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Old 12-18-2017, 08:36 AM
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Review: Stevie Nicks and Lana Del Rey stunning on new collaboration

Rock and Roll Hall of Famer Stevie Nicks is featured on Lana Del Rey's new album on the track "Beautiful People Beautiful Problems," which was released in July of 2017.

The song was co-written by Del Rey, Nicks, as well as Justin Parker and Rick Nowels. From start to finish, the piano-driven ballad, "Beautiful People Beautiful Problems" is a hypnotic collaboration, that is haunting yet calming. Lana Del Rey is superb thanks to her crisp lead vocals, and Stevie Nicks lends her ethereal voice and soaring harmonies on the track, which helps elevate the tune to a higher level. Both songstresses prove that their vocals are too good to be mortal on "Beautiful People Beautiful Problems," and the song garners an A rating.
This past April, Stevie Nicks headlined Nassau Coliseum on Long Island, as part of her "24 Karat Gold Tour," which earned a glowing review from Digital Journal.
Lana Del Rey and Stevie Nicks' collaboration "Beautiful People Beautiful Problems" is available on Spotify and on iTunes. This song alone is worth the price of the new Lana Del Rey album Lust for Life.
To learn more about Stevie Nicks and her music, check out her official website.
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Old 12-29-2017, 03:42 PM
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WATCH: Lana Del Rey's 'Lust For Life' Gets The Behind-The-Scenes Treatment

To cap a successful year, Lana Del Rey released a behind-the-scenes look at the making of her chart-topping new album Lust for Life.

The "Love" singer posted a series of short videos on Instagram to give her fans a closer look at the creative process behind the new album. There are eight videos so far.

"Posting this record's writing sessions [in case] I lose my phone again," Del Rey wrote on the caption of one sneak peek videos.

The singer-songwriter included a behind-the-scenes look at the recording sessions for "Beautiful People, Beautiful Problems," a collaboration with music icon Stevie Nicks, and "Change."

Working With An Icon
Speaking of Nicks, collaborating with the Fleetwood Mac singer was a dream come true for Del Rey. In a conversation with Pitchfork, she recounted the experience of recording alongside the Queen of Rock and Roll. "

At the end of the track, she sings, then I sing, then she sings. I was kinda embarrassed," said the award-winning musician. "I sound so little compared to you," she told Nicks. "That's good, you're my little echo," the music icon responded, according to Del Rey.

The "Young and Beautiful" singer was clearly a fan. She added that Nicks has been nothing but kind and supportive to her, despite the fact that she has been in the industry longer and has achieved far greater successes in her career.

Chart Topper
The 32-year-old's fifth studio album made its debut earlier this year at the number one spot of Billboard 200. Released in July, Lust For Life sold 107,000 equivalent album units in its first week, around 80,000 of which were traditional album sales. This is Del Rey's second album debut at number 1 on the albums chart. The album also earned her a nomination for Best Pop Vocals at the 60th Annual Grammy Awards.

The success of the album might have to do with the singer's seeming new outlook. In Lust for Life, Del Rey's world becomes a little bigger. For the first time, she no longer lives in a bubble where only she and her lover exist.

"With this one, I was thinking about things broader than just my relationships, which was nice for me, and probably nice for my fans, too - a bit of a reprieve," she explained in an interview with Billboard.

Lust for Life is now available on iTunes, Apple Music, Google Play Store, and in record stores worldwide. Del Rey is also set to go on tour across the country starting next month.
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Old 02-08-2018, 03:11 PM
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Old 02-08-2018, 03:13 PM
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Groupie Love: Lana Del Rey by Kim K, Stevie Nicks, Courtney Love, & More
by William Defebaugh

For our debut issue, the enigmatic Lana Del Rey opens up to a cadre of contemporaries, collaborators, and celebrators about everything from music to meditation and the future of mankind.

Issue 1 hits newsstands on February 27. Subscribe to our newsletter to find out when you can order your copy online.

"I don’t belong in the world, that’s what it is. Something separates me from other people. Everywhere I turn, there’s something blocking my escape.” So begins “13 Beaches,” the third track from Lana Del Rey’s most recent album, Lust For Life. Though the voice is almost indistinguishable from the singer’s own, it actually belongs to actress Candace Hilligoss. The sample comes from director Herk Harvey and writer John Clifford’s 1962 cult horror film Carnival of Souls, which follows Hilligoss as Mary Henry, a woman who miraculously survives a car crash. Following this upheaval, she moves to a new town where she struggles to fit in with those around her—and becomes haunted by ghosts and drawn to an abandoned carnival.

