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#1
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A very solid album at the very least with at least three all-time 'best of' tracks. It does show a little of the '80s production sheen, but I don't think in a bad way at all, not anymore than Steve Winwood or Yes of the same time does. Stevie's Belladonna was so strong because of an excess of material she had in store, so I'd have to rate it higher, but Christine's '80s album isn't too far behind, and I think it's stronger than other Nicks releases of the decade. At the time I was very surprised when there wasn't another solo release from her at some point in the next dozen years.
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#2
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Quote:
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#3
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I was just listening the album in my car. What impresses me most upon hear it now is how well it was recorded. I too believe more tracks needed to be written by Christine alone. The weakest part of the record (for me) are the three tracks that are sandwhiched between Got a Hold on Me and Smile I Live For.
One in a Million STILL thrills me when I hear it. Smile I Live For was the last track written and, presumably, the last recorded. According to Chris, she wrote it in Switzerland. It’s such a fantastic song—and it reminds me in mood and tempo of Carnival Begin. |
#4
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Quote:
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#5
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Quote:
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#6
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That is like nine minutes of heaven right there.
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#7
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I finally get to know how the sun feels, every time it shines; but only when I listen to those songs back to back.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
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