not judge from first listening. Open your inner door for it otherwise you'll never see the beauty of it. Man, I feel like a friggin preacher when I do that. Still, that feeling of being one of the happy few that live under the illusion of really connecting with his art, is part of my fandom.
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Old 09-04-2011, 04:32 PM
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elle elle is offline
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Originally Posted by shackin'up View Post
I'm pompous enough to live in the illusion that I "fully understand" his art and accept some things from him that make a crash with my own standards of esthetics and harmonics. After a while he drew me in and I became intensely fond of his experiments.


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Originally Posted by shackin'up View Post
I play them my faves, like Johnny Stew, Play In The Rain, Shut Us Down, Great Day Bel Air Rain and from this album for instance IOOT, One Take and RABlind. People freak out
i know... and i can see older songs that you listed wouldn't appeal to most people at first. some of them appeal to many when seeing/hearing them live (SUD really good example, and i think if he does Rock Away Blind live that might be somewhat similar). but One Take, Illumination, TTWLG seem to be something that can also be appealing to many people that were not necessarily already pulled into lindsey's fandom. and IOOT - i can see how some can be almost scared of it, but it seems it should be appealing to many who appreciate a bit different kinds of music?
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Old 09-04-2011, 04:35 PM
MrStevie MrStevie is offline
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Originally Posted by shackin'up View Post
You know what I find the biggest problem with his studiowizardry? I'm pompous enough to live in the illusion that I "fully understand" his art and accept some things from him that make a crash with my own standards of esthetics and harmonics. After a while he drew me in and I became intensely fond of his experiments. Thing is, When he lights my fire again, I want to share that with the world. I play them my faves, like Johnny Stew, Play In The Rain, Shut Us Down, Great Day Bel Air Rain and from this album for instance IOOT, One Take and RABlind. People freak out and I always have to say that you must not judge from first listening. Open your inner door for it otherwise you'll never see the beauty of it. Man, I feel like a friggin preacher when I do that. Still, that feeling of being one of the happy few that live under the illusion of really connecting with his art, is part of my fandom.
We're in the same boat. I've tried to get friends warmed up to Lindsey but only the guitarists appreciate him. Strange thing, I have more success with the younger generation. My 20 something nephew and his friends love Lindsey. They're buying SWS, but I can't get any of my own friends to bite.
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