Parallels between Henry and Del Rey are easily drawn: A prominent subject of Del Rey’s music has always been tragedy, and what is modern-day fame if not a twisted circus? But luckily for Del Rey, her story has a happier ending. After a successful, albeit somewhat controversial, debut with Born to Die in 2012, she didn’t succumb to the media merry-go-round. Instead, she slowly built her success over the course of the next six years with one highly praised album after another. If there was any doubt as to her talent as an artist, it was eradicated by 2014’s Ultraviolence, which garnered nearly unanimous critical acclaim and was her first album to reach Number One on the Billboard 200.

Whether jaded by journalists or simply desiring to let her music speak for itself, somewhere along the way, Del Rey became a bit of a recluse in regards to the press. (Her 2015 music video for Honeymoon’s “High by the Beach” saw the singer blast a paparazzi helicopter from her balcony.) But this only increased Del Rey’s allure, likely due to the fact that an air of mystery feels refreshing in this overexposed, media-driven era. She became the ringleader of her own act and her silence only contributed to her cult-like following among a generation that had had enough of perky pop.

It was that very generation that inspired the first single off of 2017’s Lust for Life. Released exactly one month after President Trump’s inauguration, “Love” felt like the answer to a collective cultural prayer asking how we might move forward as a nation. It was hopeful in a way that was unfamiliar to her audience, making it all the more powerful. “Don’t worry baby,” she sings on the track, referencing a Beach Boys song released in the ’60s, another era of societal unrest. Not long after came the album (the cover of which shows her beaming smile) and more political tracks. “There were things I’ve wanted to say for so long and the environment was not a great place to be outspoken,” she says. “All I can ever think of every day when I wake up is how grateful I am that that’s changing. That’s my whole life right now.”

If Mary Henry capitulated to life’s carnival, Del Rey seems to have conquered it. She’s kicking off 2018 with her largest U.S. tour yet, playing sold out shows in arenas across the country. At 32, she’s become a legend, with a devoted following that includes a variety of celebrities. (Courtney Love proudly listens to her music on repeat and who could forget when Kim Kardashian and Kanye West asked her to perform at their wedding?) As she tells a select group of said fans for this cover story, she’s having the time of her life.


You have such amazing style and I love how you’ve been able to turn retro classic looks into your own. Who was your biggest beauty influence growing up?
I was sort of a late bloomer with style and everything really. I loved Joan Baez—I just really identified with her character. I loved Lauren Bacall. I saw a rerun of The Dick Clark Show with Janice Joplin on it and she had feathers in her hair and I thought she was so cool, so her as well. And I really like what you’re doing now. I love your style update, with your hair and the nudes and mauves. I’m watching you. I’ve got my eye on you.

If you weren’t writing or making music, what would you be doing?
I would be a doula, or maybe working with kids.

Can you cook?
[Laughs] No.


Why have you stolen my unconscious and made me your musical slave?
[Laughs] If you had told me that one day Courtney Love would listen to me on repeat, I would just not have believed you.

Do you agree that yours is probably the smartest hair dye in show business history, other than Marilyn [Monroe]’s?
[Laughs] Yes.

Make me a favorite song playlist right now.
Okay. Hole, “Celebrity Skin.” The Flamingos, “I Only Have Eyes for You.” Migos, “Bad and Boujee.” A$AP Rocky, “L$D.” Simon & Garfunkel, “Scarborough Fair.” Janis Joplin, “Mercedes Benz.” The Eagles, “Hotel California." Lou Reed, “Perfect Day.”

How are you liking the big huge venues?
I can’t believe that I’m doing an American arena tour. I still have this amazing photo framed of me and you on the marquee of the Hollywood Bowl. I actually think of that every time I’m in these arenas because that was our biggest venue: 24,000 people. You said the funniest thing when the kids wouldn’t be quiet. You were like, “Listen you ****ing fetuses! I was ****ing famous before you were even born!” That was my favorite moment. I’m loving it.

What’s your favorite song on Lust for Life?
I like “Coachella,” actually. I put it in the song exactly the way I was thinking about it driving home. I love when I can do that. And for me, it was such a culmination of things: Seeing Father John Misty, being with his wife; realizing there was a real problem with North Korea, that it was an impending, bigger world problem. It was to the point where I did not want to go home after the festival. I stopped at this crazy place called Rim of the World Highway in Lake Arrowhead [California]. I sat there, went to the redwood grove, and really had a moment with myself.

Are you okay with kids knowing you don’t do drugs or drink? I think you should be.
I don’t know how I feel about that yet. There’s a reason why people keep certain things private, but at the same time, it is a big part of my life. So, it is what it is.


Dear Lana, are we planning on spending the summer in our fantastic apartments in the Hollywood sign?
Stevie! Sweet angel! Yes don’t worry I’ve already began planning the summer but I was thinking we could spend half of our time on that boat we were talking (maybe shoot a video for "Beautiful People, Beautiful Problems.") I was thinking we could kick it off on the Summer Solstice — what do you think?

Are we still going to have the fabulous dinners and parties? Long gowns required. (I realize no one will know what we're taking about!)
Yes to fab parties with long dresses, folk music, and all the most fun people in attendance. I started a guest list I’m going to send over to see what you think. (The men are the trickiest part.) Should we invite the local gossip columnists too or keep it low key? I was thinking open bar, but buffet-style only. Lots of twinkling garden lights on our shared deck.

Have you enjoyed your new record Lust For Life and why, since it's so different?
I can’t tell you how much I’ve enjoyed touring this new record and a lot of my happy feelings about it kicked off when I was talking to you and we were so on the same wavelength about how nice it is to turn a corner for the better. Obviously you have to really be changing to write a record that’s different from the rest of your discography, but it feels good to be slowly catching up in my personal life to some of the more cheerful sentiments I was writing about over the last two years.


What do you think about artificial intelligence? Do you think it will be good or bad for humanity?
I think it’s just a natural progression of where technology has been leading to up until now. I think the advancements of AI will be benefits. I don’t think it will get to the point where we are boycotting the robot community because they’ve taken all of our jobs. That said, I did hear that Amazon’s just become the first company to deliver via drone, which I’m very excited but also nervous about, because I’ve had such bad experiences with drones. So, don’t take my word for it.

Who is your favorite country music singer? Are there country music influences in your work?
Yes, lots of country. I am from upstate New York. They used to call it “the Deep South of the North.” I like Tammy Wynette, Hank Williams, a little bit of Dolly Parton.

Would you go to Mars, even if it meant dying there?
Hell to the no! [laughs] Are you kidding? Loco. Who could ever leave the Earth behind?

If you could live behind the eyes of any writer in history and silently view their life from their perspective, who would you choose?
[William] Shakespeare. Was it one man? A community of people who wrote all of those game-changing plays?


What particularly crazy thing did you do as a teenage rockstar?
When I was a teenager, we used to get weekend passes from school and go out to places like the Limelight and dance all night. I remember being so tired for my English classes on Monday but thinking, I’m going to move to New York City one day.

Where did the inspiration for your marvelous vintage world come from?
I guess part of my retro sensibility comes from my love of old movies from when I was a teenager. I remember seeing films like A Place in the Sun with Elizabeth Taylor or films with Natalie Wood and thinking that they were so beautiful. As much as I loved ’50s films, I loved ’60s music, and still do above any genre.


Do you remember what it was like to listen to a song and just hear an overall sound? Do you ever wish you could go back and hear music that way?
That reminds me of when I heard the Beach Boys for the first time and all I got was that sunshiney feeling of good vibrations. [Now] I hear every instrument, everything. My mixing and mastering process of my records is a half year long and painstaking, but it’s totally worth it. I wouldn’t have it any other way. Even though it’s so hard to be neurotic, it’s for a reason.

Do you feel like the decline of pop music culture is on the horizon? What about the decline of civilization in general? Is there a connection between the two?
Probably, but I don’t really know what it is. I think really, there’s a rise of sociopathy and narcissism, and a mental health crisis. Everyone’s kind of becoming aware of the fact that that needs to be fully addressed. Maybe there is a link. It’s probably related to consciousness.

If most people don’t care about Mozart operas now, will anyone care about Ziggy Stardust in 100 years? Will we even still be living on the planet Earth by then?
[Laughs] Well, I’m a realist as much as I am a mystic. I believe we will still be on the planet until extremely different conditions. I bet we’ll still have holographic Ziggy concerts. I want to send my own [holographic] concert on tour in a few years—this one, L.A. to the Moon— because I love it. Empires and genres, they all have their rises and falls.


To what extent do you think our personalities are shaped by the way we look?
Up until this point in our culture, I think half. Hopefully, from this point onward, it can be less. It’s kind of like that nature-versus-nurture question. I think it’s similar in the way that you’re just living with yourself all the time. But obviously, when you have a strong personality, you can surpass any first judgment people may have on you.


Do you know the mood you want to set going into a record?
I do when I’m halfway through, even three songs deep if they’re written well enough. Luckily for me, I wrote “Lust for Life” on the day that I finished Honeymoon, two years ago. I knew everything was going to be in a different hue, I just didn’t quite know how.

What’s your most personal song?

If you could change any one thing about the music industry, what would it be?
More female producers.


Did you read poetry as a teenager?
Yes. One of my biggest influences was my 10th grade teacher, Gene Campbell. He introduced me to the Beat poets, Allen Ginsberg, as well as writers like [Vladimir] Nabokov, [Walt] Whitman...Even 15 years later, they’re still my biggest literary influences. When we read all the classics like [John Keats’s] “Ode on a Grecian Urn” and I learned what it meant for poetry to have different beats that gave it a rhythm—and I started thinking about whether I could write poems.

If you could visit any historical era—and hang out with a key player of that era—what would it be?
I would totally go see Janis Joplin, Jimi Hendrix, Haight-Ashbury in San Francisco. Summer of Love, that’s my jam.

What were the first songs that really affected you as a young girl?
I remember hearing the Beach Boys in the car— that was the one CD we had. Paul Simon, Simon & Garfunkel. I was in Catholic school and I went to church through school my whole life, so I was the cantor for most of my life. So, a lot of traditional hymns. I don’t know if I’d say that was an inspiration, but that’s definitely what I knew. And then, when I was 15, I got into hip-hop. That same teacher, Gene Campbell, kind of opened up my world with the Roots and Biggie and Tupac.


Do you consider yourself a spiritual person? —Ian
Yes. I believe you are your own doorway to an understanding of something greater. I never think of how I can get bigger or better, I just think, How can I go deeper? How can I know myself more so that I’m a clearer conduit for whatever else is in the ether? Meditation’s a big part of my life. I was already doing that when I was young, thinking about what I wanted to do, things I wanted to manifest. And most of it was about the written word. I really like to channel through writing in my own small way. I don’t consider myself a truth seeker in that way. I’m just my own dialogue.

What makes you feel hopeful? —Gabriel
Really good music. Or meeting someone who I’m sure has zero ulterior motives. Being in the middle of a tour, too.

So much of your music is about love. What has it taught you? —Emily
That it’s not what I thought. And that the best is yet to come.

Have you ever considered writing and directing your own feature-length or short film? —Toni
I thought about writing a biopic about someone that wasn’t real. Actually, I was asked to write a musical, which I’ve started. It was for Broadway. I may finish in two or three years. Me and Rick have written something, so we’ll see.

Which actress or director would you choose for a biopic based on your life? —Dixie
I’m thinking a big picture here, because I love Baz Luhrmann. Not sure who would play me though.

How much do you believe in supernatural things, like astrology and witchcraft? —Vera
I believe that you can enhance your intuition through living your best life. I’ve really found that by doing the next right thing, you are led to this path of synchronicity that gives your life a supernatural edge. I’m all about doing unto others as you would have done unto you.

Is there a quote you consider your life motto? —Maciej
One thing I wish I knew when I was younger is that the answers are within you. Everything you need to know you can access through your own practices and knowledge and the things that you’ve learned. I used to think that other people could show the way. So, I usually say, “To thine own self be true.”
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Old 02-25-2018, 10:03 AM
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Lana Del Rey says Stevie Nicks was 'full of surprises'

Lana Del Rey has revealed Stevie Nicks was "full of surprises" when they worked together in the studio.

The 'Beautiful People, Beautiful Problems' singer was working with the iconic rock star on the track for her latest album 'Lust for Life', and she found it delightful to work with a legend with such a great attitude.

Speaking on World Cafe on National Public Radio, she said: "Funny enough, I had wanted her to open the song -- 'cause, you know, she's Stevie.

"But she didn't want to. She wanted to take the second verse and step into it. So, yeah, she was full of surprises.

"She gave me a little golden diamond H, cause she always joked about how when I got older, I would live in the H and she would live in the W of the Hollywood sign -- turn it into a little A-frame house. I was like, 'Really? Let's do it.' "

Lana admitted the session with the Fleetwood Mac star was memorable for all the right reasons, and she was amazed when Stevie took inspiration from her own vocal takes.

She added: "I remember so many different things about that session. She wanted me to go in and do something at the end, like a little tag.

"I got on the microphone and I had, like, red-light fever because she was watching me. I said, 'That was bad, my voice was breaking.' And she's like, "I like that it was breaking. I'm gonna try and do it like you now."
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